Wee ones not forgotten at Memorial of Names

Posted on 4th March 2012 in The monuments of world

It’s a quiet spot, yet each name etched into the large stone tablets speaks loudly of love, loss, regret, and a yearning for closure.

There is row upon row of the first names — and sometimes a first and middle name.

Among them are Patrick, Faith, Selah, Mikey, Paxtyn, Jacob, Anna, Jesop, Collin, Kamrin, Gracie, Lee Allen, Jessie, Keivonte and Racshiona.

These are babies who never got a look at the big world around them.

Many were miscarried, and some were willingly or unwillingly aborted.

But they haven’t been forgotten, and being given names is recognition they were real and deserve to have an identity.

This is the Memorial of Names, otherwise known as “Project Rachel,” and it is at the rear of St. Louis Cemetery off South Main Street in Henderson.

It is sponsored by Holy Name Church, but available to anyone of any denomination or no denomination who grieves the baby still carried in the heart.

On a large, black granite monument is the image of the biblical mourning Rachel, holding roses, and the words, “I will never forget you.” The tablets with names flank each side of the monument, and their front is completely covered, but only a few names are on the back.

In the book of Jeremiah, Rachel weeps over “her children” as they are carried off into captivity in Babylon. Jeremiah 31: 15-17 reads, “Rachel mourns for her children. She refuses to be consoled because her children are no more. Thus says the Lord: Cease your cries of mourning. Wipe the tears from your eyes. The sorrow you have shown shall have its reward. There is hope for our future.”

This monument, in a garden setting with holly trees, shrubs and stone benches, was put in place in October, 2002, and evidence of visitation covers the foot of the marker.

There are tiny teddy bears, numerous ceramic angels, a small silver picture frame, bunnies, frogs, a single red silk rose, Santas and crosses.

In the earlier years, there were many calls to the Holy Name Parish Office, requesting the name of a lost baby be added to the monument. All calls are confidential, and there is no charge for the engraving. Only first names, or first and middle names are used.

Perhaps because many people don’t know about the monument and its purpose, recent years have seen quite a decline in those calls.

Staff member Kaye Villines noted last week names have been added quarterly, with advertised memorial services marking those occasions.

Because I intended to remind the public of the existence of the monument, last week I visited the area whose entrance is a large arch with a cross at the top. There was some evidence of vandalism — not a lot, but enough to make one wonder why anyone would fail to respect a memorial that has such meaning.

The Rachel Monument here followed the 1994 creation of a Memorial of Names in Owensboro by the Catholic Parishes of Owensboro.

The marker in St. Louis Cemetery had a generous donation by Henry and Henry Monuments in Henderson, and church literature relates, “Because the memorial gives permanent testimony to the existence of the little one, the memorial becomes a place where the survivors can come to remember, to mourn, and hopefully begin to heal.”

Project Rachel, which has memorials in more than 100 dioceses across the country, began in 1984 in the Diocese of Milwaukee as a ministry of healing and reconciliation to those who had lost children through abortion. Gradually, that ministry expanded to include the babies lost to miscarriage.

Traditionally, our society has had no means to observe these situations, and all too often even well-meaning friends and relatives tell those who have experienced the sorrow to “try to get over it and move on.”

Without some form of closure, that is especially difficult.

If you or someone you know would benefit from naming a lost child, call the Holy Name Parish office at 270-826-2096.

Maybe a name for the baby had long ago been chosen, but never revealed. Now it can be.

Judy may be reached via judyjenkins@insightbb.com

Snow damages Colosseum, Medieval churches in Italy

Posted on 15th February 2012 in The monuments of world
The Colosseum in Rome, and sites in the historic walled town of Urbino, have suffered damage due to unprecedented snow-fall
The Colosseum in Rome, and sites in the historic walled town of Urbino, have suffered damage due to unprecedented snow-fall
STORY HIGHLIGHTS
  • Snow has caused damage to the Colosseum in Rome and to historic buildings in Urbino
  • Plunging temperatures caused ice to form on Colosseum walls, forcing off small pieces of rock
  • Delicate houses in Urbino’s historic walled center have suffered collapses
  • Worst snowfall in Italy for many years; said to be equivalent of a severe flood

London (CNN) — Heavy snow in recent weeks has already wreaked havoc across Europe — now it is damaging some of the continent’s most recognized historic monuments.

The Colosseum in Rome has been forced to shut after small pieces of its walls crumbled away as a result of freezing temperatures.

And buildings in the historic walled town of Urbino — a UNESCO World Heritage Site — are reported to be at risk of collapse under the weight of snow, following unprecedented blizzards in the area.

Are you there? Share your photos and video with iReport

In the Italian capital, thousands of tourists have been disappointed to discover the Colosseum, one of the city’s most popular attractions, is closed to visitors, while checks are carried out to determine the extent of the damage and to help prevent further movement.

Rossella Rea, archaeologist and superintendent of the Colosseum, told CNN: “Tests and evaluation of the damage is still ongoing, especially on the second level of arches.”

Rea said the enforced closure of the site would have a serious financial impact — the Colosseum attracts some 7,000 visitors a day, paying 12 euros for a ticket — but that it was necessary in the circumstances.

