Sofitel Debuts First Hotel in India

Posted on 22nd February 2012 in The monuments of world

PARIS, Feb. 22, 2012 /PRNewswire/ — Blending French elegance with Indian culture, Sofitel Luxury Hotels announces the opening of its first hotel in India, Sofitel Mumbai BKC. The landmark hotel is located in the heart of Mumbai‘s business district within the Bandra Kurla Complex, serving as a new luxurious haven for business and leisure travelers alike.

Designed by renowned Franco-Spanish designer Isabelle Miaja, Sofitel Mumbai BKC features 302 rooms, including 31 luxury suites. When designing the hotel, Miaja drew upon references from Indian art, including temples, sculptures, and emblematic monuments, while adding a contemporary flair. Together, the architecture and design have created one of the city’s most modern projects.

The property boasts impressive culinary offerings with six restaurants and bars. Guests can dine on traditional North Indian cuisine at Jyran or enjoy Parisian chocolates or artisanal meats and cheeses at L’Artisan – Epicerie, Patisserie, Chocolaterie. For those desiring a more contemporary atmosphere, the ultramodern Bar Diamantaire features a spacious lounge and India’s first wine tower.

A full service property, Sofitel Mumbai BKC offers So SPA and So FIT for active guests. The state-of-the art designer fitness and health facilities include an open-air swimming pool. In addition, the hotel has nine meeting rooms, including a ballroom, ideal for both conferences and events.

Following the brand’s successful three year repositioning, the opening of Sofitel Mumbai BKC demonstrates the company’s commitment to strategically expanding its presence in cities around the world. Sofitel plans additional locations throughout India in the coming years.

Sofitel, World Class Hotels & French Elegance

Sofitel is the only French luxury hotel brand with a presence on five continents with 120 addresses, in almost 40 countries (more than 30,000 rooms). Sofitel offers contemporary hotels and resorts adapted to today’s more demanding and more versatile consumers who expect and appreciate beauty, quality and excellence. Whether situated in the heart of a major city like Paris, London, New York, Shanghai or Beijing, or nestled away in a country landscape in Morocco, Egypt, French Polynesia or Thailand, each Sofitel property offers a genuine experience of the French “art de vivre”.

You can discover Sofitel at www.sofitel.com

Discover Sofitel’s A|Club, the Accor loyalty programme at www.a-club.com

We, the Web Kids

Posted on 21st February 2012 in The monuments of world

Piotr Czerski is a Polish writer and commentator. Here, he lays out the kind of political/literary manifesto that seems to pop up from time to time, usually in Europe. The essay, as translated by Marta Szreder, was posted to Pastebin under a Creative Commons license. I repost it here with the first several paragraphs excised, so that we can hasten to the meat of Czerski’s analysis about how the expectations of young people have been conditioned by their experiences of the Internet.

theinternethouse_615.jpg

1. We grew up with the Internet and on the Internet. This is what makes us different; this is what makes the crucial, although surprising from your point of view, difference: we do not ‘surf’ and the internet to us is not a ‘place’ or ‘virtual space’. The Internet to us is not something external to reality but a part of it: an invisible yet constantly present layer intertwined with the physical environment. We do not use the Internet, we live on the Internet and along it. If we were to tell our bildnungsroman to you, the analog, we could say there was a natural Internet aspect to every single experience that has shaped us. We made friends and enemies online, we prepared cribs for tests online, we planned parties and studying sessions online, we fell in love and broke up online. The Web to us is not a technology which we had to learn and which we managed to get a grip of. The Web is a process, happening continuously and continuously transforming before our eyes; with us and through us. Technologies appear and then dissolve in the peripheries, websites are built, they bloom and then pass away, but the Web continues, because we are the Web; we, communicating with one another in a way that comes naturally to us, more intense and more efficient than ever before in the history of mankind.

Brought up on the Web we think differently. The ability to find information is to us something as basic as the ability to find a railway station or a post office in an unknown city is to you. When we want to know something – the first symptoms of chickenpox, the reasons behind the sinking of ‘Estonia’, or whether the water bill is not suspiciously high – we take measures with the certainty of a driver in a SatNav-equipped car. We know that we are going to find the information we need in a lot of places, we know how to get to those places, we know how to assess their credibility. We have learned to accept that instead of one answer we find many different ones, and out of these we can abstract the most likely version, disregarding the ones which do not seem credible. We select, we filter, we remember, and we are ready to swap the learned information for a new, better one, when it comes along.

To us, the Web is a sort of shared external memory. We do not have to remember unnecessary details: dates, sums, formulas, clauses, street names, detailed definitions. It is enough for us to have an abstract, the essence that is needed to process the information and relate it to others. Should we need the details, we can look them up within seconds. Similarly, we do not have to be experts in everything, because we know where to find people who specialise in what we ourselves do not know, and whom we can trust. People who will share their expertise with us not for profit, but because of our shared belief that information exists in motion, that it wants to be free, that we all benefit from the exchange of information. Every day: studying, working, solving everyday issues, pursuing interests. We know how to compete and we like to do it, but our competition, our desire to be different, is built on knowledge, on the ability to interpret and process information, and not on monopolising it.

eiffelphone_615.jpg

2. Participating in cultural life is not something out of ordinary to us: global culture is the fundamental building block of our identity, more important for defining ourselves than traditions, historical narratives, social status, ancestry, or even the language that we use. From the ocean of cultural events we pick the ones that suit us the most; we interact with them, we review them, we save our reviews on websites created for that purpose, which also give us suggestions of other albums, films or games that we might like. Some films, series or videos we watch together with colleagues or with friends from around the world; our appreciation of some is only shared by a small group of people that perhaps we will never meet face to face. This is why we feel that culture is becoming simultaneously global and individual. This is why we need free access to it.

