Randy Scott Slavin's 'Alternate Perspectives' Photo Series Shows A 360 Degree World

Posted on 28th April 2012 in The monuments of world

Randy Scott Slavin’s photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says.

“The camera is a great instrument but it is limited in what we see,” Slavin said. “The eye is more dynamic and more encompassing, so it takes a lot more post production to make it look like it does in person.”

Slavin’s “Alternate Perspectives” is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin’s surroundings when he took the photo.

“I want to make sure my intentions for this project is to go out and explore the world and take a look at the monuments and reimagine them in a different way,” he said. “I want to take a series of photos based on things we’ve already seen and look at them with a new perspective.”

Though skylines and trees are unnaturally curved in the scenes, he uses a photo editing technique called stitching that creates a seamless, single image out of multiple. So, though his photos are a spherical view of the world, they look like an accurate one.

“I love surrealist art that has a grounding in reality,” he said. “It’s not just surreal for the sake of surreal. I try to keep reality in the surreal photos that I take.”

[{"entry_id":"1423212","entry_url":"http://www.huffingtonpost.com/duff-mcdonald/alabama-shakes_b_1423212.html","content_type":"image","image_url":"gadgets/slideshows/220462/slide_220462_868303_small.jpg","thumbnail_url":"gadgets/slideshows/220462/slide_220462_868303_small.jpg","title":"Alabama Shakes at the Music Hall of Williamsburg","slideshow_id":"220462","vertical":"culture"},{"entry_id":"1456702","entry_url":"http://www.huffingtonpost.com/2012/04/27/courtney-love-art-exhibit-and-shes-not-even-pretty_n_1456702.html","content_type":"image","image_url":"gadgets/slideshows/222706/slide_222706_906977_small.jpg","thumbnail_url":"gadgets/slideshows/222706/slide_222706_906977_small.jpg","title":"Courtney Love Shares Her Paintings, Goes Behind The Scenes Of Her First Art Show (EXCLUSIVE)","slideshow_id":"222706","vertical":"culture"},{"entry_id":"1441116","entry_url":"http://www.huffingtonpost.com/megan-smolenyak-smolenyak/ellis-island-awards_b_1441116.html","content_type":"image","image_url":"gadgets/slideshows/221708/slide_221708_889987_small.jpg","thumbnail_url":"gadgets/slideshows/221708/slide_221708_889987_small.jpg","title":"11th Annual Ellis Island Family Heritage Awards","slideshow_id":"221708","vertical":"culture"},{"entry_id":"1459817","entry_url":"http://www.huffingtonpost.com/2012/04/27/lilla-crawford-annie_n_1459817.html","content_type":"video","image_url":"gadgets/slideshows/223110/slide_223110_914314_small.jpg","thumbnail_url":"gadgets/slideshows/223110/slide_223110_914314_small.jpg","title":"Lilla Crawford To Play 'Annie' On Broadway, But Who Played Her Best? (POLL)","slideshow_id":"223110","vertical":"culture"},{"entry_id":"1428262","entry_url":"http://www.huffingtonpost.com/e-nina-rothe/tribeca-film-guide_b_1428262.html","content_type":"image","image_url":"gadgets/slideshows/220122/slide_220122_862534_small.jpg","thumbnail_url":"gadgets/slideshows/220122/slide_220122_862534_small.jpg","title":"Worth the Rush Lines: A Procrastinator's Guide to Tribeca Film Festival","slideshow_id":"220122","vertical":"culture"},{"entry_id":"1425621","entry_url":"http://www.huffingtonpost.com/2012/04/14/national-mall-design-finalists_n_1425621.html","content_type":"image","image_url":"gadgets/slideshows/220573/slide_220573_870257_small.jpg","thumbnail_url":"gadgets/slideshows/220573/slide_220573_870257_small.jpg","title":"National Mall Finalists Exhibit Designs (PHOTOS)","slideshow_id":"220573","vertical":"culture"},{"entry_id":"1428731","entry_url":"http://www.huffingtonpost.com/2012/04/16/culture-forecast-april-15_n_1428731.html","content_type":"video","image_url":"gadgets/slideshows/220715/slide_220715_873000_small.jpg","thumbnail_url":"gadgets/slideshows/220715/slide_220715_873000_small.jpg","title":"Culture Forecast: April 15 - April 21","slideshow_id":"220715","vertical":"culture"},{"entry_id":"1438018","entry_url":"http://www.huffingtonpost.com/2012/04/19/dumt-farligt-danish-tv-show_n_1438018.html","content_type":"video","image_url":"gadgets/slideshows/221500/slide_221500_886283_small.jpg","thumbnail_url":"gadgets/slideshows/221500/slide_221500_886283_small.jpg","title":"'Dumt & Farligt': Danish TV Show Is Stupid, Dangerous And A Lot Of Fun (VIDEO)","slideshow_id":"221500","vertical":"culture"},{"entry_id":"1445665","entry_url":"http://www.huffingtonpost.com/2012/04/23/culture-forecast-april-22_n_1445665.html","content_type":"image","image_url":"gadgets/slideshows/222020/slide_222020_895449_small.jpg","thumbnail_url":"gadgets/slideshows/222020/slide_222020_895449_small.jpg","title":"Culture Forecast: April 22 - April 28","slideshow_id":"222020","vertical":"culture"},{"entry_id":"1446353","entry_url":"http://www.huffingtonpost.com/2012/04/23/you-know-you-grew-up-in-the-1990s-when_n_1446353.html","content_type":"video","image_url":"gadgets/slideshows/213033/slide_213033_762256_small.jpg","thumbnail_url":"gadgets/slideshows/213033/slide_213033_762256_small.jpg","title":"90s Kids: Beanie Babies, WalkMan, Nintendo (VIDEO)","slideshow_id":"213033","vertical":"culture"},{"entry_id":"1459628","entry_url":"http://www.huffingtonpost.com/2012/04/27/dancing-stormtrooper-danny-choo_n_1459628.html","content_type":"video","image_url":"gadgets/slideshows/223099/slide_223099_914057_small.jpg","thumbnail_url":"gadgets/slideshows/223099/slide_223099_914057_small.jpg","title":"Dancing Stormtrooper Danny Choo Grooves Around The World (VIDEOS)","slideshow_id":"223099","vertical":"home"},{"entry_id":"1445640","entry_url":"http://www.huffingtonpost.com/2012/04/23/radiohead-creep-cover_n_1445640.html","content_type":"video","image_url":"gadgets/slideshows/222037/slide_222037_895758_small.jpg","thumbnail_url":"gadgets/slideshows/222037/slide_222037_895758_small.jpg","title":"Radiohead 'Creep' Covered By Ex-Broadway Singer Carrie Manolakos (VIDEOS)","slideshow_id":"222037","vertical":"culture"},{"entry_id":"1422092","entry_url":"http://www.huffingtonpost.com/meimei-fox/paris-fact-or-fiction-qui_b_1422092.html","content_type":"image","image_url":"gadgets/slideshows/220336/slide_220336_866274_small.jpg","thumbnail_url":"gadgets/slideshows/220336/slide_220336_866274_small.jpg","title":"Paris: Fact or Fiction? [QUIZ]“,”slideshow_id”:”220336″,”vertical”:”culture”},{“entry_id”:”1440386″,”entry_url”:”http://www.huffingtonpost.com/2012/04/20/ramiro-saavedra-kurt-cobain-sound-alike_n_1440386.html”,”content_type”:”video”,”image_url”:”gadgets/slideshows/221673/slide_221673_889358_small.jpg”,”thumbnail_url”:”gadgets/slideshows/221673/slide_221673_889358_small.jpg”,”title”:”Ramiro Saavedra, Kurt Cobain Sound-Alike, Rocks Peruvian TV (VIDEOS)”,”slideshow_id”:”221673″,”vertical”:”culture”},{“entry_id”:”1449544″,”entry_url”:”http://www.huffingtonpost.com/2012/04/24/lars-von-triers-next-film_n_1449544.html”,”content_type”:”text”,”image_url”:”gadgets/slideshows/196532/slide_196532_464978_small.jpg”,”thumbnail_url”:”gadgets/slideshows/196532/slide_196532_464978_small.jpg”,”title”:”Lars Von Trier’s ‘Nymphomaniac’ Will Be A ‘Pornographic Drama’ Starring Charlotte Gainsbourg”,”slideshow_id”:”196532″,”vertical”:”culture”},{“entry_id”:”1452364″,”entry_url”:”http://www.huffingtonpost.com/2012/04/25/announcing-the-top-10-cal_n_1452364.html”,”content_type”:”image”,”image_url”:”gadgets/slideshows/222602/slide_222602_904798_small.jpg”,”thumbnail_url”:”gadgets/slideshows/222602/slide_222602_904798_small.jpg”,”title”:”Announcing! The Top 10 California Artists You Need to Know in 2012″,”slideshow_id”:”222602″,”vertical”:”culture”},{“entry_id”:”1447293″,”entry_url”:”http://www.huffingtonpost.com/stephanie-meeks/historic-preservation_b_1447293.html”,”content_type”:”image”,”image_url”:”gadgets/slideshows/222980/slide_222980_912035_small.jpg”,”thumbnail_url”:”gadgets/slideshows/222980/slide_222980_912035_small.jpg”,”title”:”Making the Case for Historic Preservation: Online Competition Leverages Younger and Would Be Preservationists”,”slideshow_id”:”222980″,”vertical”:”culture”},{“entry_id”:”1455292″,”entry_url”:”http://www.huffingtonpost.com/e-nina-rothe/a-slideshow-talk-with-ant_b_1455292.html”,”content_type”:”image”,”image_url”:”gadgets/slideshows/222782/slide_222782_908409_small.jpg”,”thumbnail_url”:”gadgets/slideshows/222782/slide_222782_908409_small.jpg”,”title”:”A (Slideshow) Talk with Antonino D’Ambrosio of Let Fury Have the Hour”,”slideshow_id”:”222782″,”vertical”:”culture”},{“entry_id”:”1426859″,”entry_url”:”http://www.huffingtonpost.com/2012/04/15/titanic-anniversary_n_1426859.html”,”content_type”:”image”,”image_url”:”gadgets/slideshows/220623/slide_220623_871029_small.jpg”,”thumbnail_url”:”gadgets/slideshows/220623/slide_220623_871029_small.jpg”,”title”:”Titanic Anniversary: Commenters Remember Their Family Legends”,”slideshow_id”:”220623″,”vertical”:”culture”},{“entry_id”:”1443061″,”entry_url”:”http://www.huffingtonpost.com/maggie-quale/bullying-todays-kids_b_1443061.html”,”content_type”:”image”,”image_url”:”gadgets/slideshows/222976/slide_222976_911890_small.jpg”,”thumbnail_url”:”gadgets/slideshows/222976/slide_222976_911890_small.jpg”,”title”:”Does the Holocaust Matter to Today’s Kids?”,”slideshow_id”:”222976″,”vertical”:”culture”}]

