Leora Novick: A Northern Indian Road Trip Becomes A Cultural Buffet

Posted on 21st April 2012 in The monuments of world

One of my favorite aspects of travel is observing the day to day life of people all over the world. Seeing a country’s monuments and palaces is a pleasure, but I prefer getting a taste of the culture. As I drove through Jodhpur, Jaipur and Ranthambhore, I was constantly astounded at the scenes outside my window.

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As soon as we left the city life of Udaipur behind, the dusty desert roads stretched endlessly before me. Fields full of the seasonal wheat crops were peppered with grazing cows, goats, and a few mischievous dogs. The landscape was dry and brown, as we were heading into the peak of the summer season, and the only color came from the saris of the local women, dotting the fields with their bright blues, oranges, and reds. The women in India work just as hard, if not harder than the men, and I was amazed at the sight of young girls carrying cement bricks on their head with no sign of distress.

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Every fifteen minutes or so, the farmland would give way to a small village, and there the real show began. Men sat in circles, their heads wrapped in swaths of bright fabric, and clothed in loose airy shifts, while small children gathered round the water pumps, cooling off from the morning heat. The streets were clogged with traffic, brightly painted trucks, rickshaws and regal looking camels pulling wagons full of grain. While the cows wandered as they pleased, revered by the Indian communities, bulls were put to work, pulling carts and transporting heavy loads. The air was filled with a cacophony of sounds, from the shrill piercing of car horns and the soft mooing of the cows, to the happy squeals of playing children. Then without warning, we returned to the quiet fields, with the long stretch of desert road ahead.

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As we drove, my driver, a man named appropriately named Menu, who gave us some insight into the local customs of these villagers. He explained that the color of the men’s turbans signified their place in the caste system, still in use today. A red turban was a symbol of the shepherding caste, while a multicolored turban meant a warrior lineage.

After Jodhpur, I drove down Highway eight, the road that connects New Delhi to Mumbai, and continued gasp at the scenes just outside my window. Families rode on the roof of trucks with ease, large bundles of grain spilled over from the back of their transport carriers, threatening to explode on the cars behind, and camels, elephants, and cows were a common roadside spotting. As the horns around me exploded with sound, Rajesh explained that cars in India have two types of horns: regular horns emitting a standard beep, and pressure horns with over 11 song options.

Cars were only permitted to use the pressure horns on the highways, as a signal that they wanted to pass you. Otherwise, a standard beep was used to alert other cars to your presence.

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Driving in India is a very unique experience, one that I’ve heard likened to a racecar video game. Nothing is enforced on the roads, from the speed limit, to the lane lines, to even driving on the proper side of the road. It is quite common to drive straight towards oncoming traffic, only to switch lanes at the last minute, weaving in and out of the vehicles around you.

Finally, as I headed for the last leg of my road trip, driving the three hours from Jaipur to Ranthambhore, I noticed how the landscape changed once again. Tiger country was noticeably drier than the previous cities, and the women tended to favor bright orange saris, perhaps as a nod to their beloved mascot, and also to scare away any predators from their fields.

I ate it up.


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Google Art goes East; India hopes it will clean up their museums’ acts

Posted on 10th April 2012 in The monuments of world

When a team from the Google Art Project visited the rarified corridors of the Indian cultural bureaucracy last year and offered to gigapixelate and upload museum collections, senior official Vijay Madan grew very suspicious.
Google’s Art Project Web site is seen on a laptop computer. (Stefan Wermuth/Reuters)

“After I condescended to meet them, I asked: What is in it for Google? What’s their agenda? Is there a catch?” Madan recalled Tuesday, inaugurating the partnership between Google and two Indian museums in New Delhi.

The collaborative Google art platform, which partners with 151 museums from 40 countries, began a year ago with the goal of building the mother of all museums online. It uses high-resolution technology to bring to life famous art and artifacts to create near-authentic experiences. While many museums have jumped at the chance to be included, others, such as the Louvre, have balked. The Louvre has yet to give them access to the Mona Lisa.

For Madan, the Google project offers up a second incentive than just recording art. Madan hopes that it may “enthuse” Indian museums to spruce up their act.