This does not mean that we demand that all products of culture be available to us without charge, although when we create something, we usually just give it back for circulation. We understand that, despite the increasing accessibility of technologies which make the quality of movie or sound files so far reserved for professionals available to everyone, creativity requires effort and investment. We are prepared to pay, but the giant commission that distributors ask for seems to us to be obviously overestimated. Why should we pay for the distribution of information that can be easily and perfectly copied without any loss of the original quality? If we are only getting the information alone, we want the price to be proportional to it. We are willing to pay more, but then we expect to receive some added value: an interesting packaging, a gadget, a higher quality, the option of watching here and now, without waiting for the file to download. We are capable of showing appreciation and we do want to reward the artist (since money stopped being paper notes and became a string of numbers on the screen, paying has become a somewhat symbolic act of exchange that is supposed to benefit both parties), but the sales goals of corporations are of no interest to us whatsoever. It is not our fault that their business has ceased to make sense in its traditional form, and that instead of accepting the challenge and trying to reach us with something more than we can get for free they have decided to defend their obsolete ways.

One more thing: we do not want to pay for our memories. The films that remind us of our childhood, the music that accompanied us ten years ago: in the external memory network these are simply memories. Remembering them, exchanging them, and developing them is to us something as natural as the memory of ‘Casablanca’ is to you. We find online the films that we watched as children and we show them to our children, just as you told us the story about the Little Red Riding Hood or Goldilocks. Can you imagine that someone could accuse you of breaking the law in this way? We cannot, either.

protester_615.jpg

3. We are used to our bills being paid automatically, as long as our account balance allows for it; we know that starting a bank account or changing the mobile network is just the question of filling in a single form online and signing an agreement delivered by a courier; that even a trip to the other side of Europe with a short sightseeing of another city on the way can be organised in two hours. Consequently, being the users of the state, we are increasingly annoyed by its archaic interface. We do not understand why tax act takes several forms to complete, the main of which has more than a hundred questions. We do not understand why we are required to formally confirm moving out of one permanent address to move in to another, as if councils could not communicate with each other without our intervention (not to mention that the necessity to have a permanent address is itself absurd enough.)

There is not a trace in us of that humble acceptance displayed by our parents, who were convinced that administrative issues were of utmost importance and who considered interaction with the state as something to be celebrated. We do not feel that respect, rooted in the distance between the lonely citizen and the majestic heights where the ruling class reside, barely visible through the clouds. Our view of the social structure is different from yours: society is a network, not a hierarchy. We are used to being able to start a dialogue with anyone, be it a professor or a pop star, and we do not need any special qualifications related to social status. The success of the interaction depends solely on whether the content of our message will be regarded as important and worthy of reply. And if, thanks to cooperation, continuous dispute, defending our arguments against critique, we have a feeling that our opinions on many matters are simply better, why would we not expect a serious dialogue with the government?

We do not feel a religious respect for ‘institutions of democracy’ in their current form, we do not believe in their axiomatic role, as do those who see ‘institutions of democracy’ as a monument for and by themselves. We do not need monuments. We need a system that will live up to our expectations, a system that is transparent and proficient. And we have learned that change is possible: that every uncomfortable system can be replaced and is replaced by a new one, one that is more efficient, better suited to our needs, giving more opportunities.

What we value the most is freedom: freedom of speech, freedom of access to information and to culture. We feel that it is thanks to freedom that the Web is what it is, and that it is our duty to protect that freedom. We owe that to next generations, just as much as we owe to protect the environment.

Perhaps we have not yet given it a name, perhaps we are not yet fully aware of it, but I guess what we want is real, genuine democracy. Democracy that, perhaps, is more than is dreamt of in your journalism.

___
“My, dzieci sieci” by Piotr Czerski is licensed under a Creative Commons Uznanie autorstwa-Na tych samych warunkach 3.0 Unported License: http://creativecommons.org/licenses/by-sa/3.0/

Contact the author: piotr[at]czerski.art.pl

More From The Atlantic

Brussels is slowly beeting the life out of our sugar industry

Posted on 20th February 2012 in The monuments of world

Now this superb business faces a threat from Brussels, and the imposition of an unnecessary and badly thought-out regulation. For 134 years, the company has sourced its sugar cane from around the world — not unnaturally, since the crop doesn’t grow in the UK. Week in, week out, huge boatloads of brown crystals come up the Thames to be treated. The plant has the capacity to produce 1.1 million tonnes of refined sugar a year; and yet the company is prevented, by the EU commission, from importing the raw materials in the quantities it needs. Their current output is now down to 60 per cent of capacity — and the result is that jobs are being lost in a part of London that already faces the highest levels of unemployment in the city and indeed in the whole of the country.

And while a great London business is unable to fulfil its potential, the price of sugar is pushed up — by the EU — far higher than necessary, and that price hike is felt by every hard-pressed consumer who eats anything in which sugar is an ingredient. That is a long list of foods, in tough times, whose prices are being pushed up by the Common Agricultural Policy. It is utter madness, and it derives from the ruthless determination of the Commission to protect the sugar beet producers of continental Europe.