Carlos Santana to Headline Third Annual Curaçao North Sea Jazz Festival

Posted on 18th April 2012 in The monuments of world

WILLEMSTAD, Curaçao–(BUSINESS WIRE)–

The highly-anticipated third annual Curaçao North Sea Jazz Festival will kick off with world-famous Santana headlining this year’s event, August 31- September 1, 2012. The Festival returns for the third year with world renowned performers including Maná, Ruben Bladés, Sergio George’ All Star Salsa Friends, Dizzy Gillespie All-Star Big Band lead by Paquito D’Rivera, India.Arie, Jill Scott, and more, for a first-class jazz and blues concert series, incorporating the best mix of salsa, Latin, and pop! The Festival will be held at the World Trade Center Curaçao in Piscadera Bay.

“The third annual Curaçao North Sea Jazz Festival will draw a huge crowd as our line-up features world famous Award-winning artists, including Santana, and many more to be announced shortly,” says Curaçao Tourist Board CEO Ghatim Kabbara. “This incredible line up is one not to miss! Travelers from all over the world will be joining us for this celebration of music, heightening awareness of Curaçao as the hottest and most cultured Caribbean island.”

Guitar legend, songwriter, ten-time Grammy Award winner and three-time Latin Grammy Award winner, Carlos Santana will headline the festival along with his band, kicking off the weekend with a performance on Friday, August 31. The guitar superstar made his debut in music in the 60s and 70s when his band Santana pioneered with a fusion of rock, salsa and jazz. The legend is renowned for his distinctive and highly-respected guitar playing skills and exceptional music.

Maná, the adored Mexican rock band, will perform Saturday, September 1 during the Festival. The legendary band has been playing since 1975, gaining huge success as they released more albums. From the late 90s onwards, their fame spread into the US and the rest of the world with the debut of their third album. The band has four Grammy Awards, seven Latin Grammy Awards, and five MTV Awards-Latin America, among others.

Other performers at the Festival include Jill Scott, Sergio George’ All Star Salsa Friends, Buika, Caro Emerald, Dizzy Gillespie All-Star Big Band lead by Paquito D’Rivera, Randy Crawford & Joe Sample Trio, Waylon, Paquito D’Rivera Septet, India.Arie, Joshua Redman with Aaron Parks, Matt Penman and Eric Harland: James Farm, delivering an impressive line-up of jazz, soul, rock and Latin music.

In the week before the Festival, concerts are held on various locations on the island, including the popular party spot, Mambo Beach.

Last year’s Curaçao North Sea Jazz Festival, was a spectacular success for the island, attracting crowds of locals and visitors during the two days of the Festival. Memorable performances from artists Sting, Dionne Warwick, Earth, Wind & Fire and Juan Luis Guerra, and more wowed the audience.

Travelers heading down to Curaçao for the Festival can expect lively pop-up concerts and events by local Curaçaoän performers during the full week prior to the Festival. There’s no question that Curaçao knows how to throw a good party, having been recently highlighted for its music and excellent night life in “Curaçao After Dark” by The New York Times.

Day tickets for the 2012 concerts start from only $195 and are on sale NOW! For more information on the Curaçao North Sea Jazz Festival, please visit www.curacaonorthseajazz.com.

For more information on Curaçao or to book your trip to the 2012 Curaçao North Sea Jazz Festival, please visit Curacao.com.

About Curaçao

Selected as the ‘Favorite Caribbean Destination’ by About.com, ‘Top Destination 2012’ by Frommer’s, one of the ‘Top 21 Places We’re Going in 2011’ by Fodor’s, one of the ‘Hottest Destinations for 2011’ by AOL Travel and one of the ‘Destinations to Watch in 2011’ by SmarterTravel, Curaçao is a unique Caribbean island paradise, boasting 35 uncrowded beaches, and an eclectic mix of history and culture. Explore the vibrant, culturally diverse capital city of Willemstad – a UNESCO World Heritage site – with its distinctive architecture, museums, monuments and world-class shopping. Indulge in Curaçao’s vast selection of flavorful restaurants, with a mix of sophisticated international and tasty local cuisines. Discover Curaçao’s abundant natural beauty, pristine dive sites and spectacular snorkeling at secluded beaches – including Cas Abao Beach, selected as one of the ‘Top 10 Beach Destinations for 2011’ by SmarterTravel. Curaçao offers idyllic weather, situated outside of the Hurricane Belt. To learn more about the island of Curaçao visit Curacao.com.