Google’s gigapixeling equipment and street-view trolleys, with its zoom-discover-play functions, will enter an uncaring universe of Indian museums. Unlike museums in the United States, which are battling a shortage of funds and growing digital lifestyles, Indian museums suffer from a debilitating crisis of imagination and are trapped in an uninspiring sameness – beautiful objects indifferently displayed, impenetrable labels, lack of storytelling and ponderous book-on-the-wall text panels. It is not uncommon to encounter peeling wall paint, cobwebs and even potted plants placed perilously close to moisture-sensitive 12th century sculptures of dancing gods.

“Our museums are in neglect. But this kind of global attention will be a trigger for our museums to match up with the best in the world,” Madan said.

Among the 250 objects from New Delhi’s National Museum and the National Gallery of Modern Art that are now displayed in the portal are a medieval miniature painting titled “Radha and Krishna on a boat of love,” a 19th century oil painting “Woman holding a Fruit,” a 1,500-year-old Buddha head and a 4,500-year-old clay toy-cart.

India does not have a museum-going culture. Amit Sood, the India-born head of Google Art Project, said his rare visits to Indian museums during his childhood did not last more than 15 minutes. “We are putting Indian museums in the global spotlight, in the front and center of discussions about access,” Sood said. He plans to gigapixelate ancient Indian temples and monuments next.

But despite such initiatives, access will continue to be a problem in India for some time. Operating the art portal requires a high-speed Internet connection. Although India has 120 million Internet users, only 13.5 million have a broadband connection.

Festival honors the many hues of Hue

Posted on 7th April 2012 in The monuments of world

This year’s Hue Festival, themed “Cultural Heritage with Integration and Development, the Rendezvous for Historical Cities,” combines new elements and activities to its magnificent traditional events, such as Imperial Nights and the Nam Giao Offering Rituals.

Nguyen Duy Hien, director of the Hue Festival Center and deputy head of Hue Festival 2012 Organizing Board, says that Hue’s rich culture presents both advantages and difficulties to him and his team as they prepare for the biennial festival.

“It is always a challenge to preserve the traditional culture while adding new elements which renew the event and attract tourists,” said Hien, who has been a member of the organizing board since the first Hue Festival in 2000, and director of the center since 2007.

 “The festival only takes place for a few days but it takes us years to prepare,” the director said, adding the event will take place inside and outside Hue royal citadel of Hue Town in the central province of Thua Thien – Hue.

The opening ceremony, due to begin at 8 p.m. on April 7 at the Noon Gate Square, will kick off the 9-day event and also the National Tourism Year 2012.

The opening ceremony will feature a stunning fireworks show organized by pyrotechnics expert Pierre-Alain Hubert and a magical fire installation by the renowned French company, Carabosse.

The Nam Giao Offering Rituals, one of the traditional rites under the Nguyen Dynasty (1802-1945), which express the desire for prosperity, peace and favorable weather for the nation will consist of two parts: the procession of the ancestral tablet from the Fasting Palace to the offering site and the main ceremony at Nam Giao Esplanade.

The show, to be held at 8 p.m. on August 8 of the festival, will be performed in a more authentic ceremonial proceeding than in previous years.

Two Imperial Nights, each with royal banquets, are sure to be highlights of the 2012 festival. The program will take place at 7:30 p.m. on April 10 and 13 at three main stages: the central one (from the Noon Gate to the base of Kien Trung Palace), the left wing (from The Mieu Temple to Truong Sanh Residence) and the right wing (from Noi Vu Office to Co Ha Royal Park).

In addition to the highly praised events from previous festivals, including the welcoming performance, paintings, photography, calligraphy, royal games and dances, this year’s Imperial Nights will also include the “Ancient Hue Memories Through Antiques” exhibition (at the Ta Vu Pavilion), the performance, “Memoirs of Imperial Concubines” (in the Truong Lang area) and the art installation, “Tuong’s mask” (at the Nhat Thanh Pavilion).

Oriental Night shows will take place at 9 p.m. on April 8, 10, 12, 13 and 14 at the Thai Hoa Palace, featuring vibrant traditional costumes from Cambodia, India, Japan, Korea, Laos, Mongolia, the Philippines, Thailand, and Vietnam, representing the cultures of each country.