For decades they have been artificially shielded, by high tariff walls around the EU, which mean that sugar prices in Europe are more than double the world market price. And those sugar beet producers have been given huge sums of taxpayers’ money, in export refunds, to dump their produce overseas. In 2006 the Commission reluctantly bowed to outrage from Oxfam and others, and agreed to a programme of “reform”. Of the total EU sugar market of about 17 million tonnes, 13.5 million would be reserved for the European sugar beet barons. The other 3.5 million tonnes could be supplied by sugar cane producers around the world.

The trouble is that these countries — in Africa, the Caribbean or Pacific regions — have not been able to fill the gap. To find enough cane sugar, Tate & Lyle need to be able to bring in boatfuls from places like Brazil or Central America: and that Brussels forbids. They face swingeing tariffs to bring more in — while the sugar beet producers are given a licence to produce more. At every turn the British refinery finds the system skewed in favour of the beet producers, mainly in France and Germany. But they can’t use beet in the London plants; and you can’t use beet to make golden syrup.

Already 30 jobs are going — high-skilled jobs held by long-serving staff; and it is surely a disgrace that a natural source of employment is being choked at a critical time for the economy. London firms need to be given every incentive and confidence to hire more staff and expand, from tax breaks to the apprenticeship schemes we have been helping to lead from City Hall. And we are lobbying Brussels to drop its crazy prohibition, and allow Tate and Lyle to get cane sugar from wherever in the world it can find the stuff. It is time for common sense on the sugar regime — in the name of jobs for London and cheaper food all round.

Run down memory lane

Posted on 19th February 2012 in The monuments of world

My love affair with running coincided with my parents’ divorce. I was 12 and Dad moved from the suburbs to New York City. He lived a few blocks from Central Park, one of the world’s most celebrated running venues. Every few weekends, it became my home away from home. Last Sunday, I unexpectedly found myself back in the city, once again in Central Park for a mind-clearing run.

Even though it was sunny and 32 degrees, I stepped out into what felt like air from the North Pole. I would happily take a Flagstaff subzero run over this anytime — after all, “it’s a dry cold.”

During the short jog up Fifth Avenue, I dodged tourists like I was playing Frogger, and entered the park’s southeast corner. I ran by the Conservatory Waters where, as a toddler, my parents took me to enjoy the model boats. I then passed the Zoo where gramps and I enjoyed watching the seals play. I passed the Great Lawn, where, in 1981, my best friends and I watched Simon and Garfunkel play one of the largest free concerts ever. The following year, right before high school graduation, we attended the massive No Nukes Rally, with Bruce Springsteen and Jackson Brown headlining.

Powering uphill, a bronze lion statue crouched on a rock above me. I wondered how many times this scenario played out with real lions on my solo runs on Mount Elden.

A few hundred strides north, “Cleopatra’s Needle,” a 3,500-year old Egyptian obelisk, towered over me. A gift from the Egyptian government in 1881 commemorating the opening of the Suez Canal, its hieroglyphics have severely weathered. Because of its eroded condition, Egypt’s chief archaeologist wants to repatriate the monument. As a kid, it was just another statue of absolutely no interest to me. My profession of archaeology and historic preservation was not on my radar screen, even though King Tut was pretty “funky.”

Passing the Metropolitan Museum of Art, I leapt up the granite steps leading to the Central Park Reservoir. In 1976, the opening scene of the movie “Marathon Man” showed Dustin Hoffman running around the reservoir, frantically checking his stopwatch. This scene inspired me the following day to run laps around the 1.57-mile loop. I often challenged myself to break 10 minutes, which I did only years after living in Flagstaff’s thin air.

As I topped out on the loop’s north end, a stone’s throw from where I was born (Mt. Sinai Hospital), the city’s stunning skyline features the Chrysler, Empire State, and Panam buildings. Since I last ran the Reservoir, two twin towers were notably missing. After a week in the city, and homesick for Flagstaff, I likened these towering manmade monuments to Buffalo Park’s sweeping vista of volcanic monuments, Kendrick, the San Francisco Peaks, Mount Elden, Mormon Mountain and Anderson Mesa.

After a second chilly lap, I headed south toward the Columbus Avenue entrance. I passed the now boarded-up Tavern on the Green, once one of the most prestigious restaurants in the City, and the finish line of my six exhilarating New York City Marathons. Leaving the park, I wondered when I would return, and what changes were sure to take place.

Neil Weintraub is a native New Yorker who has lived in Flagstaff for 26 years. He is the director of Northern Arizona Trail Runners Association (www.natra.org) and the Flagstaff Summer Running Series. To learn more about the places and history mentioned above, visit natra.org.

Colosseum closed to visitors

Posted on 16th February 2012 in The monuments of world

Snow damages Colosseum

CNN image

LONDON (CNN) -

Heavy snow in recent weeks has already wreaked havoc across Europe — now it is damaging some of the continent’s most recognized historic monuments.

The Colosseum in Rome has been forced to shut after small pieces of its walls crumbled away as a result of freezing temperatures.

And buildings in the historic walled town of Urbino — a UNESCO World Heritage Site — are reported to be at risk of collapse under the weight of snow, following unprecedented blizzards in the area.

In the Italian capital, thousands of tourists have been disappointed to discover the Colosseum, one of the city’s most popular attractions, is closed to visitors, while checks are carried out to determine the extent of the damage and to help prevent further movement.

Rossella Rea, archaeologist and superintendent of the Colosseum, told CNN: “Tests and evaluation of the damage is still ongoing, especially on the second level of arches.”