What makes a truly great cathedral?

Posted on 10th April 2012 in The monuments of world

6 April 2012 Last updated at 09:55 ET

(Clockwise) Vaulted ceiling of Exeter Cathedral; Gloucester Cathedral; St Paul's Cathedral in Melbourne, Australia; St Paul's Cathedral in London

In the run-up to Easter, David Cannadine looks at a selection of the world’s cathedrals and the important contribution that they have made to the broader lives of their respective cities and countries.

Perhaps it’s because Easter’s been approaching, or maybe it’s just coincidence, but either way, there’s been quite a bit of news lately about cathedrals, though it’s not been very cheerful.

A few weeks ago, it was reported that what was left of Christchurch Cathedral in New Zealand, which had been badly damaged in an earthquake last year, would have to be demolished. Built in the second half of the 19th Century, the cathedral had long been an essential part of the Christchurch cityscape and community, and the announcement that the surviving shell was too unsafe to be restored was greeted with widespread and understandable dismay.

Earthquake-damaged Christchurch Cathedral in New ZealandChristchurch Cathedral in New Zealand was damaged by an earthquake in 2011

And just a few days ago, it was reported that England’s cathedrals are finding it increasingly hard to make ends meet, even when they charge for admission. Running costs amount to thousands of pounds a week, and serious restoration, of the roof, the windows, or the stonework, can run into tens of millions of pounds.

These rather gloomy tidings were much in my mind when I recently went to Exeter to deliver a lecture at the university. With time to spare beforehand, I paid a visit to the cathedral, which was, like so many of its kind, a combination of comforting familiarity and breathtaking surprise.

There’s a homely and attractive cathedral close, and a welcoming if slightly unprepossessing west front. But that’s no preparation for the spectacular view which opens up once you go in: a high and heady vault running the whole length of the nave and the choir, constructed in the most elaborate Decorated style of the early 14th Century.

It’s a glorious vista, lifting the eye and the spirit heavenwards; and it’s easy to see why the great architectural historian, Nikolaus Pevsner, included Exeter Cathedral as one of his twelve favourite English buildings.

If, like me, you’re an historian by trade, there are many good reasons for visiting our cathedrals. The monuments, as on the walls at Exeter – to civic worthies, aristocratic neighbours, and local regiments – are a vivid reminder of the important part that has been played, and is played today, by cathedrals in the broader lives of their cities and counties.

And because I had the chance to listen to the Exeter choir, which was rehearsing for evensong, I was also reminded of the essential contribution that cathedrals have made, and still make, to the ancient and modern musical culture of their communities.

Edward Elgar may have lamented that he grew up poor and provincial in 19th Century Worcester, but because the cathedral was the focus of a vibrant and vigorous musical life, including the Three Choirs Festival held in collaboration with Hereford and Gloucester, it was in fact an ideally nurturing and encouraging environment for an aspiring composer.

Along with churches, castles and country houses, cathedrals are among our greatest architectural glories, and I suppose we all have our favourites among them. Perhaps Salisbury – unrivalled for its soaring spire and the grace and beauty of its setting, immortalized in the paintings of John Constable.

Or perhaps Gloucester, with its exquisite fan vaulted cloisters that have become familiar, as part of Hogworts School, to millions of people through the Harry Potter films.

Or perhaps Durham, standing high and strong on the city skyline, close by the castle – sacred power and secular power side by side, and often fleetingly glimpsed by travellers from the windows of the London to Edinburgh train.

As these examples suggest, we tend to think that the construction of cathedrals had ended by the 16th Century, and that Sir Christopher Wren’s subsequent re-building of St Paul’s in London was the exception that proved the rule.

And it’s certainly true that when many of England’s great industrial cities were given Anglican bishoprics, they often took over a large parish church and re-named it a cathedral, as in the case of Newcastle, Manchester, my home town of Birmingham, and also nearby Coventry.

A film set at Gloucester CathedralGloucester Cathedral doubled as a film set for the Harry Potter film franchise

But that’s far from being the whole of the story, for, in many ways, the 19th Century was a great age of cathedral construction, including St Chad’s Roman Catholic Cathedral in Birmingham, designed by Augustus Welby Pugin, and St Mary’s Episcopal Cathedral in Edinburgh, by George Gilbert Scott.

And in the aftermath of the Restoration of the Catholic hierarchy and diocesan structure in England and Wales by Pope Pius IX, many new Catholic cathedrals were constructed, culminating in the building of Westminster Cathedral in the Byzantine style, consecrated in 1910.

If we look further afield, to what was then the rapidly expanding British Empire, the 19th and early 20th Centuries were something of a golden age for the construction of Anglican cathedrals. From Toronto to Calcutta, Cape Town to Cairo, Hong Kong to Singapore, the British built churches wherever they went.

One of my favourites is St Paul’s Cathedral, Melbourne. Designed in the Gothic revival style by the English architect William Butterfield, it’s diagonally opposite Flinders Street railway station, and thus at the very heart of the city.

Another is the Cathedral Church of the Redemption, in New Delhi, which was constructed between 1927 and 1931 as part of Sir Edwin Lutyens’s master plan for the new capital of the Raj.

Indeed, it’s no exaggeration to say that these great Anglican churches are among the most enduring legacies of Britain’s once far-flung realms, and when Jan Morris brought her imperial trilogy to a close, in Farewell the Trumpets, it was with an account of an evensong service in a cathedral of the old empire.

By the late 19th Century, new Anglican cathedrals were also being built back in England, beginning with Truro, designed by John Loughborough Pearson, and once again in the Gothic revival style, on which work was begun in 1880.

Two decades later, a competition was held to select the architect for the new Liverpool Cathedral, and it was won by the 22-year-old Giles Gilbert Scott, who was the grandson of George Gilbert Scott. It turned out to be an unhappy commission: the construction of the building, which was once again in the Gothic style, was fraught with difficulty, and was interrupted during both World Wars.

When Scott died in 1960, Liverpool Cathedral was still unfinished, and it would only be completed nearly 20 years later. Nor did Scott fare any better with Coventry, whose cathedral had been horrifically damaged in a German bombing raid in November 1940. Once peace had returned, he was invited to design a new building, but his highly traditional Gothic scheme was deemed inappropriate for the brave new post-war world.

The project was then thrown open to a full-scale architectural competition. The winner was a young man named Basil Spence, and his cathedral was an imaginative and exciting mixture of the traditional and the modern.

The shapes and spaces and configurations, of the nave, the choir and the sanctuary, were very familiar, but Spence also ensured that the cathedral was a showcase of contemporary British art, including Graham Sutherland’s tapestry of Christ in Glory, John Piper’s Baptistry Window, and Jacob Epstein’s statue of St Michael and the Devil.

Coventry CathedralCoventry Cathedral is a showcase of British art

In recognition, but also in defiance, of the death and destruction wrought during World War II, Coventry’s new cathedral was conceived from the outset in a spirit of peace and hope, reconciliation and resurrection, and to that end, Benjamin Britten was commissioned to compose a War Requiem, first performed soon after the building was consecrated, which was exactly fifty years ago, in the spring of 1962.