In the idyllic setting of the Supreme Harmony Palace’s front-yard, lit by lanterns and candles, performers from participating countries and Vietnamese models will put on a show in traditional costumes accompanied by beautiful original music.

Two Ao Dai (Vietnam’s traditional long dress) Grand Shows to be held at 8 p.m. at Quoc Hoc Stele on April 9 and 11 will feature local beauties, including the respective Miss Vietnam winners in 2006, 2008 and 2010 – Mai Phuong Thuy, Thuy Dung and Ngoc Han – appearing in lotus themed ao dai designed by Si Hoang and Minh Hanh.

Everyday at 4 p.m. from April 8-12, there will be street art music and dance performances which express the vitality and enthusiasm of people throughout the world working for peace, cooperation and friendship. The street shows will take place along Hung Vuong, Le Loi, Nguyen Dinh Chieu and Tran Hung Dao streets.

“A Peaceful World” show by the Perfume River at 8 p.m. on April 12 will feature royal court music and dances and the recitation of epic poems inscribed on Hue’s monuments.

“The call of eternity” concerts, dedicated to Vietnam’s renowned composer Trinh Cong Son, will take place at 8 p.m. on April 8, 9, 11, 12, and 14 at the Co Ha Garden inside the citadel. Popular local singers, including Anh Tuyet, Anh Ha, Thuy Long, Minh Thuy, and musician Nguyen Anh 9 will perform the late Hue-born composer’s timeless songs.

The Drums and Percussion Concert, “Resounding the Spirit of Vietnam,” will take place at 4 p.m. on April 11 and 14 at the Nghinh Luong Dinh, and is expected to present the essence of Vietnamese music.

The closing ceremony at Phu Van Lau Square at 8 p.m. on April 15 will include another fireworks show and the release of floating lanterns down the Perfume River in a romantic farewell to festival attendees.

This year’s festival, according to the organizer, will not only take place in the center of Hue town, but will also involve other neighboring locales within the province, to bring the festive atmosphere to all of Hue’s outlying areas.

Huong Thuy Municipality will hold Cho que ngay hoi (countryside market of festive days) on April 8 – 11 at Thanh Toan Tile Roofed Bridge, whereas Phuoc Tich Ancient Village will offer Huong xua lang co (the soul of an ancient village) tour, as well as several community activities, including, boat races, human chess, a kite festival and a children’s festival, along with other exhibitions.

According to Hien, the festival has transformed Hue both inwardly and outwardly. More tourists and donations to restore Hue’s buildings, many of which are more than one hundred years old, have flowed into the town since the festival was founded 12 years ago.

By Bui Ngoc Long, Thanh Nien News (The story can be found in the April 6th issue of our print edition, Vietweek) 

Earth Hour response tremendous

Posted on 1st April 2012 in The monuments of world

Published: March. 31, 2012 at 11:14 PM

LAS VEGAS, March 31 (UPI) – The World Wildlife Federation said people across the world shut off the lights Saturday in an overwhelming show of support for the fifth annual Earth Hour.

Earth Hour’s social media response was overwhelming, said Earth Hour Co-Founder and Executive Director Andy Ridley on the Earth Hour Web site.

“People from over 150 countries across the globe are harnessing the power of online platforms to physically care for the future of the planet,” Ridley said.

Earth Hour estimated about 15 million people across Russia observed, in solidarity with more than 6,494 towns and cities worldwide, more than 230 monuments and the more than 100,000 individuals who pledged via YouTube and Facebook to adopt sustainable practices.

In front of India Gate in Delhi, about 200 cadets from the National Cadet Corps formed the “60+” Earth Hour Logo, the Deccan Herald Reported.

For the fourth year in a row, the twinkling lights of Fremont Street — from Caesar’s Palace to Planet Hollywood — were to be switched off in observance of the environmental effort, the Las Vegas Sun reported.

Earth Hour, which began in 2007 in Sydney, called on people worldwide to shut off their lights for an hour to take a stand against global warming. That first year in Sydney alone, 2.2 million people turned off their lights in solidarity.

Millions of people across 135 countries turned off the lights last year in accordance with Earth Hour.