Rea said the enforced closure of the site would have a serious financial impact — the Colosseum attracts some 7,000 visitors a day, paying 12 euros for a ticket — but that it was necessary in the circumstances.

“At the weekend, some of the tourists didn’t understand why the Colosseum was closed — for people from northern countries, the snow is not a problem.

“But it’s very unusual for us and it caused the detachment of dust, concrete and bricks. Little quantities but if they fall from a certain height they can be dangerous.”

Cristiano Brughitta, spokesman for Italy’s Ministry for Cultural Heritage and Activities, said the damage was caused by ice forming on the walls of the monument.

“When the temperatures drop below zero, and there is rain and snow, it causes ice to form which, with the increase in volume, pushes the external plaster masonry and causes small pieces to fall off,” he said.

David Pickles, senior architect at English Heritage, told CNN such damage was an extreme version of the natural wear and tear buildings face during everyday weather.

“There’s a whole freeze/thaw cycle of damage to buildings where moisture gets into the stonework, into the pores of the stone, it then freezes and expands very significantly, it then breaks up the stone and then when it thaws, bits of stone will start falling off.

“That’s happening all the time, of course, that’s one of the major decay mechanisms in historic buildings anyway, because they’re largely water permeable… You can’t treat stone to stop it happening.”

In Urbino, in the Marche region of Italy, partial collapses have been reported at the convents of San Francesco and San Bernardino, while the roof of the Church of the Capuchins outside the town center has reportedly caved in.

The town’s Duomo (cathedral) is also shut, because of water damage. Checks are being carried out on vulnerable buildings in the area.

“Our biggest worry is the buildings in the historic center, which have wooden joists and delicate roofs,” said Gabriele Cavalera, a spokesperson for the local council.

According to Cavalera, residents of some private homes in the historic center are adding extra support to the old roof beams in an attempt to prevent any further cave-ins.

“It’s an enormous quantity of snow compared with what we normally get in winter and it’s had a heavy impact, the equivalent of a flood,” said Cavalera.

Brughitta agreed that conditions were exceptional: “Maybe every 30 years it gets this cold, but it’s very rare.”

A number of Italy’s historic monuments, including the Colosseum and Pompeii, have suffered in recent years from damage and collapse.


Snow damages Colosseum, Medieval churches in Italy

Posted on 15th February 2012 in The monuments of world
The Colosseum in Rome, and sites in the historic walled town of Urbino, have suffered damage due to unprecedented snow-fall
The Colosseum in Rome, and sites in the historic walled town of Urbino, have suffered damage due to unprecedented snow-fall
STORY HIGHLIGHTS
  • Snow has caused damage to the Colosseum in Rome and to historic buildings in Urbino
  • Plunging temperatures caused ice to form on Colosseum walls, forcing off small pieces of rock
  • Delicate houses in Urbino’s historic walled center have suffered collapses
  • Worst snowfall in Italy for many years; said to be equivalent of a severe flood

London (CNN) — Heavy snow in recent weeks has already wreaked havoc across Europe — now it is damaging some of the continent’s most recognized historic monuments.

The Colosseum in Rome has been forced to shut after small pieces of its walls crumbled away as a result of freezing temperatures.

And buildings in the historic walled town of Urbino — a UNESCO World Heritage Site — are reported to be at risk of collapse under the weight of snow, following unprecedented blizzards in the area.

Are you there? Share your photos and video with iReport

In the Italian capital, thousands of tourists have been disappointed to discover the Colosseum, one of the city’s most popular attractions, is closed to visitors, while checks are carried out to determine the extent of the damage and to help prevent further movement.

Rossella Rea, archaeologist and superintendent of the Colosseum, told CNN: “Tests and evaluation of the damage is still ongoing, especially on the second level of arches.”

Rea said the enforced closure of the site would have a serious financial impact — the Colosseum attracts some 7,000 visitors a day, paying 12 euros for a ticket — but that it was necessary in the circumstances.

“At the weekend, some of the tourists didn’t understand why the Colosseum was closed — for people from northern countries, the snow is not a problem.

“But it’s very unusual for us and it caused the detachment of dust, concrete and bricks. Little quantities but if they fall from a certain height they can be dangerous.”

Cristiano Brughitta, spokesman for Italy’s Ministry for Cultural Heritage and Activities, said the damage was caused by ice forming on the walls of the monument.

It’s an enormous quantity of snow compared with what we normally get in winter and it’s had a heavy impact, the equivalent of a flood
Gabriele Cavalera

“When the temperatures drop below zero, and there is rain and snow, it causes ice to form which, with the increase in volume, pushes the external plaster masonry and causes small pieces to fall off,” he said.

David Pickles, senior architect at English Heritage, told CNN such damage was an extreme version of the natural wear and tear buildings face during everyday weather.

“There’s a whole freeze/thaw cycle of damage to buildings where moisture gets into the stonework, into the pores of the stone, it then freezes and expands very significantly, it then breaks up the stone and then when it thaws, bits of stone will start falling off.

“That’s happening all the time, of course, that’s one of the major decay mechanisms in historic buildings anyway, because they’re largely water permeable… You can’t treat stone to stop it happening.”

In Urbino, in the Marche region of Italy, partial collapses have been reported at the convents of San Francesco and San Bernardino, while the roof of the Church of the Capuchins outside the town center has reportedly caved in.

The town’s Duomo (cathedral) is also shut, because of water damage. Checks are being carried out on vulnerable buildings in the area.