Like so many of our cathedrals, Coventry is an extraordinary and exhilarating place to visit, for it is, and yet it is not, a quintessentially 60s building: both of its time, yet also unique. Norman Tebbit once claimed that the 1960s was a third rate decade, full of third rate minds, which were (among other things) smug, wet, sanctimonious, naïve, guilt-ridden and insufferable.

Like the rest of us, he’s entitled to his point of view, but a decade which produced Coventry Cathedral was far from being all wrong or all bad. And its abiding message, of peace and hope, of reconciliation and resurrection, is surely a good and noble one at any time, and especially at Easter time.

Immerse yourself in Titanic history on the 100th anniversary of its sinking

Posted on 3rd April 2012 in The monuments of world

Several places are hosting special events to mark the 100th anniversary of the sinking of the Titanic ocean liner off the Grand Banks of Newfoundland on the night of April 14 to 15, 1912. Of the reported 2,228 people on board, 1,518 perished.

If you want to mark the occasion in person and make an educational trip out of it with your family, there are lots of options for lodging at affordable prices.

In Halifax, the Maritime Museum of the Atlantic has, according to the province’s tourism website, “the largest and finest collection of wooden Titanic artifacts in the world.”

An exhibition opening April 12 will focus on the role Halifax cable ships and their crews played in the Titanic recovery effort. Admission to the museum is $4.75 for adults before May 1 and $8.75 for adults afterward. For children ages six to 17, tickets are $2.75 before May 1 and $4.75 after that. Kids five and under get in free.

Special events in Halifax on April 14 and 15 include a nighttime walking procession, an interfaith service and a wreath-laying ceremony at Fairview Lawn Cemetery, where 121 of the victims are buried.

The Nova Scotia tourism website lists Halifax lodging options ranging from one starting at $70 per room, per night (for two people) at the Seasons Motor Inn to $135 per room, per night at the Lord Nelson Hotel and Suites.

For more information on these events and about lodging, visit novascotia.com/titanic.

In Branson, Mo., and Pigeon Forge, Tenn., about 670 kilometres east of Branson, the Titanic Museum Attractions will host special events on April 14. The two ship-shaped museums, I’m told, “represent the largest permanent monuments in the world dedicated to the memory of Titanic.”

Guests can “experience what it was like to walk the hallways, parlours, cabins and grand staircase of the Titanic while surrounded by artifacts and exhibits that tell the story of the ship’s history and fate.”

The Branson Tourism Center lists a wide range of accommodations that are ranked as value lodging (US$45 to $50 per room, per night), moderate lodging (US$60 to $80 per room, per night) and premium lodging (US$80 per room, per night and up).

You can call the centre at 1800961-5152 or visit its website at bransontourismcenter.com/lodging.

In Pigeon Forge, nestled in the Smoky Mountains, you can find a range of lodging options, including hotels, motels and cabins. For more choices, visit mypigeonforge.com. Tickets for the Museum Attractions tributes can be ordered by calling 1-800-381-7670.

Tickets to both Titanic Museum Attractions are available for adults for US$20.68 and for children ages five to 12 for US$10.77. Kids four and under get in for free. To buy tickets, visit titanicattraction.com.

In Belfast, Northern Ireland, the city where the Titanic was built, the new six-storey Titanic Belfast Experience building opens on March 31 and it claims to be “the world’s largest Titanic visitor attraction.” Admission is about $20 per adult, $10 per child, ages five to 16, and free for children under five. The Titanic Belfast Festival, from March 31 to April 22, will feature plays, tours, exhibitions and talks about the Titanic. For more information on the building and the festival, visit titanicbelfast.com.

For places to stay, the Discover Northern Ireland website lists some special offers. For example, you could stay for two nights at Walsh’s Hotel in Maghera, and get one evening meal, for $90 per person. The Stormont Hotel in Belfast has a Titanic special offer from March 31 to May 31 that includes two nights of accommodations and entrance to the Ulster Folk & Transport Museum’s Titanica exhibition from $124 per person based on double occupancy.

© Copyright (c) Postmedia News

The Bristol Festival of Ideas

Posted on 2nd April 2012 in The monuments of world
  • Andrew Kelly
  • Ramadan
    Tariq Ramadan will discuss the potential for progress in Islamic societies, following last year’s revolutions in north Africa. Photograph: Martin Argles for the Guardian

    As a young schoolboy in Bristol, Peter Higgs was so inspired by the life and work of the Nobel prize-winning Paul Dirac that he pursued a career in physics. Decades later Higgs is the focus of worldwide attention as the Large Hadron Collider seeks to prove whether the Higgs boson particle exists.

    Bristol has always been a good place for the development and delivery of ideas. Dirac regarded his education in the city – in physics, mathematics and engineering – as crucial to his own career. Isambard Kingdom Brunel came to Bristol to build bridges, ships and railway lines, helping Britain lead the world in the industrial revolution. Thomas Beddoes’s Pneumatic Institution attracted some of the great thinkers, writers and scientists at the end of the 18th century and is where Humphry Davy developed laughing gas.

    It’s also been an innovative centre for the arts and media: Lyrical Ballads was first published here, establishing English romanticism; Angela Carter started her writing career in the city; the Bristol Old Vic has been a beacon of drama; the musicians Massive Attack, Portishead and Tricky, among others, are known worldwide; the street artist Banksy was able to create much of his best work here; and if you want to see the digital future, the Pervasive Media Studio is pioneering work in the creative industries at the Watershed.

    Social movements feature strongly in Bristol’s history – from the campaign to abolish slavery (in one of the cities most benefiting from the trade), through Tony Benn’s rejection of his peerage, to the bus boycott that paved the way for the Race Relations Act of 1965. It has the “softer” factors, too: the places for effective networking, the people making connections so that ideas can be created, shared, fostered and delivered.

    Bristol festival of ideas, now in its seventh year, celebrates all ideas that can help change the world for the better. Bringing together arts and sciences, it hosts an intensive 12-day programme of debates each May, as well as special events, exhibitions, books, business events and academic projects at other times.

    Our Bristol Genius theme celebrates city ideas. The city’s aviation industry has, over a century of continuous production, gone from aircraft made of wood and paper through the supersonic age to today, where Airbus and Rolls-Royce, among others, are seeking to create more energy-efficient air transport. Sustrans built a national cycle network from its base in Bristol. The BBC’s world-famous natural history films are made here, as are Aardman’s Oscar-winning animations. And the work of Bristol’s two universities in pioneering law, health, advanced engineering and environmental improvements, are promoting better-functioning, greener cities.

    But everyone must learn, too, from the ideas of others. This May, the festival will have sessions on the brain; optimism; the science of Peter Higgs; Angela Carter’s work in film and television; a celebration of geeks; the rise of China and India; the impact of worldwide protest and rebel cities; whether capitalism can be responsible; identity and the self; the possibility of today’s young people becoming a lost generation; the role of faith; and much more.

    It’s important that communities celebrate ideas, promote debate about ideas and help create new ones. Cities are ideal for this. Cities are also the future – if we get them right we might be able to offset some of the critical environmental and social problems the world faces. But we need to make them good places to live and work. Helping a city to think and debate is essential, as is promoting those ideas in the city more widely. But it’s essential to take inspiration from around the world so that we can learn from others as hopefully others learn from us. In that way ideas will help make us, our cities and our world better places.

