Italy's museum czar: Culture can save the economy

Posted on 11th April 2012 in The monuments of world

ROME (AP) — One of Italy‘s top culture officials has pushed private investment in the country’s museums and galleries and the seemingly insatiable Chinese and Indian appetites for art and archaeology as the way to pull the country out of its recession.

Mario Resca, a former CEO of McDonald’s Italian operations who was appointed in 2008 by the government of Silvio Berlusconi to be director-general of the Culture Ministry, said that an increase in ticket sales to Italian museums has not been matched by an increase in state finding .

Chatting with a small group of foreign correspondents in Rome, Resca said the number of visitors to state museums and archaeological sites increased by some 15 percent from 2009 to 2010 and by about 7 percent from 2010 to 2011.

But budgets and investment have not risen with visitor numbers. Resca acknowledges that the budget shortfall isn’t about to be reversed, thanks to the latest round of austerity cuts ordered by Berlusconi’s successor, Premier Mario Monti.

Instead, Resca proposes that Italy should look to private investment to develop the economic potential of its cultural heritage, adding that Monti was “making a mistake” by not pushing for tax breaks to encourage private investment in Italy’s museums and archaeological tourist sites.

“It’s hard to restart (the economy) with manufacturing,” Resca argued. Selling more Italian cars and refrigerators isn’t about to make the country the global leader in manufacturing, but Italy is well-positioned to become the world’s No. 1 in tourism centered on culture, he said.

“Indians, Chinese don’t come to swim or ski in Italy but to see our culture,” Resca added.

Appointed to tap the economic potential of Italy’s artistic and archaeological heritage, the culture ministry official has pushed for longer museum hours to encourage more Italians to visit them. “If we close a museum at 5 p.m., only vacationers can go.”

At the time, the appointment of a former hamburger chain executive to improve the situation of Italy’s museums and monuments set off an outcry from museum directors and art world officials worried that he lacked the professional background for the post.

Resca, whose mandate runs out in a few months, brushed off the fears.

“Maybe an art historian isn’t the best person to manage Pompeii, with 900 employees, contracts to stipulate,” said Resca.

The War of 1812: Our war

Posted on 24th March 2012 in The monuments of world

At the summit of the towering limestone pillar in Queenston stands the grey figure of Major General Isaac Brock, a hero of the War of 1812. An inscription says he fought the “invading enemy” — the Americans.

He was shot in the chest and died at Queenston Heights, a spot not far from the Queenston-Lewiston Bridge in Niagara Falls.

Brock brazenly faces the U.S. border, his right arm outstretched, a gloved hand pointing out over the winding Niagara River in the distance below, which is deep blue and still as a painting.

The gesture seems like a warning to the Yanks: Remember 1812? Don’t try it again.

As kids we spent what seemed like endless months studying “life in New France” and learning that Canada was not forged from war like our rowdy southern neighbours but that we evolved peacefully, built a railway, and ultimately made it law to put French and English on cereal boxes.

In fact, war on our land and water did forever shape the country that grew north of the 49th parallel.

We didn’t start it but the War of 1812, which lasted from June, 1812, to February, 1815, was Canada’s war, even as it was an event with global implications.

The federal government will spend about $30 million to commemorate the bicentennial of the war.

The Hamilton Spectator will publish a special section about the conflict, in which some of the critical battles were fought in Hamilton and Niagara.

That includes Queenston Heights. Here, Brock’s perch soars 56 metres, so high that his face is not visible; tourists must walk far away from the monument to fit it all in a camera frame.

“Pretty damn impressive,” says 21-year-old Mike Williamson, a student visiting from Australia.

A plaque says his “mortal remains” lie in a vault at the base of the structure.

Is there another historic figure in Canada so lionized? And Brock wasn’t even Canadian. He was British and lived here 10 years.

The monument is so bold some might call it un-Canadian, more on the scale of one in Washington or London, where it would, in fact, stand four metres taller even than the pillar the Brits built to honour Lord Nelson, hero of the Battle of Trafalgar.

The first Brock monument was dynamited in 1840 by terrorists, according to a Niagara Parks heritage website. The second, built in 1852, stood even taller than the first.

Invaders? War? Terrorists? On Canadian soil?

No, in 1812, Canada did not formally exist back then, that was still 55 years away.

The Americans knew who we were, though. They called us Canada. As in: “The conquest of Canada is in your power” (Henry Clay, speaker of the House of Representatives) and “the acquisition of Canada … will be a mere matter of marching” (author of the Declaration of Independence and third U.S. President Thomas Jefferson).

The notion that Upper and Lower Canada could be easily annexed was not a radical one back then.

But by the time the war was over, after nearly three years, the Americans had been held at bay, primarily by British troops, bolstered by professional Canadian soldiers, native warriors, and Canadian civilian militia all under British command.

Winston Churchill wrote that history is written by the victors. But more than one side claims victory in this war.

By one interpretation, the U.S. may not have won outright, but also did not lose, having fought the British to a draw and defeating them in naval battles, which had seemed unthinkable.

To the extent Americans think of it at all, some call the War of 1812 their Second War of Independence. It inspired their national anthem, the Star Spangled Banner, which describes British bombardment of Fort Henry in Baltimore.

Certainly it could have ended worse for the U.S. A great “what if” of the war is that had the British not been preoccupied fighting Napoleon in Europe and defeated the U.S. soundly, Canada, in fact, might have expanded its border.

Instead, the war’s stalemate finish ended British illusions of rolling back the American Revolution and opened the door for U.S. expansion west (at the expense of native peoples).

For Canadians, the bottom line is that despite American aggression, the border did not move. Moreover, Washington was occupied and the White House burned by British redcoats.

“The acid test is, if we hadn’t won, we wouldn’t be independent, we’d be part of the U.S.,” says Western (Ontario) University historian Jonathan Vance. “Historians will bicker, but for me, that’s the test.”

Perhaps the war had been inevitable, but it might not have taken place in 1812 if not for war between Great Britain and Napoleon’s France, which led to renewed British-American hostilities.

The British had blocked American ships from transporting goods by sea to punish the French and initiated “impressment” — boarding U.S. ships and taking away sailors who were deemed of British roots. Six-thousand sailors were taken.