“At the weekend, some of the tourists didn’t understand why the Colosseum was closed — for people from northern countries, the snow is not a problem.

“But it’s very unusual for us and it caused the detachment of dust, concrete and bricks. Little quantities but if they fall from a certain height they can be dangerous.”

Cristiano Brughitta, spokesman for Italy’s Ministry for Cultural Heritage and Activities, said the damage was caused by ice forming on the walls of the monument.

It’s an enormous quantity of snow compared with what we normally get in winter and it’s had a heavy impact, the equivalent of a flood
Gabriele Cavalera

“When the temperatures drop below zero, and there is rain and snow, it causes ice to form which, with the increase in volume, pushes the external plaster masonry and causes small pieces to fall off,” he said.

David Pickles, senior architect at English Heritage, told CNN such damage was an extreme version of the natural wear and tear buildings face during everyday weather.

“There’s a whole freeze/thaw cycle of damage to buildings where moisture gets into the stonework, into the pores of the stone, it then freezes and expands very significantly, it then breaks up the stone and then when it thaws, bits of stone will start falling off.

“That’s happening all the time, of course, that’s one of the major decay mechanisms in historic buildings anyway, because they’re largely water permeable… You can’t treat stone to stop it happening.”

In Urbino, in the Marche region of Italy, partial collapses have been reported at the convents of San Francesco and San Bernardino, while the roof of the Church of the Capuchins outside the town center has reportedly caved in.

The town’s Duomo (cathedral) is also shut, because of water damage. Checks are being carried out on vulnerable buildings in the area.

“Our biggest worry is the buildings in the historic center, which have wooden joists and delicate roofs,” said Gabriele Cavalera, a spokesperson for the local council.

According to Cavalera, residents of some private homes in the historic center are adding extra support to the old roof beams in an attempt to prevent any further cave-ins.

“It’s an enormous quantity of snow compared with what we normally get in winter and it’s had a heavy impact, the equivalent of a flood,” said Cavalera.

Brughitta agreed that conditions were exceptional: “Maybe every 30 years it gets this cold, but it’s very rare.”

A number of Italy’s historic monuments, including the Colosseum and Pompeii, have suffered in recent years from damage and collapse.

The Colosseum, which is scheduled to reopen to the public Thursday, is due to undergo restoration works later this year with sponsorship from luxury brand Tod’s.

In case of similar snowfalls in the future, Brughitta in Rome suggests using a type of cold-weather “blanket” for exposed monuments such as the nearly 2,000-year-old Colosseum.

Though Pickles said such plans may be difficult, on a practical level: “For a building like the Colosseum, I should think it would cost a fortune to cover it, because we’re talking about a huge wall area.”

And while delicate, these buildings are nonetheless tenacious when it comes to adverse weather and acts of god.

After all, said Cavalera, The Ducal Palace in Urbino, which is around 500 years old and a UNESCO World Heritage Site, managed to resist collapse during the earthquakes of the 1990s and is so far holding out against the snow.

Livia Borghese in Rome contributed to this report.

Big snow damages Europe monuments

Posted on 15th February 2012 in The monuments of world
The Colosseum in Rome, and sites in the historic walled town of Urbino, have suffered damage due to unprecedented snow-fall
The Colosseum in Rome, and sites in the historic walled town of Urbino, have suffered damage due to unprecedented snow-fall
STORY HIGHLIGHTS
  • Snow has caused damage to the Colosseum in Rome and to historic buildings in Urbino
  • Plunging temperatures caused ice to form on Colosseum walls, forcing off small pieces of rock
  • Delicate houses in Urbino’s historic walled center have suffered collapses
  • Worst snowfall in Italy for many years; said to be equivalent of a severe flood

London (CNN) — Heavy snow in recent weeks has already wreaked havoc across Europe — now it is damaging some of the continent’s most recognized historic monuments.

The Colosseum in Rome has been forced to shut after small pieces of its walls crumbled away as a result of freezing temperatures.

And buildings in the historic walled town of Urbino — a UNESCO World Heritage Site — are reported to be at risk of collapse under the weight of snow, following unprecedented blizzards in the area.

Are you there? Share your photos and video with iReport

In the Italian capital, thousands of tourists have been disappointed to discover the Colosseum, one of the city’s most popular attractions, is closed to visitors, while checks are carried out to determine the extent of the damage and to help prevent further movement.

Rossella Rea, archaeologist and superintendent of the Colosseum, told CNN: “Tests and evaluation of the damage is still ongoing, especially on the second level of arches.”

Rea said the enforced closure of the site would have a serious financial impact — the Colosseum attracts some 7,000 visitors a day, paying 12 euros for a ticket — but that it was necessary in the circumstances.

“At the weekend, some of the tourists didn’t understand why the Colosseum was closed — for people from northern countries, the snow is not a problem.

“But it’s very unusual for us and it caused the detachment of dust, concrete and bricks. Little quantities but if they fall from a certain height they can be dangerous.”

Cristiano Brughitta, spokesman for Italy’s Ministry for Cultural Heritage and Activities, said the damage was caused by ice forming on the walls of the monument.