    For further information on the festival, for venues, and to book tickets, visit www.ideasfestival.co.uk

    New world orders: politics and economics

    David Harvey

    One of the world’s most influential social scientists, Harvey places cities at the heart of both capital and class struggles, arguing that they have long been the pivotal sites of political revolutions, and remain the cradle of social and political change. Looking at locations ranging from Johannesburg to Mumbai, and from New York City to São Paulo, Harvey explores how cities might be reorganised in more socially just and ecologically sane ways, and argues that they could become the focus for anti-capitalist resistance.

    Stephen Armstrong, Katharine Quarmby and Guy Standing

    Changes in the world economy, neo-liberal policies and the recession have seen a considerable growth in unemployment, poverty, part-time working and welfare budget reductions, as well as reports of the poor treatment of elderly and disabled people. Guy Standing, author of The Precariat: The New Dangerous Class, Katharine Quarmby (Scapegoat: Why We Are Failing Disabled People) and Stephen Armstrong (The Road to Wigan Pier Revisited) discuss whether we are giving up on the underprivileged. In their writings, all paint a picture of a nation that is ignoring the vulnerable, but all offer hope that a better society can be created.

    Tariq Ramadan

    A leading Muslim writer and commentator, Ramadan explores the opportunities and challenges across north Africa and the Middle East, as they look to create new, more open societies. Arguing that the debate cannot be reduced to a confrontation between the modern and secular and the traditional and Islamic, he shows that not only are these routes in crisis, but that the Arab world has a historic opportunity: to stop blaming the west, to jettison its victim status, and to create a new dynamic.

    Margaret Heffernan

    The distinguished businesswoman and writer examines what makes humans so prone to wilful blindness. The presiding judge in the 2006 case of the US government vs Enron instructed the jurors to take account of the concept of wilful blindness – if the defendants failed to observe the corruption that was unfolding before them, then not knowing was not a defence. The jury’s guilty verdict sent shivers down the spine of the corporate world. Ranging freely through history, and from business to science, government to the family, Heffernan explains why wilful blindness is so dangerous in today’s globalised world.

    Paul Mason

    As the global economic crisis gives way to social crisis, the gulf between the haves and have-nots becomes ever wider. Mason, the Newsnight reporter and writer, explores the causes and consequences of the current wave of revolt. He reports from the frontlines of protest, from Westminster to Wisconsin, arguing that the events of 2011 reflect the expanding power of the individual and a call for new political alternatives.

    Bidisha, Selma Dabbagh and John McCarthy

    Selma Dabbagh’s novel, Out of It, is a gripping tale of dispossession and belonging, treachery, loyalty and bravery that redefines Palestine and its people. She discusses Palestine with critic and broadcaster Bidisha (left), who toured the West Bank as a reporter in spring 2011 and whose book Beyond the Wall: Writing a Path Through Palestine is an unflinching portrait of life in the West Bank today. In a separate event, the journalist and writer John McCarthy, who was held hostage for five years in Lebanoncorrect, from 1986-91, draws on his experience in Beirut to tell the hidden story of the Palestinian struggle.

    Tom Watson MP

    The man who led the pursuit of News International in parliament, and is at the forefront of the Leveson inquiry, draws on unique information and access to tell the behind-the-scenes story of the phone hacking scandal, the connections between News Corporation, the police and politicians, and how they unravelled.

    Society & identity: lessons in life and new directions in a globalised age

    Tom Chatfield, John-Paul Flintoff, Roman Krznaric, Philippa Perry

    The School of Life Live offers an evening of fast and furious enlightenment. Covering subjects such as love, sex, work, money, emotional maturity, technology and changing the world, TSOL offers advice and inspiration for facing life’s biggest dilemmas. Combining researched material with common sense and humour, these playful and highly interactive sessions include lecture, performance, discussion and activity. Speakers include: Tom Chatfield, author of How to Thrive in the Digital Age; John-Paul Flintoff (How to Change the World); Roman Krznaric (How to Find Fulfilling Work), and Philippa Perry (How to Stay Sane).


    Elif Shafak


    Elif Shafak

    The bestselling author of The Bastard of Istanbul and The Forty Rules of Love, and the most widely read female novelist in Turkey, talks about the politics of immigration, fiction and identity, her essay, The Happiness of Blond People (her reflection on individuality and multiculturalism), and her new novel Honour, about a half-Kurdish, half-Turkish family.

    Noo Saro-Wiwa

    The author and daughter of the activist Ken Saro-Wiwa was brought up in England, but was taken back to Nigeria every summer. She discusses her return to Nigeria after a 10-year absence, and describes the corruption and inefficiency, but also the beauty of its rainforest, its ancient palaces and monuments, and its people.

    Richard Holloway and John Gray

    For 14 years, Richard Holloway was bishop of Edinburgh. Now, in discussion with political philosopher John Gray, the acclaimed writer takes us back through a life defined by the biggest questions – Who am I? and What is God? – and explains how, after many crises of faith, he finally left the Church.

    Harry Belafonte The singer and actor has been at the heart of the civil rights movement and countless other causes. He talks about both his career and his activism – the struggles, tragedies and, most of all, the triumphs of his life, alongside the likes of Martin Luther King Jr, Paul Robeson, Eleanor Roosevelt, Sidney Poitier, John F Kennedy, Marlon Brando, Robert Kennedy, Nelson Mandela, Tony Bennett and Bill Clinton. 

    Edmund White A talk by the novelist and cultural critic, who has penned many books, including the autobiographical A Boy’s Own Story, the memoir City Boy and now Jack Holmes and His Friend. His are beautiful explorations of sexuality and sensibility in American society.

    What if? – a festival of transition

    What if? helps us begin to imagine a better world. Andrew Simms and Eliane Glaser discuss how to tackle the problems that threaten society. Richard Murphy argues that it has never been more important for our elected representatives to serve the greater good. Tony Greenham asks what could be done with the banks. James Marriott describes how wildernesses are being exploited for energy when we cannot afford to burn the fossil fuels that have already been discovered. And Fred Pearce looks at the global impact of the rise in “land grabbing”.

    Observer writers at Bristol

    Ed Vulliamy

    Ed Vulliamy covered the war in Bosnia for the Observer 20 years ago. He recalls – 20 years ago –how he witnessed the violence unleashed by Serbian president Slobodan Miloševic and his allies, the Bosnian Serbs. Vulliamy has continued to report from the country and on the ensuing war crime trials ever since. He also talks about the “reckoning” – how, although the rest of the world has moved on, in Bosnia there has been no thaw in the hatred, and the war is still alive.

    Susannah Clapp

    Angela Carter’s literary executor (and Observer theatre critic) talks about the author’s life and legacy. Carter spent her formative years in Bristol and three early novels are known as the Bristol trilogy. The festival is showing films and TV programmes of and about her work, including the The Holy Family Album, which treats representations of Christ in western art as if they were photos in God’s album; the 1992 Omnibus programme Angela Carter’s Curious Room, which includes the last interview Carter gave; and The Magic Toyshop, for which she wrote the screenplay. Sir Christopher Frayling talks about the writer he knew and Clapp, Charlotte Crofts and Bidisha join him for a debate.

    Nick Cohen

    The belief that we live in age of unparalleled freedom is dangerously naïve, Cohen argues. The traditional opponents of freedom of speech – religious fanatics, plutocrats and dictatorial states – are thriving, and in many respects finding the world more comfortable in the 21st century than they did in the late 20th.