American leaders also took issue with what was seen as British support for natives who stood in the way of American expansion west.

While some congressional war hawks spoiled for a fight to defeat the British on the continent once and for all, the British were motivated to wage war as well, according to historian Jerald Podair, who teaches at Lawrence University in Wisconsin.

“What the British want is a do-over of the American Revolution. And what do the Americans want? Well, Canada would be nice.”

Still, the U.S. itself was divided on whether to wage war, Americans in New England openly opposed it.

U.S. President James Madison delivered his war message to Congress, documenting a list of grievances. Congress voted in favour and Madison declared war on June 19, 1812.

The war was a critical moment in the evolution of Canada but in one sense it was simply the latest battle for supremacy in North America — the continent that had first been named on a European map in 1507, after the Italian explorer Amerigo Vespucci.

The war also symbolized round two in the struggle between Great Britain and rebellious American colonists in the new world — a struggle in which Canadians had always been involved one way or another.

The U.S. won independence in 1781 following a revolutionary war in which British loyalists in Canada, such as Butler’s Rangers, fought Americans. After the war 38,000 British loyalists settled north of the border.

The War of 1812, writes historian Alan Taylor, became essentially a “civil war between kindred peoples, recently and incompletely divided by the revolution … the republic and the empire competed for the allegiance of the peoples in North America — native, settler and immigrant.”

Taylor quotes a British officer’s reflections after visiting an American encampment during the war: “Strange indeed did it appear to me to find so many names familiar as enemies; the very names of officers in our own army. How uncomfortably like a civil war.”

Among the loyalists who joined the fight against the Americans were blacks who had fled the U.S. and settled in Upper Canada. Blacks also fought for the U.S. side but, according to the Dominion Institute, thousands of black volunteers fought for the British, many of them fearing that the invading Americans would return them to slavery.

(British/Canadian freedom only extended so far: a black regiment still required a white officer in command.)

Historians have labelled the war many ways: a civil war, a forgotten war, the war nobody won. Shortly after the U.S. declared war, the British revoked the impressment policy that had done so much to stoke the fire.

That did not stop the war, which is why some historians also call it a needless war, especially considering no territory was lost or gained by either side and no regimes were toppled.

In the end, the U.S. suffered 2,260 combat deaths — half the total of losses in the American War of Independence. The British lost 1,600 in combat and perhaps 1,000 Canadian soldiers and militia died. It’s unknown how many natives died.

The casualty numbers are misleading because the prognosis for soldiers engaged in battle was never good. Scores more died in the weeks and months following combat from wounds and disease that medicine at the time could not treat.

Fighting at the Battle of Lundy’s Lane in Niagara Falls was particularly brutal, fought mostly after dark, five hours long, with about 3,000 British and Canadian soldiers facing 2,800 Americans.

Yet the War of 1812 did not nearly approach the total war carnage of the U.S. Civil War, for example, where whole cities were burned to the ground. (More than 212,000 American soldiers died in combat in that war; more American troops than in the revolution, the First World War, Korea, and Vietnam combined.)

Battlefield fighting in the War of 1812 was brutally violent but in the modern context of warfare still had the air of chivalry associated with it. Soldiers dressed not in camouflage but red (British) and blue (American); lined up and fired upon each other in the field with weaponry confined to musketry and cannons.

Unlike wars that would follow with prolonged trench warfare and combat in the streets and in the air, battles in 1812 were primarily in the field and on water and were over quickly.

Perhaps this is why war re-enactments today focus on battles of the 19th century, not the 20th.

“In the Battle of New Orleans (Jan. 8, 1815), the British marched out in the traditional way, wearing red, with bands playing, marching in lockstep, right on the open on a flat plain,” says Jerald Podair.

“It was like two armies stepping outside to fight. If you were civilian you could get out of the way. In the Civil War, armies fought right in living rooms, house to house.”

The war did, in fact, visit terror on civilians as well, however. When Americans gained control of Lake Erie, they freely landed on the Canadian shoreline and ransacked property.

“Americans raided properties east from Detroit to London and there was a lot of damage done, and considerable resentment built up,” says Jonathan Vance.

“For a lot of Upper Canadians it was personal. These were their farms burned, or family’s and friends’ farms. It hit as close to home as it possibly could and it took a long time for those animosities to heal.”

Then there was the Bloody Assize. At the site of the Coach and Lantern pub in Ancaster, 15 people were sentenced to death for treason. On July 20, 1814 they were hauled in a wagon to a makeshift gallows at Dundurn Street and York Boulevard. Standing in the wagon, nooses were placed around their necks, and the wagon pulled away. Following a court order, eight of the accused had their heads were cut off and displayed on stakes.

The bodies were buried in unmarked graves near what is now Hamilton Cemetery but their remains have never been located.

In the big picture, perhaps the most tragic upshot of the war was the outcome for native peoples.

While some natives, such as the Senecas, joined forces with the U.S., most joined the British. That included the legendary Shawnee native leader Tecumseh, who hoped in vain to unify all tribes to best protect their land interests.

While natives helped the British and Canadians turn back the Americans, they did not benefit from their efforts and sacrifice.

“The war was historically transformative, probably the first pivotal event in 500 years of contact (with Europeans),” says Donald Fixico, a native and professor at Arizona State University.

The upshot for natives was that the tide of American settlement in the west rose more rapidly, even though most natives had been on the “winning” side.

“The British leave the U.S. to their own; they can finish rebuilding their White House and armies and infrastructure. And they punish natives who had fought on the wrong side.”

Less than 20 years after the war, President Andrew Jackson enacted the Indian removal policy, forcing Indians to leave land east of the Mississippi. (Jackson had commanded troops as a general and made his name at the Battle of New Orleans.)

Thomas Jefferson previously had promoted the more benign view that natives were neighbours who could be taught to farm and assimilate into American society.

“The attitude changes after the war. It’s a new kind of nation trying to strengthen itself, and natives are seen in a negative way,” says Fixico. “Natives now had to defend their sovereignty. The balance is tipped against them. The war makes them subordinate to the sovereignty of the U.S.”

While historians agree that natives were the biggest losers of the war, Rick Hill, who has taught indigenous studies in this area for 30 years, says it depends how you look at it.

“You can win material things like land but if you lose your honour along the way to that victory, you have to ask ‘who lost the most?’