“Our biggest worry is the buildings in the historic center, which have wooden joists and delicate roofs,” said Gabriele Cavalera, a spokesperson for the local council.

According to Cavalera, residents of some private homes in the historic center are adding extra support to the old roof beams in an attempt to prevent any further cave-ins.

“It’s an enormous quantity of snow compared with what we normally get in winter and it’s had a heavy impact, the equivalent of a flood,” said Cavalera.

Brughitta agreed that conditions were exceptional: “Maybe every 30 years it gets this cold, but it’s very rare.”

A number of Italy’s historic monuments, including the Colosseum and Pompeii, have suffered in recent years from damage and collapse.

The Colosseum, which is scheduled to reopen to the public Thursday, is due to undergo restoration works later this year with sponsorship from luxury brand Tod’s.

In case of similar snowfalls in the future, Brughitta in Rome suggests using a type of cold-weather “blanket” for exposed monuments such as the nearly 2,000-year-old Colosseum.

Though Pickles said such plans may be difficult, on a practical level: “For a building like the Colosseum, I should think it would cost a fortune to cover it, because we’re talking about a huge wall area.”

And while delicate, these buildings are nonetheless tenacious when it comes to adverse weather and acts of god.

After all, said Cavalera, The Ducal Palace in Urbino, which is around 500 years old and a UNESCO World Heritage Site, managed to resist collapse during the earthquakes of the 1990s and is so far holding out against the snow.

Livia Borghese in Rome contributed to this report.

Rome's Colosseum snow damage

Posted on 15th February 2012 in The monuments of world
The Colosseum in Rome, and sites in the historic walled town of Urbino, have suffered damage due to unprecedented snow-fall
The Colosseum in Rome, and sites in the historic walled town of Urbino, have suffered damage due to unprecedented snow-fall
STORY HIGHLIGHTS
  • Snow has caused damage to the Colosseum in Rome and to historic buildings in Urbino
  • Plunging temperatures caused ice to form on Colosseum walls, forcing off small pieces of rock
  • Delicate houses in Urbino’s historic walled center have suffered collapses
  • Worst snowfall in Italy for many years; said to be equivalent of a severe flood

London (CNN) — Heavy snow in recent weeks has already wreaked havoc across Europe — now it is damaging some of the continent’s most recognized historic monuments.

The Colosseum in Rome has been forced to shut after small pieces of its walls crumbled away as a result of freezing temperatures.

And buildings in the historic walled town of Urbino — a UNESCO World Heritage Site — are reported to be at risk of collapse under the weight of snow, following unprecedented blizzards in the area.

Are you there? Share your photos and video with iReport

In the Italian capital, thousands of tourists have been disappointed to discover the Colosseum, one of the city’s most popular attractions, is closed to visitors, while checks are carried out to determine the extent of the damage and to help prevent further movement.

Rossella Rea, archaeologist and superintendent of the Colosseum, told CNN: “Tests and evaluation of the damage is still ongoing, especially on the second level of arches.”

Rea said the enforced closure of the site would have a serious financial impact — the Colosseum attracts some 7,000 visitors a day, paying 12 euros for a ticket — but that it was necessary in the circumstances.

“At the weekend, some of the tourists didn’t understand why the Colosseum was closed — for people from northern countries, the snow is not a problem.

“But it’s very unusual for us and it caused the detachment of dust, concrete and bricks. Little quantities but if they fall from a certain height they can be dangerous.”

Cristiano Brughitta, spokesman for Italy’s Ministry for Cultural Heritage and Activities, said the damage was caused by ice forming on the walls of the monument.

It’s an enormous quantity of snow compared with what we normally get in winter and it’s had a heavy impact, the equivalent of a flood
Gabriele Cavalera

“When the temperatures drop below zero, and there is rain and snow, it causes ice to form which, with the increase in volume, pushes the external plaster masonry and causes small pieces to fall off,” he said.

David Pickles, senior architect at English Heritage, told CNN such damage was an extreme version of the natural wear and tear buildings face during everyday weather.

“There’s a whole freeze/thaw cycle of damage to buildings where moisture gets into the stonework, into the pores of the stone, it then freezes and expands very significantly, it then breaks up the stone and then when it thaws, bits of stone will start falling off.

“That’s happening all the time, of course, that’s one of the major decay mechanisms in historic buildings anyway, because they’re largely water permeable… You can’t treat stone to stop it happening.”

In Urbino, in the Marche region of Italy, partial collapses have been reported at the convents of San Francesco and San Bernardino, while the roof of the Church of the Capuchins outside the town center has reportedly caved in.

The town’s Duomo (cathedral) is also shut, because of water damage. Checks are being carried out on vulnerable buildings in the area.

“Our biggest worry is the buildings in the historic center, which have wooden joists and delicate roofs,” said Gabriele Cavalera, a spokesperson for the local council.

According to Cavalera, residents of some private homes in the historic center are adding extra support to the old roof beams in an attempt to prevent any further cave-ins.

“It’s an enormous quantity of snow compared with what we normally get in winter and it’s had a heavy impact, the equivalent of a flood,” said Cavalera.

Brughitta agreed that conditions were exceptional: “Maybe every 30 years it gets this cold, but it’s very rare.”

A number of Italy’s historic monuments, including the Colosseum and Pompeii, have suffered in recent years from damage and collapse.

The Colosseum, which is scheduled to reopen to the public Thursday, is due to undergo restoration works later this year with sponsorship from luxury brand Tod’s.