    Will Hutton

    The first Observer Kenote Lecture is: Can there be a responsible capitalism? As economies stumble, major expenditure cuts are made, bonuses increase for the wealthy and mass unemployment returns, questions are raised about the very nature of market economies. There seems little alternative to capitalism, however, so, Hutton argues, a more responsible capitalism needs to be created.

    Robin McKie

    The Observer‘s science editor leads a panel discussing the work of American conservationist Rachel Carson, whose Silent Spring is credited with advancing the cause of the global environmental movement. But how much progress has been made in the 50 years since? McKie will be joined by Lucy Siegle, the Observer‘s ethical correspondent; Norman Maclean, author of Silent Summer: The State of Wildlife in Britain and Ireland; Jonathon Porritt, Forum for the Futurecorrect; and Callum Roberts, author of Ocean of Life: How Our Seas Are Changingcorrect.

    Geeks: your time has come

    Mark Henderson and Angela Saini

    Mark Henderson (The Geek Manifesto: Why Science Matters) explains why the geeks of the world are no longer apologising for their obsessive interest in science and are gradually finding a powerful public voice. Delving inside the psyche of India’s science-hungry citizens, in her book Geek Nation, Angela Saini explores why the government of the most religious country on earth has put its faith in science and technology. Both writers make a compelling case that a new geek movement will transform politics and science.


    Nick Harkaway


    Nick Harkaway

    The speed at which our world is changing is both mesmerising and challenging. Novelist and tech blogger Nick Harkaway challenges the notion that digital culture is the source of all modern ills, while evealingsuggesting how the real dangers can be combated. Ultimately, he believes, the choice is ours: engage with the machines that we have created, or risk creating a world that is designed for corporations and computers, rather than people.

    Science: evolution to time travel

    Rebecca Stott, author, tells the story of how, a month after the publication of On the Origin of Species in 1859, Darwin was accused by the Reverend Powell of having taken credit for a theory that had already been discovered by others. Stott’s Darwin’s Ghosts: In Search of the First Evolutionists is a masterful retelling of the collective daring of a few like-minded men who had the courage to publish their speculations at a time when to do so, for political as well as religious reasons, was to risk everything. It is the story of an idea that would change the modern world.

    Graham Farmelo and Peter Higgs These two giants of modern physics were both educated in Bristol schools. They will join Robin McKie, the Observer science editor, in a discussion about the life and work of Bristolian and Nobel prize-winning physicist Paul Dirac, who co-discovered quantum mechanics, predicted the existence of antimatter – and inspired the young Peter Higgs, who later predicted the Higgs boson particle. Experiments to find out if the Higgs boson exists are being carried out at the Large Hadron Collider. Graham Farmelo is author of The Strangest Man: The Life of Paul Dirac.

    Bruce Hood, an experimental psychologist, provides a fascinating examination of how the latest science shows that our concept of the self is an illusion. He argues that the self – the “me” inside me – is not a single entity but an ever-changing character, created by the brain to provide a coherent interface between the multitude of internal processes and the demands from the external world that require different selves.

    Claudia Hammond, broadcaster and writer, draws on the latest findings from psychology, neuroscience and biology, and original research on the way memory shapes our understanding of time, to delve into the mysteries of time. Hammond will show us how to manage time more efficiently, how to speed it up and slow it down at will, plan for the future with more accuracy and use the warping of time to our own advantage. Along the way, she introduces us to an extraordinary array of characters willing to go to great lengths in the interests of research.

    At the London Book Fair, China's money outweighs freedom | Bei Ling

    Posted on 23rd March 2012 in The monuments of world
  • Bei Ling

  • Chinese dissident Liu Xiaobo
    Chinese dissident Liu Xiabo is among writers whose books have been banned. Photograph: EPA

    Next month, a number of Chinese publishing houses will visit the annual London Book Fair, trying to drum up interest for their latest publications and most exciting writers. A number of books will never make it across to London, however. They include Soul Mountain and One Man’s Bible by the 2000 Nobel literature prize winner Gao Xingjian, who now lives in Paris; Testimonials by exiled Liao Yiwu, a memoir charting his experience in jail after the 4 June 1989 Beijing massacre; Beijing Coma by Ma Jian, a long novel set against the backdrop of the 1989 massacre; Mémoire interdite and Shājié (Forbidden Memory: Tibet During the Cultural Revolution) by Tsering Woeser, a Beijing-based Tibetan, whose books provide unprecedented analysis of the Tibetan situation over the last 40 years; and Selected Poems by China’s most acclaimed literary critic Liu Xiaobo and his wife Liu Xia. The 2010 Nobel winner has nine more years of prison to serve and his wife is under house arrest.

    None of these books will appear at the 2012 LBF. They are only a selection: over the last three decades, at least 100 books have been banned by the Chinese government. They are books that never see the light of day; books that alter lives of writers and publishing houses; books that were published and then retracted and destroyed. It all happens under the authority of the General Administration of Press and Publication (Gapp). In the last two decades, Gapp has established press and publication bureaux across all provinces and special administrative regions, compiling a blacklist of writers forbidden to publish. The number of names on the list, like the country’s economic growth, increases every year.

    The criteria required to end up on the blacklist are: 1) whether the writer is a political dissident, openly criticising the Chinese government and political system; 2) whether the writer’s work focuses on topics prohibited by the Communist party, such as the student movement of 1989 followed by the 4 June army crackdown and massacre, as well as the destruction of Tibetan monuments and eradication of Tibetan culture after the Dalai Lama’s escape in 1959.

    The Communist party committee or party branch holds the decision-making power. They ensure that the text is free of “political errors” as well as profane content. If the book under review violates any of those criteria, it will not be granted publication. Books that have already been published are continuously subjected to examination by the publication bureau. This painstaking preview and review process views literature as an agent that disrupts the artificial utopia the government has tried to concoct at the expense of human freedoms and free will. The participants of the 2012 LBF will see this “utopia” but miss out on the relics of destroyed cultures and people.

    Because banned books cannot be published in China, they have gone unseen by millions of Chinese readers for almost 20 years. After another 20 years, the names of these authors as well as their books will be completely forgotten – if their existence was ever acknowledged at all. Fortunately, these banned books (in simplified Chinese) need not be deserted as blacklisted writers enjoy the freedom of the press in Taiwan and Hong Kong, where books are published in traditional Chinese.

    After I made a public complaint about the selection of writers at the festival, I received a response from the director of the LBF and the director of literature of the British Council. They informed me that the book fair’s co-operation with China’s Gapp will bring huge business opportunity for both countries. I understand the importance of money, but should there not be more to the world of books than business?

    This is British capitalism at its finest. When it comes to business, freedom of expression has to move aside. Set against the power of money, literature and freedom are nothing but ornaments. But writers are different. They each have a soul, rather than cash. They have to speak frankly. They cannot, and should not, trade what they have for any business opportunities.

    • Follow Comment is free on Twitter @commentisfree

    Las Fallas Fire Festival: Insanity, Fun and Pyrotechnics at the Iberian Peninsula (Photos)

    Posted on 20th March 2012 in The monuments of world

    By Sreeja VN | Mar 20, 2012 04:05 AM EDT

    Spain is known for its spectacular fiestas. The Las Fallas fire festival of Valencia is the boldest, hottest, craziest and loudest festival celebrated anywhere in the world.