“What if the pledge of the Crown means nothing, if the promises of the president of the United States mean nothing? We are still here saying the same things we said in 1811: that we are a nation, this is our land, and our culture matters.

“In that way we are victorious because, despite the war, we haven’t changed. Two hundred years later we are still asking the Crown and the U.S. to live up to their pledges.”

The federal government will launch a campaign to commemorate the war. Visitors will take in Battlefield Park in Stoney Creek, site of a crucial battle on June 6, 1813, and Hamilton Cemetery, where, before it was a cemetery, the British camped and built earthworks as a strategic barrier that you can still climb on foot.

But other major participants in the war are not similarly engaged.

Historians say the British still think of 1812 primarily as the year Napoleon invaded Russia. The battle here was just one part of a global conflict in which they were engaged.

The U.S. doesn’t formally commemorate the war in any grand way, certainly not in the manner of other wars.

In part this is because there are no surviving veterans to push for monuments, as was the case with the Vietnam and Korean and Second World War monuments in Washington D.C.

Perhaps in part it’s because the outcome was, arguably, ambiguous.

“Our history is based mostly on myth and what we want to remember,” says Donald Fixico.

A recent poll of 1,015 Canadians showed that 25 per cent feel the War of 1812 contributed toward defining our identity.

The war did establish a simple yet fundamental thread in what would become our national fabric: the notion that while we share much in common with the Americans, we are not them.

Yet in that same survey, 53 per cent responded that our health-care system defines our identity.

Commemorate means to honour a memory. Should the war be celebrated?

Leaving aside the nuances of the cause and outcome of the war and who did much of the fighting, we could celebrate the fact that, in the words of one letter writer to The Hamilton Spectator, “we kicked the U.S.’s butt.”

Butt-kicking is the ethos of a sculpture erected in Toronto three years ago by Vancouver-based artist Douglas Copeland that shows a Newfoundland-based soldier standing triumphantly above a fallen American soldier.

“History with its flickering lamp,” wrote Churchill, “stumbles along the trail of the past, trying to reconstruct its scenes, to revive its echoes and kindle with pale gleams the passion of former days.”

Sometimes we only notice shadows thrown by that illumination because, try as we might to have perspective on our past, the view is shaped by the lens of the present.

A history of the war published in 1852 by Gilbert Auchinleck described the role of Canadians this way: “It was by the side of a mere handful of British troops that our Canadian militia achieved the expulsion of the invading foe, and what is more, we do not regard it as an extravagant supposition that, had the Mother Country been unable to send a single soldier, their own true hearts and strong arms — so thoroughly was the spirit roused — would, unaided, have won the day.”

That sort of prose sounds like a national anthem.

Fifteen years later in 1867, The Maple Leaf Forever was written. The anthem’s lyrics invoked the Queen, God, heaven, and that “at Queenston Heights and Lundy’s Lane our brave fathers side by side; for freedom, homes and loved ones dear, firmly stood and nobly died.”

Jump ahead 143 years from when that song was penned. At the Vancouver Olympics in 2010, the great reveal for modern Canada to the world, B.C. singer Michael Bublé donned a red Mountie uniform, then stripped to a white dinner jacket to croon The Maple Leaf Forever.

The song lyrics had been completely changed years earlier. References to Queen and God and heaven and doing battle were gone, replaced by phrases such as “quiet strength,” blue skies, strong mountains, sparkling snow, and “a scent of freedom in the wind.”

The song is not forever. Neither is Canada, not the one of distant eras and wars.

Perhaps the good and noble campaign today, as an Upper Canadian might once have put it, is to reach back and remember 1812-1815, invoke the blazing failure and shining virtue of the human condition implicit in that war, and work to revive and preserve the best of what we were — even as we change, as a country, as individuals.

Interpretations change but history never does. It is there, it is real, and always there for the taking.

jwells@thespec.com

Pittsburgh filled with statues of sports heroes

Posted on 18th March 2012 in The monuments of world

PITTSBURGH — In the lobby of Pittsburgh International Airport, side-by-side figures of Franco Harris and George Washington give guests the impression that this is a city as identifiable with a Steelers Hall of Famer as it is the man who fired the first shots of the French and Indian War and became the father of our country.

It’s almost as if they belong in the same backfield.

“Everybody wants to take their photo next to Franco, and then they say, ‘Who’s the guy next to him?’ ” said Ned Schano, director of communications at the Sen. John Heinz History Center, which is responsible for the figures.

One young boy waved his hand in front of the Harris’ facemask to see whether he would blink. The life-like statue, which depicts him making the shoestring catch known as the Immaculate Reception, is a popular comedy bit for Bill Crawford of the WDVE Morning Show.

“I never fully understood the magnitude of Pittsburgh’s love of sports until I saw the statue of Franco Harris next to George Washington at the airport,” said Crawford, who grew up in Regent Square.

When it comes to immortalizing the city’s greats, sports figures have become the envy of Pittsburgh. Penguins legend Mario Lemieux is the latest to be cast in bronze; his statue, unveiled earlier this month, stands outside the Trib Total Media gate at Consol Energy Center.

“We consider the Immaculate Reception to be as historically prestigious as the first president and Revolutionary War,” Crawford said. “Truth be told, Franco’s got the edge. He’s always surrounded. Every time I’ve ever done the bit in public, people come up to me laughing at the show, with a picture of them with Franco and just half of George’s face. He’s a total afterthought.”

Amid changing cultural values, statues once dedicated to political figures – such as Edward Manning Bigelow and Christopher Lyman Magee, poet Robert Burns, songwriter Stephen Foster and Spanish-American War hero Col. Alexander Leroy Hawkins

– now largely portray those who shined in the sports world.

“It’s true that there are other aspects to Pittsburgh – and Heinz Hall is proof that it’s not just a sports town – but this is what gets out there much faster than the cultural or political news,” said Mike Emrick, who taught communications for two years at Geneva College before becoming NBC’s hockey voice.

“You have a ready audience because our culture is raised on sports, and these are sports heroes as well as community heroes.”

Statues of Pirates greats Roberto Clemente, Willie Stargell, Honus Wagner and Bill Mazeroski surround PNC Park.