In case of similar snowfalls in the future, Brughitta in Rome suggests using a type of cold-weather “blanket” for exposed monuments such as the nearly 2,000-year-old Colosseum.

Though Pickles said such plans may be difficult, on a practical level: “For a building like the Colosseum, I should think it would cost a fortune to cover it, because we’re talking about a huge wall area.”

And while delicate, these buildings are nonetheless tenacious when it comes to adverse weather and acts of god.

After all, said Cavalera, The Ducal Palace in Urbino, which is around 500 years old and a UNESCO World Heritage Site, managed to resist collapse during the earthquakes of the 1990s and is so far holding out against the snow.

Livia Borghese in Rome contributed to this report.

Ancient treasures to the rescue of Greece's ruined economy?

Posted on 15th February 2012 in The monuments of world

By Margarita Pournara

Greece’s Culture and Tourism Ministry last month said it would slash the cost of permits for filming and photographic shoots at more than 100 of the country’s ancient monuments, including the world-famous Parthenon in Athens.

Some foreign reports reacted to the news by saying the Greek government was putting the Parthenon under the hammer. Culture Minister Pavlos Geroulanos tweeted that speculation that the sites would be “rented out” was totally unfounded.

Fees for utilizing ancient monuments for commercial purposes were first introduced in 2005, but the government has decided to lower the prices. The announcement has brought some tricky questions, and some taboo subjects, into the spotlight: How can Greece promote its cultural sites in a smart way without disrespecting its historical legacy and, at the same time, make money from it? What should be the role of the Central Archaeological Council (KAS), the highest advisory body on all matters pertaining to the protection of ancient monuments? Can the revenue be used to aid the debt-ridden economy? Who should set the fees? And what should the fees be? Many people, for example, questioned whether 6,000 euros for a commercial shoot on the Acropolis is the right amount.

In “Rush Hour 3,” actor Jackie Chan is seen performing a daredevil stunt on the Eiffel Tower. Harvey Keitel was filmed at Rome’s Colosseum for the needs of a whiskey commercial. Could a similar TV spot be shot at one of Greece’s world-famous monuments, like the Theater of Epidaurus? When French film director Jean-Luc Godard asked the Greek authorities’ permission to shoot at the ancient theater, KAS officials demanded that they first take a look at the script of “Film Socialisme.” Talks came to an impasse after that.

During the 1960s, Greece became popular among foreign film crews thanks to its natural beauty, monuments and low prices. Some steps have been made since then in an effort to lure foreign productions. One of the most significant came in 2007 with the foundation of the Hellenic Film Commission. It was a pilot project aimed at facilitating foreigners who wished to hold photo and video sessions at the country’s museums, monuments and other sites.

In an interview with Kathimerini, former HFC director Markos Holevas said that the film commission has done some good work but needs more funds and staff. “More important, we need a fast-track treatment so that interested parties do not have to wait for months for a response from KAS officials,” he said. His successor, Grigoris Karantinakis, says one of the problems is that the institution is part of the Greek Film Center, therefore any filming request has to go through the various offices of the center.

People from the film and advertising industry say the situation can be quite chaotic for applicants. The criteria for granting a permission are quite fuzzy and often subjected to political influence. The makeup of KAS, they say, can also affect decision-making.

KAS recently gave Vodafone permission to shoot a commercial at the Stoa of Attalos in the Ancient Agora, but went on to turn down a request by BMW to photograph its new models next to the temple of Poseidon at Cape Sounio. In the past, the archaeologists gave the Andreas Papandreou Foundation, a nongovernment entity, the green light to use the same site for a speech by then German Foreign Minister Joschka Fischer and a concert. No fee was requested. In 1998, American fashion designer Calvin Klein was denied permission to use the Herod Atticus Theater. Meanwhile, pundits disagree on things like whether pop singers should be allowed to hold concerts at the site or if spectators should be allowed to visit the theater in high heels. A few years ago maintenance crews found and removed no less than 17 kilos of chewing gum which had accumulated under the marble seats.

More controversial decisions followed. Greek-Canadian actress and scriptwriter Nia Vardalos got permission to use the Parthenon as a backdrop for her 2009 romantic comedy “My Life in Ruins” — a film which admittedly did not cast Greece in the most favorable of light. However KAS said no to a photo shoot at Crete’s Knossos Palace for the participants of “America’s Next Top Model.”

“We had to build ancient [ruins] out of styrofoam,” said Angelo Venetis, managing director of Boo Productions, who was in charge of the project.

“When the French, who have a very strict cultural policy on issues of historical legacy, invite Woody Allen to make a movie in Paris we still fail to tackle the simplest requests, then it’s only natural that the foreigners will turn their backs on us,” said Kyriakos Angelakos, a movie director. “Why should they come here and wait forever for a response from KAS, when they can find immediate service and better prices in countries such as Malta, the Czech Republic or Portugal?”

In European countries that make their sacred sites available to foreign film crews, advertising firms and publishing houses, local government has a positive role to play. Meanwhile, the City of Athens charges 1,800 euros per square meter for a single shoot. “You often pay this money and get a big space without any security,” Angelakos said. The Athens Film Office, which was established by the municipality to address with these problems, is no match for its foreign counterparts.

George Tsokopoulos of production company Avion Films knows firsthand what foreign crews have to put up with in Greece. “We are discouraging foreign clients from using our monuments to make movies or TV spots,” he said, giving the example of a big air carrier that made a commercial featuring a children’s choir at major monuments around the world. The production company asked permission to film at Cape Sounio. After a long delay, KAS officials said the site would be made available for an astronomical 300,000 euros. Following pressure from the production company, and a meeting with the then culture minister, the price tag dropped at 10,000 euros, he said.