    A pyromaniac’s delight, the Las Fallas fire festival literally jolts you out of your sleep and the mad euphoria is unlike what you may have felt anywhere else. The festival displays one of the best pyrotechniques in the world.

    This carnival of bonfires take place between March 15 to 19 annually to honor St. Joseph, the father of the nation. The fiesta Las Fallas brings millions from across the world to Valencia to make it an internationally recognized event.

    Las Fallas marks the onset of spring in Valencia. The festival dates back to the pre-Christian era.  

    The highlight of the festival is burning down of huge fallas and impressive fireworks.  Fallas are huge effigies or monuments erected all over the streets in Valencia in different shapes and themes. These colorful ninots, meaning puppets or dolls, are made out of cardboard and papier-mâché and are filled with fire crackers and paraded in the streets before they are placed in specific corners in the streets. These fallas are burned in the afternoons of the festival days, triggering fireworks that last for hours, leading to a literal earthshaking experience, amid crazy cheering crowds.   

    It takes months of labor to create some of the spectacular and gigantic models which are burned down in the crazy festival. The models represent imagination, fantasy and satire on political or famous personalities. Usually team-based competitions are held for the best models and fireworks during the festival. 

    A fireman controls a burning effigy during the finale of the Fallas festival, which welcomes spring and honours Saint Joseph’s Day, in Valencia in the early hours of March 20, 2009. Fallas are giant elaborate sculptures and effigies made of wood and plastic which are burned at the end of the week-long spectacle of processions, fireworks, music and dancing.

    Source: REUTERS/Heino Kalis (SPAIN SOC

    Craftsmen on a crane add finishing touches to a figure during the last preparations ahead of the ‘Fallas’ festival in Valencia March 14, 2008. The festival welcomes Spring and honours Saint Joseph’s Day with the burning of giant elaborated sculptures and effigies of wood and plastic

    Source: REUTERS/Heino Kalis

    A man puts the finishing touches to a falla, March 16, 2005, as the city of Valencia celebrates its annual ‘Fallas’ festival. The festival welcomes spring and honours Saint Joseph’s Day with the burning of giant elaborate sculptures and effigies of wood and plastic called ‘fallas’. Walls of flames engulf the city on the last day of the week-long spectacle of processions, fireworks, music and dancing.

    Source: REUTERS/Heino Kalis ACO/MD

    A craftsman adds finishing touches to a figure during the last preparations ahead of the “Fallas” festival in Valencia March 14, 2009. The festival welcomes spring and honours Saint Joseph’s Day with the burning of giant elaborate sculptures and effigies of wood and plastic

    Source: REUTERS/Heino Kalis

    A giant figure ahead of the “Fallas” festival

    Source: REUTERS

    A craftsman puts the finishing touches on a giant figure ahead of the “Fallas” festival in Valencia March 15, 2012. The festival welcomes spring and honours Saint Joseph’s Day with the burning of giant elaborate sculptures and effigies of wood and plastic in the early hours of March 20, 2012.

    Source: REUTERS/Heino Kalis

    Craftsmen puts finishing touches on a giant figure ahead of the “Fallas” festival in Valencia March 15, 2012. The festival welcomes spring and honours Saint Joseph’s Day with the burning of giant elaborate sculptures and effigies of wood and plastic in the early hours of March 20, 2012.

    Source: REUTERS/Heino Kalis

    A craftsman puts finishing touches on a figure sitting on a representation of an Apple computer ahead of the “Fallas” festival in Valencia March 15, 2012. The festival welcomes spring and honours Saint Joseph’s Day with the burning of giant elaborate sculptures and effigies of wood and plastic in the early hours of March 20, 2012.

    Source: REUTERS/Heino Kalis

    “Fallas” festival in Valencia

    Source: REUTERS/Heino Kalis

    “Fallas” festival in Valencia

    Source: REUTERS

    An effigy of German Chancellor Angela Merkel (R) burns during the finale of the Fallas festival, which welcomes spring and honours Saint Joseph’s Day, in Valencia in the early hours of March 20, 2012. Fallas are giant elaborate sculptures and effigies made of wood and plastic that are burned at the end of a week-long spectacle of processions, fireworks, music and dancing.

    Source: REUTERS/Heino Kalis

    Fire consumed the Fallas of Valencia on the night of San Jose

    Source: Reuters / Kai Försterling

    Burning of the ninot Zapatero in Valencia Fallas fire festival

    Source: REUTERS/Heino Kalis

    This article is copyrighted by International Business Times, the business news leader

    Las Fallas Fire Festival: Insanity, Fun and Pyrotechnics at the Iberian Peninsula (Photos)

    Posted on 20th March 2012 in The monuments of world

    By Sreeja VN | Mar 20, 2012 04:05 AM EDT

    Spain is known for its spectacular fiestas. The Las Fallas fire festival of Valencia is the boldest, hottest, craziest and loudest festival celebrated anywhere in the world.

    A pyromaniac’s delight, the Las Fallas fire festival literally jolts you out of your sleep and the mad euphoria is unlike what you may have felt anywhere else. The festival displays one of the best pyrotechniques in the world.

    This carnival of bonfires take place between March 15 to 19 annually to honor St. Joseph, the father of the nation. The fiesta Las Fallas brings millions from across the world to Valencia to make it an internationally recognized event.

    Las Fallas marks the onset of spring in Valencia. The festival dates back to the pre-Christian era.  

    The highlight of the festival is burning down of huge fallas and impressive fireworks.  Fallas are huge effigies or monuments erected all over the streets in Valencia in different shapes and themes. These colorful ninots, meaning puppets or dolls, are made out of cardboard and papier-mâché and are filled with fire crackers and paraded in the streets before they are placed in specific corners in the streets. These fallas are burned in the afternoons of the festival days, triggering fireworks that last for hours, leading to a literal earthshaking experience, amid crazy cheering crowds.   

    It takes months of labor to create some of the spectacular and gigantic models which are burned down in the crazy festival. The models represent imagination, fantasy and satire on political or famous personalities. Usually team-based competitions are held for the best models and fireworks during the festival. 

    A fireman controls a burning effigy during the finale of the Fallas festival, which welcomes spring and honours Saint Joseph’s Day, in Valencia in the early hours of March 20, 2009. Fallas are giant elaborate sculptures and effigies made of wood and plastic which are burned at the end of the week-long spectacle of processions, fireworks, music and dancing.

    Source: REUTERS/Heino Kalis (SPAIN SOC

    Craftsmen on a crane add finishing touches to a figure during the last preparations ahead of the ‘Fallas’ festival in Valencia March 14, 2008. The festival welcomes Spring and honours Saint Joseph’s Day with the burning of giant elaborated sculptures and effigies of wood and plastic

    Source: REUTERS/Heino Kalis

    A man puts the finishing touches to a falla, March 16, 2005, as the city of Valencia celebrates its annual ‘Fallas’ festival. The festival welcomes spring and honours Saint Joseph’s Day with the burning of giant elaborate sculptures and effigies of wood and plastic called ‘fallas’. Walls of flames engulf the city on the last day of the week-long spectacle of processions, fireworks, music and dancing.

    Source: REUTERS/Heino Kalis ACO/MD

    A craftsman adds finishing touches to a figure during the last preparations ahead of the “Fallas” festival in Valencia March 14, 2009. The festival welcomes spring and honours Saint Joseph’s Day with the burning of giant elaborate sculptures and effigies of wood and plastic

    Source: REUTERS/Heino Kalis

    A giant figure ahead of the “Fallas” festival

    Source: REUTERS

    A craftsman puts the finishing touches on a giant figure ahead of the “Fallas” festival in Valencia March 15, 2012. The festival welcomes spring and honours Saint Joseph’s Day with the burning of giant elaborate sculptures and effigies of wood and plastic in the early hours of March 20, 2012.