Mazeroski’s, unveiled in September 2010, captures him twirling his cap to celebrate his Game 7-winning home run to clinch the 1960 World Series championship. Heinz Field is home to a statue of Steelers founder Art Rooney, seated on a bench and holding his trademark cigar.

All told, the city has 110 sculptures, according to Morton Brown, public art manager in the city’s Department of Planning.

University of Pittsburgh sociology professor Mike Epit-ropoulos sees a parallel between current sports hero worship and that of ancient Greeks, who revered athletes along with philosophers and politicians.

He believes today’s idolization evolved when Pittsburgh’s identity as a hub of the steel industry waned and Steelers Nation arose.

“There was a pride, respect and honor with these athletes during the transformation of this region,” Epitropoulos said.

“I would even go further and say, since the demise of the steel industry, Pittsburghers feel betrayed by politicians and want to throw tomatoes at them, whereas with Willie, Maz and Mario you have people who brought championships to the city.

“It’s easier to identify with people in those romantic notions.”

As a Keeper of the Cup for the Hockey Hall of Fame in Toronto, Mike Bolt has traveled the world with the chalice celebrating the National Hockey League championship and sees statues as a magnet for photo opportunities.

“One of the great things about being with the Stanley Cup – it’s iconic on its own, almost like a traveling statue – is people want to get their pictures with those kinds of things,” said Bolt, who watched fans pose for photos with the Cup next to the statue of George Washington and Guyasuta across from Monterrey Bay in Duquesne Heights.

“We’ve had the Cup next to the Lenin statue in Russia, photos taken with the Statue of Liberty in background, with the monuments in Washington, D.C. They always want to try to incorporate it. For sure, you always try to put the Cup next to those statues.

“I’m a history buff, and I think it’s great that we try to honor our leaders and heroes. Obviously, sports have gotten so big in the last 100 years, but I think we still recognize our true heroes. The Lemieux statue is more a salute to a great hockey player and great ambassador to the City of Pittsburgh.”

Mayor Luke Ravenstahl passes one statue not dedicated to a sports figure when he comes and goes from the City-County Building.

At the base of its Grant Street entrance stands an October 1990 statue of the late Richard S. Caliguiri, mayor from

1977-88.

“That statue is obviously synonymous with the City-County Building now,” Ravenstahl said.

“His legacy speaks for itself.

“It’s such a striking pose. It reminds you every day, as the mayor, the responsibility and honor you have to hold the office.”

An unabashed sports fan, Ravenstahl attended the unveiling of the Lemieux statue.

“This is a sports town, clearly.

“We value our athletes and people that are important to Pittsburgh,” Ravenstahl said.

“This statue is an example of that. It recognizes Mario just as much for his on-ice accomplishments as it does his off-ice accomplishments, which are, arguably, even greater. I don’t think we have any statues up that are inappropriate. We do it when it’s right and when folks are deserving.”

Brown, the public art manager, notices the trend for statues of sports figures but would prefer to follow other cities that integrate art into the landscape, mixing functionality with beauty.

“There are so many bronzed sculptures in the world that there’s enough of them,” Brown said.

One danger is that statues can become a target of revisionist history, Brown said. Anarchists have defaced the Christopher Columbus statue in Schenley Park with graffiti, which can be costly to repair.

“Memorializing anyone becomes government speech,” Brown said. “What I would much rather do is create a piece that isn’t so literal and figurative.”

Still, a larger-than-life sports hero can provide a warm welcome to visitors.

Kenzo Waku, 26, a linebacker from Osaka, Japan, on his way to a tryout with the Calgary Stampeders of the Canadian Football League, stood in wide-eyed wonder when he saw the Harris figure at the airport.

“In Japan, football is not a popular sport, but in this country football (stars) and the president are the same,” Waku said.

“I envy Pittsburgh.”

Greek archaeologists appeal for help to save monuments

Posted on 14th March 2012 in The monuments of world

ATHENS (Reuters) – Greek archaeologists appealed to art lovers across the world on Wednesday to protest against austerity cuts taking a toll on the debt-stricken country’s ancient monuments, temples and museums.

Since the debt crisis flared in 2009, Greece has imposed a series of spending cuts to satisfy lenders and avert bankruptcy. The culture ministry’s budget has been cut by 35 percent and it has axed 2,000 staffers, mostly workers on temporary contracts.

The budget cuts have hit museums and archaeological sites hard, forcing some to shorten visiting hours or shut down and prompting concern about the level of security at some of the most precious archaeological sites.

“Our cultural heritage is not for sale,” said Despina Koutsoumba, the head of the Greek Archaeologists’ Association. “We don’t want markets to rule over our cultural heritage, our history and our democracy.”

She and other Greek archaeologists called on art lovers to protest the cuts by holding up posters like “Defend Greece’s cultural heritage” in front of Greek statues in museums abroad, and posting a picture of that on the Internet.

They hope the campaign will convince the government to shelve plans for public sector lay offs and further cuts in 2012, including a 20 percent cut in funding for museum security.

Although provincial sites have borne the brunt of the cutbacks, even major showcase projects like the two-year-old Acropolis Museum have been feeling the chill.

“We need everyone’s help. We don’t want our museums to become store rooms,” said Koutsoumba, warning that other austerity-hit countries could soon find themselves in Greece’s predicament.

“What happened here will happen to other countries too.”

Culture and Tourism Minister Pavlos Yeroulanos has said the government is doing its best to protect Greece’s heritage.

But archaeologists say the roughly 7,000 archaeologists, guards and civil servants are not enough to adequately care for the 20,000 historical monuments, sites and museums, that attract millions of tourists every year.

In January, three works of art, including one by Pablo Picasso and another by Dutch painter Piet Mondrian, were stolen from the National Gallery in Athens.

A month later, armed thieves looted a museum in Greece’s Olympia, birthplace of the Olympic Games, stealing bronze and pottery artefacts. Yeroulanos offered to resign, but his resignation was not accepted.

“Today it’s the National Gallery or the museum in Olympia, but tomorrow it will be the Louvre, the Colosseum and museums in Germany,” Koutsoumba said. “We need a shield of protection.”

MONROE: Students learn about countries at fair

Posted on 10th March 2012 in The monuments of world
Amy Batista, Special Writer

   MONROE — The Barclay Brook/Brookside PTA hosted its fourth annual Cultural Fair on Feb. 10 for students to come and celebrate cultures around the world.