Delhi switches the lights off for 4th Earth Hour

Posted on 31st March 2012 in The monuments of world

New Delhi, March 31 (IANS) The orange glow of lamps at the India Gate blinked off, letting stars shimmer down as the lights at the monument were switched off to mark the fifth Earth hour at 8.30 p.m. Saturday.

Some 200 cadets from the National Cadet Corps formed ’60+’, the Earth Hour logo, in front of India Gate.

The event, organised by World Wildlife Fund(WWF), symbolised the “need to mark these 60 minutes with our willingness to conserve energy and then go beyond the 60 minutes of Earth Hour”, said Rudra Ghose, a co-ordinator at the event.

According to WWF programme director Sejal Worah: “The Earth Hour campaign has gained the momentum that carries it to every corner of the country.”

Cricketer Sachin Tendulkar is the brand ambassador for the campaign in India. Several celebrities such as Rituparna Sengupta and Dhanush are also supporting the campaign.

Science Popularisation Association of Communicators and Educators (SPACE), an amateur astronomy organisation, set up telescopes at India Gate to let the public observe the night sky without the light pollution caused by the lights at the monument.

“Now that the lights are off, the sky has become clearer and many stars could be seen which were earlier too dim to be seen in the artificial lights,” said Sneh, one of the SPACE volunteers.

“As the World celebrates Earth Hour by switching off the lights across the globe for an hour it reminds us of the scarcity of energy,” said Arun Gupta, managing director of NTL electronics, a leading lighting manufacturers.

Said to be the largest environmental campaign in history, Earth Hour was first observed in Sydney in 2007, in order to send a strong message calling for action on climate change and environmental conservation.

The event has gone global, with organisers claiming that more than 6000 cities and towns across a record 150 countries are set to switch off their lights for the hour this year. In the capital, lights were switched off at several monuments such as the Qutab Minar and Humayun’s Tomb, besides India Gate.

Major landmarks to turn off the lights for Earth Hour on March 31

Posted on 28th March 2012 in The monuments of world

On March 31 at 8:30pm local time, governments around the world will switch off the lights, plunging some of their countries’ most famous monuments into darkness for 60 minutes for the annual global event Earth Hour, which is designed to raise awareness of climate change and the environmental issues facing the planet.

Earth Hour, organized by environmental group the World Wildlife Fund (WWF), first began in Sydney in 2007 and since then has spread around the world, with more than 135 countries now taking part. Thousands of other events organized by individuals, businesses and local organizations will also be taking place across the globe to mark the event.

Below is a list of some of the key monuments around the world taking part in this year’s event:

Australia: Sydney Opera House, Sydney Harbour Bridge

Belarus: National Library of Belarus

Brazil: Christ the Redeemer Statue

Canada: CN Tower

China: Great Wall Of China, Beijing National Stadium (Bird’s Nest)

Croatia: Dubrovnik city walls

Dubai: The Burj Khalifa

England: Buckingham Palace, Tower Bridge, UK Houses of Parliament, Big Ben

France: Eiffel Tower, The Louvre

Germany: Brandenburg Gate, Allianz Arena

India: Gateway of India

Italy: Tower of Pisa

Japan: Tokyo Tower

Lybia: The Libyan Museum

Nepal: Lumbini Sacred Garden

Singapore: Orchard Roa

South Africa: Table Mountain

Taiwan: Taipei 101

United States: Las Vegas Strip, Times Square, Empire State Building

Vatican City: The Cupola of St. Peter’s Basilica in the Vatican

A full list of events, including all those organized by independent organizations, can be found on the Earth Hour website at: http://www.earthhour.org/

Following Earth Hour the UN-organized Earth Day on April 22 will once again bring together people from around the world to promote awareness of the world’s climate and the environmental challenges it currently faces; more information about this event can be found at http://www.earthday.org/2012.  

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Sky Tower turns off lights for Earth Hour

Posted on 27th March 2012 in The monuments of world

Auckland’s tallest man made building and dominating landmark of Auckland skyline, the Sky Tower, will switch off its lights this Saturday night (31 March) at 8.30pm for an hour in support of the global environmental initiative, Earth Hour. The Sky Tower will be the one of the first major monuments to ‘go dark’ in the world being followed around the dateline by the likes of the Eiffel Tower in Paris, Gateway of India in Mumbai, Berlin’s Brandenberg Gate, Christ the Redeemer statue in Brazil, the Obelisk in Argentina and Pakistan’s National Mausoleum.