    Source: REUTERS/Heino Kalis

    Craftsmen puts finishing touches on a giant figure ahead of the “Fallas” festival in Valencia March 15, 2012. The festival welcomes spring and honours Saint Joseph’s Day with the burning of giant elaborate sculptures and effigies of wood and plastic in the early hours of March 20, 2012.

    Source: REUTERS/Heino Kalis

    A craftsman puts finishing touches on a figure sitting on a representation of an Apple computer ahead of the “Fallas” festival in Valencia March 15, 2012. The festival welcomes spring and honours Saint Joseph’s Day with the burning of giant elaborate sculptures and effigies of wood and plastic in the early hours of March 20, 2012.

    Source: REUTERS/Heino Kalis

    “Fallas” festival in Valencia

    Source: REUTERS/Heino Kalis

    “Fallas” festival in Valencia

    Source: REUTERS

    An effigy of German Chancellor Angela Merkel (R) burns during the finale of the Fallas festival, which welcomes spring and honours Saint Joseph’s Day, in Valencia in the early hours of March 20, 2012. Fallas are giant elaborate sculptures and effigies made of wood and plastic that are burned at the end of a week-long spectacle of processions, fireworks, music and dancing.

    Source: REUTERS/Heino Kalis

    Fire consumed the Fallas of Valencia on the night of San Jose

    Source: Reuters / Kai Försterling

    Burning of the ninot Zapatero in Valencia Fallas fire festival

    Source: REUTERS/Heino Kalis

    This article is copyrighted by International Business Times, the business news leader

    Century later, US cherry blossoms coup for Japan

    Posted on 19th March 2012 in The monuments of world

    A century before cultural diplomacy became a buzzword for governments around the world, Japan scored a spectacular success — Washington‘s cherry blossoms, which have become one of the US capital’s top tourist attractions.

    First planted in 1912 on central Washington‘s then barren Tidal Basin, the gifts from Japan each year now draw more than one million visitors who revel in the famously short-lived beauty of the blooming pink and white cherry petals.

    Japan and the United States will mark the March 27 centennial of the first trees’ planting with a month-long festival, but crowds are already eagerly strolling around the trees as warm weather brings an early bloom.

    Zack Zimko and Katie Head came to Washington from the eastern state of Delaware to soak up the atmosphere of the cherry blossoms, snapping pictures of each other as they admired the bloom near the towering Washington Monument.

    “I had read about the cherry blossoms, but to come down here and actually see them, I was just blown away,” Zimko said. “Definitely the influence of Japan here is very strong.”

    Daniel Seow of Melbourne, Australia, admiringly took pictures nearby, saying that the cherry blossoms looked like “snow lifted to the trees.”

    “For me, it’s very Japanese. It’s the idea that the advent of spring ushers in the new and that beauty is fleeting,” he said.

    Such reverence for one of Japan’s traditions is a dream-come-true in the modern era, in which many governments have multimillion-dollar budgets to promote their cultures overseas in hopes of increasing their “soft power.”

    The Japanese have celebrated the cherry blossoms for centuries, with much of the country heading under the falling petals to reflect on life and enjoy copious amounts of drink — marking one key difference from Washington, where consumption of alcohol in a park is grounds for arrest.

    Ichiro Fujisaki, Japan’s ambassador to the United States, said that the cherry blossoms’ draw was in their “brightness, beauty and brevity” — with most trees in bloom for little over a week.

    “Cherry blossoms are a symbol of Japan’s spirit. At the same time, it’s a symbol of Japan-US friendship and I really think this will remain so,” Fujisaki said.

    Japan planned to celebrate the centennial by enhancing the landscape of the Tidal Basin — now home to several major US monuments — including by building a zen rock garden that would offer another reminder of Japan.

    But the Japanese instead will only announce the proposal during the centennial, as last year’s devastating earthquake and tsunami in northeastern Japan halted preparations.

    Instead, Japan is bringing some of its best-selling musicians — including the all-girl J-Pop idol band AKB48 and R&B sensation Misia — for concerts to thank the United States for its major relief effort following the disaster.

    Japan will also plant trees in dozens of other cities across the United States including New York, Los Angeles and Chicago.

    When Japan gifted the trees a century earlier, it was also partly out of gratitude — for US mediation that ended the Russo-Japanese War. But the cherry blossoms did not get off to an auspicious start in Washington.

    In 1910, US authorities burned an initial shipment of 2,000 trees on orders of the Department of Agriculture which ruled that they carried insects and disease. The then secretary of state, Philander Knox, tried to contain the fallout with a letter of regret to Japan over the “painful” decision.

    But Japan two years later sent a new shipment of 3,020 trees, which were successfully planted in a ceremony led by the then first lady, Helen Herron Taft.

    A new setback came when Japan and the United States went to war. In 1941, four trees were chopped down in suspected vandalism after Japan attacked Pearl Harbor. But Americans informally organized to protect the trees, which were referred to generically as “Oriental” trees until the end of World War II.

    The cherry blossom festival has rapidly expanded in popularity since then. In 1965, Japan donated another 3,800 trees, which are known in Japanese as “sakura.”

    Ann McClellan, author of the book “The Cherry Blossom Festival: Sakura Celebration,” said that visitors to Washington usually recalled the Japanese influence but that the trees also carried an “overarching message.”

    “When I’m down by the Tidal Basin and I’m overhearing people’s conversations as they walk under the blooms, it’s often about how brief life is and how beautiful, and how you have to make the most of it,” McClellan said.

    “That is certainly what the Japanese believe. But now we’ve all embraced it,” she said.

    Ireland's writers go home for inspiration

    Posted on 16th March 2012 in The monuments of world
    The Poulnabrone Dolmen is a portal tomb in the Burren, part of County Clare, dating back to the Neolithic period.The Poulnabrone Dolmen is a portal tomb in the Burren, part of County Clare, dating back to the Neolithic period.
    MacGillycuddy's Reeks is a mountain range in County Kerry that includes the highest mountain in Ireland, Carrauntoohil, at 1,038 meters.MacGillycuddy’s Reeks is a mountain range in County Kerry that includes the highest mountain in Ireland, Carrauntoohil, at 1,038 meters.
    The Galway Races horse racing festival starts at the end of July every year. It is held at Ballybrit Racecourse in Galway.The Galway Races horse racing festival starts at the end of July every year. It is held at Ballybrit Racecourse in Galway.
    The Fleadh Cheoil is an annual festival of Irish traditional music, dance, song and language. The festivities here are in Listowel in County Kerry.The Fleadh Cheoil is an annual festival of Irish traditional music, dance, song and language. The festivities here are in Listowel in County Kerry.
    A rural scene of the countryside near Saints Island, County LongfordA rural scene of the countryside near Saints Island, County Longford
    The Johnny Keenan Banjo Festival is an annual celebration of Irish traditional and American bluegrass music that takes place in Longford.The Johnny Keenan Banjo Festival is an annual celebration of Irish traditional and American bluegrass music that takes place in Longford.
    HIDE CAPTION
    Scenes from Ireland
    Scenes from Ireland
    Scenes from Ireland
    Scenes from Ireland
    Scenes from Ireland
    Scenes from Ireland