   It was a collaborative effort of parents, teachers and administrative and school staff. The chairpersons for the event were Anandi Nagarajan, Foroozan Fayazi-Azad and Janet Baptista.

   Every student had the opportunity to learn and experience new countries’ cultures, customs, traditions, language and more as they “traveled” around the world.

   Tables were set up around the gym, and children rotated from one to another. The event has grown over the years from a one-day event in the classroom to multiple tables in the gym.

   Each year the tables are changed, and more detail is added. This year, 12 different countries were showcased — Australia, Brazil, China, Cuba, Czech Republic, England, Holland, India, Iran, Italy, Peru and Portugal.

   At India’s booth, students participated in a tradition known as Rangoli, which is a form of Hindu decorative artwork. It is mainly done with colored rice and done at times of the Festival of Lights to welcome friends and family outside the home or in courtyards for the goddess of wealth.

   The students built a collective Rangoli at the table as they learned about the country, and at the end, they received colored orange rice to helped design their own Rangoli, which the volunteer parents at the booth took a picture of for the students’ classroom.

   Students learned the costumes were made out of cotton fabric due to the year-round warm weather there. They also learned about the national bird, which is the peacock, and the tiger, the national animal.

   At the China table, students learned that the Chinese have 20,000 characters in their language. Due to the timing of the Chinese New Year, the students had the unique opportunity to learn a little about that holiday and the fact it is the Year of the Dragon. The panda is the country’s national animal.

   Volunteers, which were mainly parents with several teachers, hosted each country. Each table included a display board that could include pictures, artifacts, currency, newspapers in their language and more.

   Students learned how to say “hello” at each of the countries as they “traveled,” and some of the countries had the word written down for them. In addition, the country flags and maps were on display. Students also learned about food, art, music, dance, monuments and inventions.

   ”(The fair is) basically to help children understand the cultural differences, what it is like in different parts of the world and educate them,” said Komila Pandit, of Monroe, and a volunteer at the India table.

   ”The whole idea is that since it is a diverse community in Monroe, and we have the fair to explain the diversity and share the diverse cultures we have here in the community,” said Ms. Nagarajan, fair chairwoman. “An event like this really helps kids, who haven’t seen different cultures, understand where their classmates come from. It gives them a really good thing to connect with, and kids are so fascinated by all the different artifacts, different holidays, languages.”

   Many of the volunteers came dressed in traditional customs or a piece of clothing that represented something their country was known for. At the China table, a dragon face was on display that was made the previous week by Ms. Smits’ second-grade class at Barclay Brook School.

   ”It’s a great experience for all of us and the children. They get a taste of each country,” said Cindy Braun, of Monroe, who was volunteering at the Holland table.

   ”It all ties into our anti-bullying policies,” said Janet Baptista, of Monroe, who was volunteering at the Holland table. “You are learning about other cultures. So what, people might look different, they might eat different things. There’s no reason to treat them any different.”

   Students were encouraged to “show your colors” this year to make the fair more festive by dressing in their traditional cultural costume or wearing the colors of a country of their choice.

   The teachers do some kind of an assignment that ties into the fair, whether it was through a bulletin board display, recipe book, creating authentic passports, sending in travel logs to be posted on the fair website and more.

   Third-grade teacher Diana Mazurek’s class did a variety of projects over the prior week to prepare the students for the fair. Her students interviewed their parents about their heritage, wrote a recipe from their culture and drew their flag. Students completed a family tree, worked on their passports, then visited the fair.

   Ms. Mazurek volunteered the day of the fair. She represented her own country, the Czech Republic. This was her first time participating in the fair.

   ”A lot of the kids don’t know of this country (Czech Republic),” she said. “My mom’s side is from there. All the stuff (on the table) is from there. The crystal, the decorations, which I thought I would share with everybody. It’s nice sharing with all the kids.”

   Art teacher David Virelles has been sharing with his class over the week the basics of his country, Cuba, where his family and his father came from. He taught them about the agriculture, architecture, beaches, the island, the baseball plays, the famous celebrities that came from Cuba and more.

   ”There is excitement when the children come to Brazil,” said Tracey Dilascio, of Monroe, who was volunteering at the Brazil table. “The first thing they know about the country is soccer, and they all have questions, and so they are very curious after the presentation to know more.”

   New this year was an online fair. It is a website developed by PTA volunteers to put together in one place a collection of student-friendly information and activities about different countries.

   ”I enjoyed the Cultural Fair very much! It was great seeing artifacts and colorful pictures from different countries,” said fourth-grader Jahnvi Seshadri. “We also learned a lot about different customs and traditions in the different countries. When I visited India, I loved doing the Rangoli, The passport and online Cultural Fair was cool, too.”

   Students were able to write online to the PTA about a country they have visited and have their entry featured in the PTA Student Globetrotter Hall of Fame.

   ”I think the Cultural Fair was a great representation of America and a way to bring America together from different parts of the world and show that we can play together as a team and really build a community of like-minded people,” said Cecilia Afonso-Cavadas, of Monroe, who was volunteering at the Portugal table.

Groundbreaking for Smithsonian’s Museum of African American History

Posted on 22nd February 2012 in The monuments of world

WASHINGTON – President Obama led a parade of dignitaries at a festive groundbreaking for the Smithsonian’s Museum of African American History and Culture Wednesday morning, with many expressing hopes that it can be a vehicle for understanding and healing on the still-fraught subject of race.

The museum, generations in the making, will “ponder the pain of slavery and segregation” but also “soar on the resiliency of a people,” said Lonnie Bunch III, its founding director. It will use “African American culture as a lens to more clearly understand what it means to be an American.”

In its halls, and through educational programs and traveling exhibits, it will celebrate ordinary lives, like that of Mae Reeves, who owned a hat shop in West Philadelphia for 50 years.

Reeves, now 99 and living in a retirement home in Darby, could not attend. But her daughter, Donna Limerick, was there – resplendent in a burnt-orange wide-brimmed fedora that her mother made during the 1970’s.

“This is a historic moment for me as an African American woman and I think for the world to witness the groundbreaking of a museum of this stature,” Limerick said. “It’s unbelievable.”