Last year, across the entire country New Zealanders were amongst hundreds of millions of people across more than 5,200 cities in 135 countries who took part in Earth Hour, which since its inception in 2007 has grown to become the world’s biggest voluntary action for the planet.

This year, the theme for Earth Hour is ‘I Will If You Will’, which marks the start of a new phase for the Earth Hour movement, asking people and organisations to commit to an action, big or small, that they will sustain for the future of the planet.

SKYCITY Auckland, located in the centre of the city is home to two large hotels, the SKYCITY Hotel and the SKYCITY Grand Hotel who both hold Qualmark Enviro Gold ratings. SKYCITY Auckland is dedicated to environmental sustainability including employing a full time environmental co-ordinator, who works to identify ways for the business to become more environmentally efficient.

To improve its energy efficiency, SKYCITY Auckland has overhauled the Sky Tower internal lighting system and is now on motion sensing controls. In addition SKYCITY Auckland is also working through over one hundred energy conservation measures that arose from an energy use audit undertaken in 2011 which will result in enormous energy savings.

Stuart Wing, Chief Operating Officer for SKYCITY Auckland says: “We are proud to be supporting Earth Hour in the campaign to raise awareness on global warming. We will be turning off the Sky Tower lights for Earth Hour and we ask New Zealanders to do the same.”

Google charts a careful course through Asia's maps

Posted on 23rd March 2012 in The monuments of world

By Jeremy Wagstaff, Asia Technology Correspondent

(Reuters) – Google rushed out its panoramic Street View maps in Thailand on Friday as part of the country’s efforts to show tourist hot spots have recovered from last year’s floods.

But it also marked something of a change of fortunes for Google itself, which has weathered several storms in Asia over its mapping products.

Google rolled out 360-degree images of the streets of Bangkok, the resort island of Phuket and the northern city of Chiang Mai. Street View allows users to click through a seamless view of streets via the company’s Google Maps website.

Google plans to use a tricycle-mounted camera to photograph places that can’t be reached by car, such as parks and monuments. The Tourism Authority of Thailand will launch a poll to choose which sites to photograph first.

“We really want to show that Thailand isn’t still underwater,” said David Marx, Google’s Tokyo-based communications manager. “People should see Thailand for what it is.”

Pongrit Abhijatapong, marketing information technology officer at the Tourism Authority of Thailand, said it was less about showing that Thailand was back to normal.

“Rather, we hope tourists can see with their own eyes what Thailand is like. Street View will help their decision-making process in a positive way in regards to visiting Thailand.”

Google has not always been able to count on such enthusiasm elsewhere in Asia, illustrating the challenges the company has faced besides high-profile spats with China over privacy and India over removing offensive content.

While Google has faced issues globally – most recently over its changes to its user privacy policy – Google’s efforts to map and photograph streets across Asia have encountered cultural, political and security obstacles.

In Japan, for example, Google was required to reshoot its street level photos in 12 cities in 2009 after complaints the 360-degree camera, set atop a vehicle plying Japan’s narrow streets, was photographing the insides of people’s homes.

And in South Korea its Seoul offices were raided in 2010 after police discovered that the Street View vehicle was not just taking photos but also capturing data over Wi-Fi networks.

BALANCING

In India, Google’s plans to capture street-level images of Bangalore were blocked by Indian police in 2011. Google says it is in discussions with the Indian government “on ways to move forward.”

Marx pointed out that Street View had been rolled out without problems elsewhere in Asia, including Hong Kong, Macau, and Singapore, and is about to begin photographing Malaysia.

The cases in Japan and Korea have been resolved, Marx said, and Street View was now live and popular in both countries.

Indeed, Marx said Street View now covered much of Japan, including far-flung islands. In addition, Google captured street-level images of the area hit by the tsunami as part of an initiative to chronicle the devastation and reconstruction.

“Japan,” he said, “has become one of the global highlights of Street View.”

But issues remain in both countries. Japan’s Ministry of Internal Affairs and Communications has since warned Google to comply with the country’s privacy laws. That included a notice in November instructing Google to delete data collected from Wi-Fi networks.