Producer Yiannis Koutsomitis points out another issue that needs to be addressed. “Everyone respects the work of archaeologists, but it is unacceptable that KAS has a say on the artistic and aesthetic value of a script,” he said, recalling a frustrated Francis Ford Coppola who had to spit blood to get permission to shoot a scene in front of the Acropolis. That does not mean, he says, that all iconic monuments should be surrendered to commerce. “Greece has many archaeological sites and needs to have a clear list of what can be used, by who, and for what purpose,” he said.

Architecture historian Charalambos Bouras agrees with the idea. “[Such lists] are used around the world and need to be introduced here as well. To date, KAS has held all the responsibility, including pricing. Now things have started to fall into place,” he said.

Senior ministry archaeologist Maria Vlazaki says that on the one hand the state is under pressure to be more flexible with filming rights and, on the other, foreigners say we are “renting out” our monuments. “It’s a delicate issue that affects the image of the country abroad and much more,” she said.

Why school buildings don’t last here

Posted on 12th February 2012 in The monuments of world

Ever wonder why the little old schoolhouse in Florida doesn’t last as long as buildings in other parts of the country?

The average age of American school buildings is 50 years old. In Florida, it’s 26. In New York City, it’s 80.

Paul Abramson, a consultant with Stanton Leggett and Associates in Mamaroneck, N.Y., said that in the first part of the 20th century, schools were built with heavy, solid materials, meant to last. High schools in particular were designed as monuments to their city or town, he said.

After World War II, things changed.

“The whole idea of school construction in the ’50s and ’60s and into ’70s was to get them up quick and fast,” he said. “There were more and more kids coming, and nobody had time to wait to think about what came after.”

In addition, new materials were introduced, and the designs didn’t take into account energy costs, since gas was cheap.

Materials inside buildings — the AC, the roofs and carpets — have a life span of about 20 years, said Irene Nigaglioni, a Dallas-based architect and school facilities planner with PBK Architects and vice chairwoman of the Council of Educational Facility Planners International.

Newer buildings, even from the ’80s, also need updating to accommodate modern technology, she said: “The way we do instruction today is totally different than the way we did instruction then.”

Factor in the elements: wind and warm ocean air in South Florida can speed up deterioration. And after Hurricane Andrew, Florida’s building code changed, requiring more updates to school facilities, said Sarah Matin, an engineer with Horizon Engineering in Maitland. She is updating the report card for the infrastructure of Florida schools for the American Society of Civil Engineers. The previous report card in 2008 gave both Broward and Dade “C” letter grades.

When to scrap a renovation and just rebuild a campus from scratch?

One rule of thumb is the 65 percent rule, said Nigaglioni: “When you’re spending 65 percent or more of the cost of the building to renovate, it makes sense to tear it down.”

Treasures of Da Nang

Posted on 10th February 2012 in The monuments of world

From its sandy beachside retreats to its grand, historic monuments, Vietnam’s picturesque port city of Da Nang is an adventure through space and time.

MENTION Vietnam, and your friends are likely to start blabbing about their experiences in Hanoi or Ho Chi Minh City – of their to-die-for coffee, the chaotic streets, and the honking, raging motorcycles that almost always miss hitting pedestrians by a whisker.

But ask them about Da Nang, and they would probably go: “Where?”

I must admit, I hadn’t heard much about the place myself. Thinking it would be hot and humid, and with Sarah Jessica Parker in mind, I went with a suitcase packed with mostly sundresses and shorts. Big mistake.

I soon found myself shivering, even in a long-sleeved blouse and jeans as cold gusts of December wind stroked my bare neck. I discovered only later that temperatures can go as low as 18°C-24°C in the rainy months, from November to January.

Its drier months are between February and April, with temperatures from 19°C-31°C, while its hottest months are in May, June and July (24°C–34°C). In spite of my wardrobe mix-up, I was determined to make the best of my first trip to Vietnam.

Wedged between Hanoi and Ho Chi Minh City, Da Nang is the country’s third largest city. Located on the picturesque central coast, it is a major port city. It may have neither the atmosphere of Hanoi nor the heady rush of Ho Chi Minh, but it has its share of sights.

If Ho Chi Minh is marked by its lively ballyhoo, then lush Da Nang is the mellow cousin with lots of R&R to offer. One of its biggest attractions is its beach. The white, sandy coastline lapped by the South China Sea has become a thriving locale for tourists.

Hovering at the edge of the ocean at the luxurious Hyatt Regency Danang Resort and Spa Hotel, I felt the icy-cold air against my skin. Unfazed, I shrugged off my urban shroud and made my way towards the chilly waters. The splashing waves, coupled with the soothingly cool weather as I dipped my feet in the ocean, yielded a calming effect.

Another night at the upscale Nam Hai Villa Resort proved to be a similarly lavish experience. The resort was built on the Hoi An beach based on feng shui principles. There, my travel companions and I (all 18 of us media folks) were chauffered to and fro in golf buggies to our welcome dinner (and what felt unsettlingly like the umpteenth eight-course meal of the day).

Like little kings and queens, we were serenaded by Vietnamese folk tunes throughout. The breezy luxury, amplified by the ocean humming relentlessly outside, made our stay seem somewhat surreal. But the most spectacular beachview in Da Nang, I thought, was the Non Nuoc Beach.