Mae Reeves’ hats and a representation of her shop will be part of an exhibit called “the power of place” and will serve as a window into life in West Philadelphia during the mid-20th century, said curator Michele Gates-Moresi.

As part of the museum’s focus on African American life, art, history and culture, “It will also look at how a very young black woman ran a successful business and was able to use her artistry and creativity and make a living at it,” said Gates-Moresi.

Gates-Moresi and another curator personally traveled to the shop – which had been preserved intact after Reeves retired in 2003 – to inspect its contents.

She told Limerick: “We would like all of this. This is history.”

The museum has already collected more than 25,000 artifacts. Philadephia historian and collector Charles Blockson donated 39 objects, including a shawl and hymnal, which belonged to Harriet Tubman. Blockson, who has a large Afro-American collection at Temple University, received them from her great niece and knew this was the place for it, said Gates-Moresi.

Obama and others said the goal of the museum, which is scheduled to be completed in 2015, was to weave the African American story into the larger American tapestry.

“When future generations hear the songs of pain and progress, struggle and sacrifice, I hope they will not think of them as somehow separate from the central American story,” said the nation’s first black president. “I want them to see it as…an important part of our shared story, a call to see ourselves in one another, a call to remember that each of us are made in God’s image.”

The museum, the 19th under the Smithsonian’s umbrella, will sit yards away from the monument to George Washington, the country’s first president and a man who also owned slaves.

The juxtaposition, noted former First Lady Laura Bush, “is symbolic of our national journey.”

Her husband, President George W. Bush, signed the Act of Congress that created the museum in 2003 after generations of false starts and political battles. Ultimately, it was a bipartisan effort. Laura Bush sits on the museum’s advisory council. Congress promised to pay half the $500 million cost, and is raising money as well from private donors.

Other locations were explored before the selection of this prominent spot on the mall, at 14th St. and Constitution Ave., near to the Museum of American History.

The mall itself, as Obama noted, is a site where “long ago lives were once traded, where hundreds of thousands marched for jobs and freedom. Here pillars of democracy were built often by black hands. It is on this spot are monuments to those who gave birth to our nation, and those who worked to perfect it.”

The Smithsonian’s officers did not shy away from noting that institution’s own history of discrimination.

Richard Kurin, the Smithsonian’s undersecretary for History, Art and Culture, noted that in 1862 the museum hosted abolitionist lectures attended by President Lincoln.

But the great black orator and abolitionist Frederick Douglass was barred from attending. “I will not allow a black man to speak in the Smithsonian” declared the museum’s first secretary, Joseph Henry – even though his own trusted aide, Solomon Brown, was black.

Well into the 20th century, he said, “curators purposely excluded” artifacts regarding African American history.

“The historical record is checkered,” Kurin said.

Among the soaring rhetoric was that of Georgia Congressman John Lewis, who was beaten during the civil rights battles of the 1960s and said he spent “half is career” sponsoring legislation to establish this museum.

Lewis said that “the story in this building has the power to set a whole nation free.”

Obama, who came with First Lady Michelle Obama, said that the museum made him think of his own children and generations to come.

“When our children look at Harriett Tubman’s shawl or Nat Turner’s bible, or a plane flown by a Tuskegee airman, I don’t want them to be seen as figures larger than life but to see how ordinary Americans can do extraordinary things,” Obama said. “How men and women just like them had the courage and determination to right a wrong, to make it right.”

He said he wanted his daughters and all children now and in the future “to see the shackles of bound slaves on their voyage across the ocean, the shards of glass from the 16th St. Baptist church ‘[in Birmingham, AL, where four young girls were killed], and understand that injustice and evil exist in the world.

But, he added, “I also want them to hear Louis Armstrong’s horn, to learn about the Negro Leagues and read the poems of Phyllis Wheatley. I want them to appreciate this museum not just as a record of tragedy, but as a celebration of life.”

Bunch brought onstage two students from the Stuyvesant Heights Montessori Academy in Brooklyn, N.Y., which raised $625 in coins for the museum. Piper Shillingford and Ajani Joseph Grant, both 4, shyly approached the President and First Lady and were rewarded with handshakes and hugs.

Gunmen raid museum at Ancient Olympia, as guards say cutbacks threaten Greek heritage

Posted on 17th February 2012 in The monuments of world

ATHENS, Greece – Two masked gunmen stormed into a small museum at the birthplace of the ancient Olympics in southern Greece on Friday, smashing display cases with hammers and making off with dozens of antiquities up to 3,200 years old, authorities said.

It was the second major museum theft in as many months in debt-crippled Greece, and a culture ministry unionist said spending cuts have compromised security at hundreds of museums and ancient sites across the country. With unemployment at 21 per cent and Greece’s economy in its fifth year of recession, crime, poverty and homeless rates also have been increasing.

Friday’s robbers targeted the museum of the ancient Games at Olympia, a few hundred yards (meters) away from the world heritage site’s main museum, which contains priceless statues and bronze artifacts excavated at the holiest sanctuary of ancient Greece.

Police said about 60 artifacts were stolen by the robbers, who tied up the only site guard, a 48-year-old woman.

Culture Minister Pavlos Geroulanos submitted his resignation after the morning robbery, but it was unclear whether it had been accepted by Prime Minister Lucas Papademos. Geroulanos travelled on Friday to ancient Olympia, some 210 miles (340 kilometres) southwest of Athens.

“This is a very sad day … a tragedy,” ministry Secretary-General Lina Mendoni said.

Police in Olympia and neighbouring areas set up roadblocks, while special investigators were rushed in from Athens.

“According to the results of the investigation so far, unknown persons, this morning, at about 07:34 a.m., immobilized the guard of the museum and removed bronze and clay objects from the displays, as well as a gold ring,” a police statement said.

A culture ministry official said the stolen antiquities dated from the 9th to the 4th centuries B.C., apart from the seal-ring which dates to Late Bronze Age Mycenaean times and was found in another part of southern Greece.

“They took small objects made of bronze and pottery — figurines, vases and lamps — and the ring,” the official said. “The artifacts were behind reinforced glass panels which fracture like a car windscreen, and the thieves grabbed whatever small objects they could reach through the holes they opened.”