In South Korea, prosecutors said their investigations were only temporarily suspended after failing to gain access to some Google staff involved in the matter.

To be sure, the issues Google faces are not exclusively Asia-related. But many of the problems over its mapping applications have been.

While it chose to risk China’s ire by pulling its search operation out of China over a censorship dispute in 2010, in other cases in Asia it has danced carefully between local laws and sensibilities, and not compromising its own position.

Take Google Maps, for example, which is the mapping service that Google users access through a web browser or their phone.

To comply with laws in India and China, which require all published maps to hew to the host country’s official borders, Google has created different versions – one for those accessing Google Maps inside India, one for those in China and another for the rest of the world.

OFFSHOOT

Stefan Geens, a Belgian consultant who tracks the political dimensions of Google’s mapping services at his blog ogleearth.com, says that given the size of both markets Google had little choice.

But Geens, the recipient of a Google grant to research international law and remote sensing technologies, said it also had to take into account the feelings of local staff in both countries.

“Google doesn’t have to answer just to the Indian government, but also to its employees, when they do stuff which might offend Chinese or Indian sensibilities,” he said.

Google’s multiple version may have allowed Google Maps to be launched in those countries, but it has not quieted all criticism.

Cambodia has complained about the depiction of its disputed border with Thailand, while Vietnam has complained about depiction of its maritime claims in the South China Sea, which overlap with China and other countries. Google says the latter is down to Vietnamese Internet users viewing the Chinese version of Google Maps.

In India, protests have been more voluble and less easy to brush off. Over the past few years media and MPs have been outraged about the delineation of the China-India border on Google Earth and Google Maps, most recently earlier this month when a newspaper in northeast India ran a banner headline reporting that Google Earth was showing parts of the state of Assam as being part of China.

Most of these cases, Geens says, are either due to mistakes by Google or users looking at the wrong maps. Where locals are quick to see a conspiracy, he says, it’s more often “an honest mistake on the part of Google.”

Google has had more PR success with an offshoot of Google Maps dreamed up by two of its engineers in India. Frustrated that parts of the country were inadequately covered by the product, they developed a tool to allow users to fill in the holes.

Submissions are then reviewed before being added to Google Maps itself. Called Map Maker, fans include the Pakistan army, which used it to update their maps after floods swept away local infrastructure in 2010.

But Map Maker’s appeal has been limited by criticism that any data contributed is proprietary, compared with open source projects such as OpenStreetMap.

On Monday, the World Bank, which announced in January that Google had allowed it privileged access to Map Maker for its disaster relief efforts, responded to criticism that it was using a closed system by stressing that it was not using Map Maker to create new data, but as another source of data.

Google’s launch of Street View in Thailand, therefore, is a chance for Google to highlight a trouble-free partnership with a government in a country it views as a surprisingly strong market.

Google says that use has grown significantly there, and that it is now one of the biggest users in the world of the live traffic feature on Google Maps – unsurprising, perhaps, given the capital’s traffic jams.

Thailand is not the first Asian country to embrace Street View but its request that the launch be brought forward was unusual, Google’s Marx said. Although Google had already started photographing before the floods hit, they completed the project within six months after the government’s request. Thailand, said Marx, “is an outlier in a good way.”

(Additional reporting by Tim Kelly in TOKYO, Kim Miyoung in SEOUL, Rebecca Conway in ISLAMABAD, Amy Lefevre in BANGKOK and Prak Chan Thul in PHNOM PENH)

Hundreds of eco-activists clean up Yamuna

Posted on 18th March 2012 in The monuments of world

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Calcutta News.Net
Sunday 18th March, 2012 (IANS)

Hundreds of young and old eco-activists turned up at the Yamuna ghats in this Taj city Sunday morning to pick up trash, mostly polythene bags, to mark the start of World Water Week March 18-25.

A joint initiative of the Rivers of the World Foundation and the Braj Mandal Heritage Conservation Society, the trash clean-up programme “was launched to pressure the new rulers of UP to accord top priority to cleaning up of rivers and community ponds”.