During the Vietnam War (1959-1975), American GI Joes who sought respite at the idyllic coast called the place China Beach. Mist-shrouded and with verdant plains that rolled out to what seemed like infinity, the beach took on the guise of an epic fantasy film. Bamboo boats in quaint, round shapes dotted the shore.

Known by locals as the thuyen thung (pronounced “twin tung”), the boat is an iconic symbol of Da Nang. Today, the humble creation is still used to shuttle fishermen to and from larger vessel anchored in deep waters.

Da Nang’s location also connects travellers to Vietnam’s three Unesco Heritage Sites: Hoi An Ancient Town, the Complex of Hue Monuments and My Son Sanctuary.

Trendy commercial tinsel and old world charms meet beautifully in Hoi An (pronounced Ho Yarn). Nestled about 30km south of Da Nang, Hoi An is a sleepy town with a laidback air. Previously occupied by the Chinese and the Japanese, the town now sees a colourful cross-cultural marriage with its winding lanes of Sino-Japanese styled shophouses. Most are over 300 years old and all still retain their original architecture, with many shops now catering to the tourist trade.

You should really keep a lookout for the made-to-measure shirts, blouses, dresses and suits offered here. It is estimated that there are over 400 such outlets. Me, I got a fitted, lantern-red silk cheongsam that was miraculously completed in just half a day! At US$55 (RM173), it is also comparatively cheaper than the rates in Malaysia.

Another must-see attraction in Hoi An is the Japanese Covered Bridge on the west end of Tran Phu Street. It was built in the early 1600s by the Japanese, roughly 40 years before they made an egress from the city, and was renovated in 1986. The bridge connects two sides of the town and bears numerous Japanese and Chinese influences, including beautifully-carved dragon and phoenix motives.

Come evening, food vendors flock at the stretches on both ends, offering mouth-watering meals of rice noodles and grilled dishes. As the sun sets, Hoi An comes to life as hundreds of glowing, balloon-shaped lanterns light up the facades of homes and shops.

As English is not widely spoken, it’s probably a good idea to engage a tour guide to help you get around. Our guide Hung, a stocky man in his 50s, told us adamantly: “We are not Chinese or Japanese. We see ourselves as purely Vietnamese.”

Then he added cheekily: “But I can speak a little Chinese, like wo ai ni (I love you).”

The Complex of Hue Monuments provides a gateway to the nation’s past. Also known as the Imperial City of Hue, this landmark in the north of Central Vietnam was built by the Nguyen Dynasty in the 19th century. Between 1802 and 1945, Hue was the imperial capital of the Nguyen Dynasty, not to mention the capital of Vietnam until the communist government made Hanoi the capital city.

We arrived at the main entrance called the Ngo Mon Gate on a rainy afternoon and were guided into the Forbidden City – once accessible only to the emperors and his entourage. The punishment for trespassing was death.

The white-stone path led to the administrative areas – the palace of supreme harmony, where coronations and other important meetings took place. The tall, sturdy walls whispered hints of an opulent past. To hobble across the drenched stone-steps in the rain, however, entailed the possibility of tumbling down to a mucky, moss-encrusted death. I treaded with fearful caution, clinging onto my travel companion, a travel writer, for dear life.

Most of the original structure still stands, including furniture, the throne and four red lacquer columns. The private quarters of the Forbidden City, however, show evidence of structural damage from the wars. Though it paints a tranquil picture today, the site has seen darker times.

In 1968, Hue witnessed a massacre when it was controlled by the Viet Cong for 28 days. In the months and years that followed the bloody battle, dozens of mass graves were discovered in and around Hue. Victims were found bound, tortured and sometimes, buried alive. Hue suffered further damaged when the Americans bombed the city in an effort to recapture it from the Viet Cong.

Another one of Vietnam’s monumental relics is My Son (pronounced Mei Sheng, which means “beautiful mountain”). Located at the Quang Nam province 69km southwest of Da Nang, My Son is a cluster of abandoned and partially ruined Hindu temples constructed between the 4th and the 14th century by the kings of Champa. However, due to the incessant downpour, we did not get to go there.

Nevertheless, here is the lowdown on majestic My Son – its temples were dedicated to the worship of Shiva, or Bhadresvara to locals. While My Son served as a site for religious ceremonies for the kings of the ruling dynasties, it was also a burial ground for Cham royalties and national heroes.

At the height of the Champa dynasty, over 70 temples, as well as numerous stele bearing historical inscriptions in Sanskrit and Cham, graced the site. The temples sat on a 2km-wide valley surrounded by two mountain ranges. Today, it is hailed as the longest inhabited archaeological site in Indochina, though a large part of its architecture was destroyed by US carpet bombing.

My Son is often compared to other historical temple complexes in South-East Asia, like Borobudur, Angkor Wat, Bagan and Ayutthaya. Adding to its mystique, archaeologists have discovered that the Champa did not use mortar at all to glue the bricks together. Their building secrets remain a ancient mystery.

As a whole, Da Nang makes the perfect escapade. Its laidback culture and voluminous landscapes bode especially well for urban dwellers who just want to kick back and relax. From its pristine shores to its grand, historical relics, Da Nang takes the traveller on an breezy adventure through space and time.

AirAsia flies from Kuala Lumpur to Da Nang, Vietnam, four times per week. For more details, log on to www.airasia.com. The writer’s trip was at the invitation of AirAsia.