A spokesman for museum guards urged emergency government action to protect historic sites and museums, warning that spending cuts taken to save the country from bankruptcy have eroded security.

“The cutbacks imposed by the European Union and the International Monetary Fund have hurt our cultural heritage, which is also the world’s heritage” said Yiannis Mavrikopoulos, head of the culture ministry museum and site guards’ union.

“There are no funds for new guard hirings,” he said. “There are 2,000 of us, and there should be 4,000, while many have been forced to take early retirement ahead of the new program of layoffs. We face terrible staff shortages. As a result, our monuments and sites don’t have optimum protection — even though guards are doing their very best to protect our heritage.

Officials said the robbers seemed to have poor information on the museum, asking the guard where they could get golden wreaths and a valuable stamp collection — which are not part of the display.

“They seem to have operated more as if they were carrying out a holdup” rather than a professional museum heist, the ministry official told the AP, speaking on condition of anonymity due to the ongoing investigation.

The ancient Olympics were the most important sporting festival in ancient Greece, held every four years and lasting up to five days. They started in 776 B.C. and lasted until A.D. 394 when Roman emperor Theodosius abolished the festival, deeming it pagan. The site hosted an Olympic event during the Athens 2004 Games, when the shot-put was held in the ancient stadium.

The flame for each modern Olympics is lit in a special ceremony at ancient Olympia — and the ceremony for the London Games will be held there on May 10.

Olympia Mayor Efthimios Kotzas urged authorities to improve security.

“The level of security is indeed lacking,” Kotzas told state-run NET television. “These are treasures. A piece of world heritage has been lost, thanks to these thieves. … I think (authorities) should have been more mindful and the security should have been more serious.”

Friday’s robbery is the second major museum theft in the past two months in Greece. In January, thieves made off with art works by 20th-century masters Pablo Picasso and Piet Mondrian from the National Gallery in one of the best-guarded areas of central Athens.

In that pre-dawn heist, the burglars also took a pen and ink drawing of a religious scene by Italian 16th-century painter Guglielmo Caccia. As they fled, thieves abandoned a fourth work by Mondrian. No arrests have been made.

H'bad: UNESCO gets Qutub Shahi dossier

Posted on 17th February 2012 in The monuments of world

HYDERABAD: The comprehensive dossier and management plan for the Qutub Shahi monuments in Hyderabad (Golconda Fort, Qutub Shahi tombs and Charminar) has been submitted to UNESCO through the Archaeological Survey of India for their recognition as World Heritage Sites. “The dossier was sent well before the deadline of Feb 1,” Prof P Chenna Reddy, Director of State Archeology and Museums, confirmed.

He also said that the State government had given the nod for constituting a committee with chief secretary as the chairman, and representatives of various other stakeholders like the GHMC, ASI, HMDA, Dept of Tourism, Horticulture Dept and others as members. The panel is expected to meet soon to discuss among other things plans for the removal of  encroachments around historical sites.

The State government had proposed the Golconda Fort, Charminar, Qutub Shahi tombs and Badushahi Ashoorkhana for Unesco’s world heritage list-2013. A three-member sub-committee, comprising Dr Amita Baig, Dr Sikha Jain and Dr Priyaleen Singh had inspected these sites last month. The panel, formed by ICOMOS (a Unesco offshoot) and the Union Ministry of Culture, had suggested that individual plans for the conservation of each historical structure be prepared along with fulfilling other criteria like removal of encroachments to get the coveted tag of a World Heritage Site.

A delegation from the Aga Khan Trust for Culture (AKTC), which has shown keen interest in undertaking beautification of the monuments, had visited them in October last and is going to pay another visit in the next few weeks to take its initiative a step further. The trust had proposed an MoU with the Archaeology Department  to chalk out a programme for documentation, laying of gardens, conservation of monuments, civic amenities and involving local community under public-private partnership mode.

Speaking to City Express, Dr Shikha Jain, one of the members of the sub-committee, termed Unesco’s rules for conferment of the World Heritage tag as very rigorous. According to her, first the proposed monument will be placed in a tentative list and later, the State concerned is required to  submit a dossier and management plan by Feb 1. India can submit 2 dossiers every year (1 natural site and 1 cultural site).

“But, unfortunately the track record of placing even 2 dossiers by India has not been very good. So recently (in October 2011), the Ministry of Culture formed a World Heritage Advisory Committee and our sub-committee that visited Hyderabad is part of the WHAC,” she said.

Ancient treasures to the rescue of Greece's ruined economy?

Posted on 15th February 2012 in The monuments of world

By Margarita Pournara

Greece’s Culture and Tourism Ministry last month said it would slash the cost of permits for filming and photographic shoots at more than 100 of the country’s ancient monuments, including the world-famous Parthenon in Athens.

Some foreign reports reacted to the news by saying the Greek government was putting the Parthenon under the hammer. Culture Minister Pavlos Geroulanos tweeted that speculation that the sites would be “rented out” was totally unfounded.

Fees for utilizing ancient monuments for commercial purposes were first introduced in 2005, but the government has decided to lower the prices. The announcement has brought some tricky questions, and some taboo subjects, into the spotlight: How can Greece promote its cultural sites in a smart way without disrespecting its historical legacy and, at the same time, make money from it? What should be the role of the Central Archaeological Council (KAS), the highest advisory body on all matters pertaining to the protection of ancient monuments? Can the revenue be used to aid the debt-ridden economy? Who should set the fees? And what should the fees be? Many people, for example, questioned whether 6,000 euros for a commercial shoot on the Acropolis is the right amount.

In “Rush Hour 3,” actor Jackie Chan is seen performing a daredevil stunt on the Eiffel Tower. Harvey Keitel was filmed at Rome’s Colosseum for the needs of a whiskey commercial. Could a similar TV spot be shot at one of Greece’s world-famous monuments, like the Theater of Epidaurus? When French film director Jean-Luc Godard asked the Greek authorities’ permission to shoot at the ancient theater, KAS officials demanded that they first take a look at the script of “Film Socialisme.” Talks came to an impasse after that.

During the 1960s, Greece became popular among foreign film crews thanks to its natural beauty, monuments and low prices. Some steps have been made since then in an effort to lure foreign productions. One of the most significant came in 2007 with the foundation of the Hellenic Film Commission. It was a pilot project aimed at facilitating foreigners who wished to hold photo and video sessions at the country’s museums, monuments and other sites.