Programme coordinator Shravan Kumar Singh told IANS: “UP Chief Minister Akhilesh Yadav is known for his love for environmental and nature conservation programme. Through our clean up exercise today we have sent out a strong message – that we want the cleaning up of Yamuna to be taken up at the earliest and on war-footing.”

Human rights activist Naresh Paras said: “How long will governments continue to neglect these critical issues that directly touch our lives and health.”

Another activist, Anand Rai said: “The laws are there in place but no one seems interested in implementing them. The polluters of rivers and ponds must be punished publicly. Yamuna has been reduced to a huge sewage canal, the flood-plains are under encroachment and the open drains are emptying directly into the river.”

Registrar of Central Hindi Institute Dr. C.K. Tripathi told IANS: “We have to sensitise the people of the Taj city and get them back to the river. They have forgotten there is a river in the city. Its our collective responsibility to ensure that our water resources remain clean and pure.”

Mahant of Mankameshwar Math, Yogesh Puri, said: “The religious leaders must wake up and tell their followers that to pollute the river was the ultimate sin. They should not be throwing garbage and domestic waste into the river.”

The trash clean-up programme was undertaken close to the controversial Taj Corridor, sandwiched between two world heritage monuments, the Taj and the Agra Fort.

Wake Up Agra president Shishir Bhagat said: “If they can not clean up the river close to such great monuments from which the government agencies and the tourism sector earns crores of rupees annually, what hope is there that they would do anything tangible or revolutionary to save Yamuna.”

Many of the young activists saw the river for the first time and were scared to touch the water..”Oh my god ! is this what they call a river?” reacted young Neha Rajora, a mass communication student.

Home-maker Padmini with a group of women who helped the clean up exercise picking up trash, said, “We the citizens are equally responsible for pollution and for murdering a living deity worshipped by millions of Sri Krishna bhakts.”

Subijoy Dutt of the Rivers of the World Foundation in the US told IANS on phone: “The trash clean up programme was being simultaneously held at Yangtze Kiang River in Wuhan City, China, Yamuna River in Agra, India, Yamuna River in Gokul, India, Yamuna River upstream near Dehradun, Ganges River in Rishikesh, India, Hooghly River in Kolkata, Daya River near Bhuvaneswar, Barak River, Silchar (Assam), River/Lake Restoration Awareness, Vizianagaram, South India, Iloilo River, Iloilo City, the Philippines, Bagmati River in Kathmandu area, Nepal.”