In an interview with Kathimerini, former HFC director Markos Holevas said that the film commission has done some good work but needs more funds and staff. “More important, we need a fast-track treatment so that interested parties do not have to wait for months for a response from KAS officials,” he said. His successor, Grigoris Karantinakis, says one of the problems is that the institution is part of the Greek Film Center, therefore any filming request has to go through the various offices of the center.

People from the film and advertising industry say the situation can be quite chaotic for applicants. The criteria for granting a permission are quite fuzzy and often subjected to political influence. The makeup of KAS, they say, can also affect decision-making.

KAS recently gave Vodafone permission to shoot a commercial at the Stoa of Attalos in the Ancient Agora, but went on to turn down a request by BMW to photograph its new models next to the temple of Poseidon at Cape Sounio. In the past, the archaeologists gave the Andreas Papandreou Foundation, a nongovernment entity, the green light to use the same site for a speech by then German Foreign Minister Joschka Fischer and a concert. No fee was requested. In 1998, American fashion designer Calvin Klein was denied permission to use the Herod Atticus Theater. Meanwhile, pundits disagree on things like whether pop singers should be allowed to hold concerts at the site or if spectators should be allowed to visit the theater in high heels. A few years ago maintenance crews found and removed no less than 17 kilos of chewing gum which had accumulated under the marble seats.

More controversial decisions followed. Greek-Canadian actress and scriptwriter Nia Vardalos got permission to use the Parthenon as a backdrop for her 2009 romantic comedy “My Life in Ruins” — a film which admittedly did not cast Greece in the most favorable of light. However KAS said no to a photo shoot at Crete’s Knossos Palace for the participants of “America’s Next Top Model.”

“We had to build ancient [ruins] out of styrofoam,” said Angelo Venetis, managing director of Boo Productions, who was in charge of the project.

“When the French, who have a very strict cultural policy on issues of historical legacy, invite Woody Allen to make a movie in Paris we still fail to tackle the simplest requests, then it’s only natural that the foreigners will turn their backs on us,” said Kyriakos Angelakos, a movie director. “Why should they come here and wait forever for a response from KAS, when they can find immediate service and better prices in countries such as Malta, the Czech Republic or Portugal?”

In European countries that make their sacred sites available to foreign film crews, advertising firms and publishing houses, local government has a positive role to play. Meanwhile, the City of Athens charges 1,800 euros per square meter for a single shoot. “You often pay this money and get a big space without any security,” Angelakos said. The Athens Film Office, which was established by the municipality to address with these problems, is no match for its foreign counterparts.

George Tsokopoulos of production company Avion Films knows firsthand what foreign crews have to put up with in Greece. “We are discouraging foreign clients from using our monuments to make movies or TV spots,” he said, giving the example of a big air carrier that made a commercial featuring a children’s choir at major monuments around the world. The production company asked permission to film at Cape Sounio. After a long delay, KAS officials said the site would be made available for an astronomical 300,000 euros. Following pressure from the production company, and a meeting with the then culture minister, the price tag dropped at 10,000 euros, he said.

Producer Yiannis Koutsomitis points out another issue that needs to be addressed. “Everyone respects the work of archaeologists, but it is unacceptable that KAS has a say on the artistic and aesthetic value of a script,” he said, recalling a frustrated Francis Ford Coppola who had to spit blood to get permission to shoot a scene in front of the Acropolis. That does not mean, he says, that all iconic monuments should be surrendered to commerce. “Greece has many archaeological sites and needs to have a clear list of what can be used, by who, and for what purpose,” he said.

Architecture historian Charalambos Bouras agrees with the idea. “[Such lists] are used around the world and need to be introduced here as well. To date, KAS has held all the responsibility, including pricing. Now things have started to fall into place,” he said.

Senior ministry archaeologist Maria Vlazaki says that on the one hand the state is under pressure to be more flexible with filming rights and, on the other, foreigners say we are “renting out” our monuments. “It’s a delicate issue that affects the image of the country abroad and much more,” she said.

Travel challenge: India deals

Posted on 11th February 2012 in The monuments of world

Take a boat around the Taj Mahal in India. Picture: Insight Vacations. Source: Supplied

EACH week we invite three competing companies to give us their best deals for a particular holiday. The result is great offers for our readers.

Including two nights each in the Golden Triangle cities of Delhi, Agra and Jaipur, this tour also visits Bikaner, Jaisalmer, Rohet Garh, Jodphur and Udaipur before finishing back in Delhi.

Accommodation, transport by luxury coach or minibus, an airconditioned trip on the Shatabdi Express from Delhi to Agra, authentic dining experiences and private tours are included.

Departures available from August 27 until April 22 next year.

Ph 1300 237 886 or see insightvacations.com.au

Harvey World Travel
15-day Classic Rajasthan

VISIT many of India’s best-loved destinations in this 15-day tour priced from $1345 a person, twin share, land only. Highlights include a visit to Delhi, the country’s capital and the third largest city in the world.

Other stops include Agra, the home of the beautiful Taj Mahal, and Jaipur, as well as the enchanting northern province of Rajasthan.

Travellers will learn about the grisly history of India’s amazing forts and the opulence and splendour of the maharajahs’ palaces.

Apart from touring, travellers will also have a chance to visit markets, search for the elusive Bengal tiger, enjoy a sunset camel safari and soak up the culture of the local people.

Discounts apply for departures in March.

Ph 132 757 or see harveyworld.com.au

Intrepid Travel
15-day Taste of North India

CELEBRATE the joys of international food with 15 per cent off this foodie tour of India. Journey into the markets and restaurants of India and unearth the country’s authentic flavours.
 
At prices from $1744 (a 15 per cent saving when you book before March 31), you can sample local cuisine at roadside eateries, peek inside a royal kitchen in Bijaipur and work on a range of Rajasthani delicacies at a cooking school in Udaipur.

When you’ve had your fill, check out the best of museums, monuments, back streets and beaches. This package is valid for travel until August 31.

Plus, all customers who book by March 31 receive a free urban adventure day tour, perfect for getting to know Delhi upon arrival.

Ph 1300 018 871 or see intrepidtravel.com