Challenge to manage the welcome mat

Posted on 16th March 2012 in The monuments of world
<em>Illustration: Simon Letch</em>” />
<p><em>Illustration: Simon Letch</em></p>
</div>
<p>In the hilltop Shwedagon Pagoda, whose gold-covered stupas gleam far across Rangoon, are countless statues and images of the Buddha, sitting, standing, reclining in timeless fashion.</p>
<p>One little shrine, drawing small crowds of worshippers, is different. Inside the gilded archway is a large disc of flashing, multicoloured, light-emitting diodes, a bit like a Japanese pachinko machine, surrounding a Buddha image.</p>
<p>What price culture? Is it to be preserved in classic fashion, or updated generation to generation? Is it to be kept for the people raised in it? Or marketed around the world?</p>
<div><small>Advertisement: Story continues below</small> </p>
</div>
<p>The questions arise because big money is attached. In many countries, the responsibility for tending to culture and cultural properties used to be attached to education ministries. It was part of nation-building. Now, it is often joined to the tourism ministry, to boost invisible exports.</p>
<p>States value relics and ruins if they prove lineage to a glorious past or assist in territorial claims. Only a year ago, Cambodians and Thais died in a clash over an 11th-century Hindu temple sitting on their border. In Jerusalem recently, I climbed around new excavations of what appears to be the remains of King David’s palace, just down from the Temple Mount.</p>
<p>But there is also big money in culture, thanks to the explosion of mass travel. For Burma, inward-looking and isolated for half a century but now opening up and losing its political stigma, tourism presents tantalising opportunities and dilemmas.</p>
<p>Recreational travel into Burma is now mainly filled by small groups of prosperous, well-educated older travellers from Western countries and Buddhist pilgrims from other parts of Asia. They are there for self-education, to savour the ”real” Burma before it is all spoiled by consumerism and mass tourism. There are some nice resorts, but for most, comfort and luxury is not the drawcard.</p>
<p>All that could be about to change. Burmese officials see the 350,000 to 400,000 arrivals last year growing to 2 million or 3 million a year over the next decade. Damian Evans, who directs Sydney University’s archaeology project at Siem Reap in Cambodia, near the Angkor Wat temples, thinks they are ”radically underestimating” the potential growth.</p>
<p>”Thailand had 20 million tourists last year, double the number of 10 years ago,” Evans said. ”Myanmar [the official name of Burma] has everything that Thailand has, and better in many respects. For example, as cultural sites go, there is nothing in Thailand to rival Bagan.</p>
<p>”It also has a lot of things that Thailand doesn’t – snow-capped mountains, the finest intact colonial streetscapes in all of south-east Asia, vast undisturbed wilderness areas, and is a great living storehouse of ancient south-east Asian cultural practices and traditions – such as lost-wax bronze casting of Buddha images, and hand-pounded gold leaf production – that have been lost, forgotten, interrupted or diluted elsewhere.</p>
<p>”Unfortunately, it is these less tangible aspects of Myanmar’s cultural heritage that are most threatened by a mass influx of tourists. The one thing that Thailand has that Myanmar doesn’t have (and presumably won’t have), on any scale, is sex tourism, which I think is the one major variable that will potentially differentiate tourism in the two countries.”</p>
<p>So far, the new government of President Thein Sein, result of the Burmese military’s withdrawal from direct political control, seems to be thinking mostly about trade opportunities in physical goods that arise from the country’s position at the junction of China, India and south-east Asia.</p>
<p>But Evans points to a building human flow across borders, too. ”What we’re seeing in China and increasingly India is the emergence of a vast demographic of leisure travellers,” he said. ”People don’t fully understand the implications of this, which will be a mass movement of people over the landscape and across borders that is completely unparalleled in all of human history.</p>
<p>”Myanmar is perfectly positioned and exceptionally well endowed with the resources to take advantage of this phenomenon, and if the regime is very serious about reform and opening up to the outside world, then within a decade, or a decade and a half, tourist numbers could easily rival those of Thailand.”</p>
<p>How fast it can happen is shown at Siem Reap. It used to be a collection of quiet little fishing and farming villages. In 10 years it has become a boomtown with a six-figure population. It had only a couple of international standard hotels to cater for visitors to Angkor Wat. Now it has more than 100.</p>
<p>The tourism explosion initially overwhelmed Cambodian authorities with new problems, including transport access and communications, urban planning, care of the monuments, and sustainable use of water resources.</p>
<p>The Cambodians have been wise enough to accept outside expertise, channelled through the Angkor International Co-ordinating Committee chaired by UNESCO, on what research and restoration should be allowed, any urgent interventions, and how visits should be managed.</p>
<p>It is a possible model for Bagan, the site of an ancient city near Mandalay where more than 2000 temples and pagodas still dot a semi-forested plain, that is the Angkor Wat of Burma in terms of tourist attraction.</p>
<p>Even before Burma really opens up there has been conflict over local restoration work, often undertaken in the Buddhist way to gain merit for the next life, that doesn’t preserve the original character of the building. But if Burmese did this, like Shwedagon’s flashing light Buddha, does this make it less authentic?</p>
<p>A previous military regime built a concrete viewing tower, regarded as an eyesore unless you happened to be looking out from it.</p>
<p>But that is how many Parisians saw the Eiffel Tower.</p>
<p>Mass tourism into Burma still has many barriers. Its two main airports have limited capacity. Its big hotels tend to be owned by tycoons who are still on international sanctions lists. Its visas are relatively harder to get. Many would-be visitors worry about sending the wrong message on political reform.</p>
<p>Its government is still in a position to choose what kind of tourism it will foster. ”The only question is whether Myanmar wants to sell its soul in achieving [big] numbers, or whether it should think seriously of adopting some form of the Botswana or Bhutan model for limiting tourism and its impact,” said Evans.</p>
<p>”Personally I think the financial lure of the churn-and-burn model of mass east Asian package tourism will prove irresistible in Myanmar, as it has at Angkor, and will raise a whole series of issues to do with sustainability, impact on the environment, and heritage preservation.”</p>
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