It’s an enormous quantity of snow compared with what we normally get in winter and it’s had a heavy impact, the equivalent of a flood
Gabriele Cavalera

“When the temperatures drop below zero, and there is rain and snow, it causes ice to form which, with the increase in volume, pushes the external plaster masonry and causes small pieces to fall off,” he said.

David Pickles, senior architect at English Heritage, told CNN such damage was an extreme version of the natural wear and tear buildings face during everyday weather.

“There’s a whole freeze/thaw cycle of damage to buildings where moisture gets into the stonework, into the pores of the stone, it then freezes and expands very significantly, it then breaks up the stone and then when it thaws, bits of stone will start falling off.

“That’s happening all the time, of course, that’s one of the major decay mechanisms in historic buildings anyway, because they’re largely water permeable… You can’t treat stone to stop it happening.”

In Urbino, in the Marche region of Italy, partial collapses have been reported at the convents of San Francesco and San Bernardino, while the roof of the Church of the Capuchins outside the town center has reportedly caved in.

The town’s Duomo (cathedral) is also shut, because of water damage. Checks are being carried out on vulnerable buildings in the area.

“Our biggest worry is the buildings in the historic center, which have wooden joists and delicate roofs,” said Gabriele Cavalera, a spokesperson for the local council.

According to Cavalera, residents of some private homes in the historic center are adding extra support to the old roof beams in an attempt to prevent any further cave-ins.

“It’s an enormous quantity of snow compared with what we normally get in winter and it’s had a heavy impact, the equivalent of a flood,” said Cavalera.

Brughitta agreed that conditions were exceptional: “Maybe every 30 years it gets this cold, but it’s very rare.”

A number of Italy’s historic monuments, including the Colosseum and Pompeii, have suffered in recent years from damage and collapse.

The Colosseum, which is scheduled to reopen to the public Thursday, is due to undergo restoration works later this year with sponsorship from luxury brand Tod’s.

In case of similar snowfalls in the future, Brughitta in Rome suggests using a type of cold-weather “blanket” for exposed monuments such as the nearly 2,000-year-old Colosseum.

Though Pickles said such plans may be difficult, on a practical level: “For a building like the Colosseum, I should think it would cost a fortune to cover it, because we’re talking about a huge wall area.”

And while delicate, these buildings are nonetheless tenacious when it comes to adverse weather and acts of god.

After all, said Cavalera, The Ducal Palace in Urbino, which is around 500 years old and a UNESCO World Heritage Site, managed to resist collapse during the earthquakes of the 1990s and is so far holding out against the snow.

Livia Borghese in Rome contributed to this report.

Apocalypse now? Blame the Pilgrims, not the Mayans

Posted on 10th February 2012 in The monuments of world

Tony Aveni blames it on the Pilgrims.

If it hadn’t been for our prim and quarrelsome ancestors, their descendants might not now be making forecasts that the world will end in 313 days based on a blatant misreading of the Mayan calendar, according to Aveni, a professor at New York’s Colgate University.

If our fanatical forebears hadn’t separated from the Church of England and climbed aboard the Mayflower, there might not be widespread doomsday forecasts for Dec. 21, 2012 — a mere 14 months after the Rapture failed to materialize as predicted.

“Apocalypticism is very American. It’s in our bones,” says Aveni, who will deliver a lecture next month at the Walters Art Museum in connection with “Exploring Art of the Ancient Americas,” an exhibit opening Sunday at the Walters Art Museum.

“The craze for world endings is very prevalent in American pop culture, but not in France or the Czech Republic. The Pilgrims were a cult of religious extremists who came to America because they were dissatisfied with the standard religion. We are their descendants, and there’s a lot of evangelism in the U.S. right now.”

Aveni, a founder of the field of cultural astronomy, will talk about the likelihood of worldwide Armageddon in light of findings in the earth and star sciences in his lecture, “Maya Apocalypse Now?” He will explain why the Mayans’ famous stone calendars — called stelae — seem to end abruptly four days before Christmas.

Exhibit viewers can decide for themselves by checking out a miniature stela, or column carved with hieroglyphs, on display in the exhibit. It should be noted that the Walters’ stela isn’t an example of the much-discussed “long-count” calendars that run for 5,125 years and that have a final inscription for Dec. 21, 2012.

Instead, the Walters’ small, altar-top stela is dated June 28, 810, or about eight centuries after the earliest of the long-form calendars was inscribed. But the form and function of all the stelae — they were intended to legitimize kings — is the same.

“If you read the inscriptions, the carvings on the monuments aren’t directed forward but backward,” Aveni says. “They say next to nothing about the future. Instead, they’re all about Mayan history, some real, some made up.”

So, for instance, on the Walters’ stela, a king is portrayed on the front of the monument, presiding over a ceremony that occurred in the summer of 810. A deity who also happens to be the king’s ancestor floats above him, conferring approval upon his acts.

“The stelae are designed to show that the ruler’s authority is rooted in the deep past,” Aveni says.

Though the long-count stelae measure a wide swath of time at one stretch, in other ways they are strikingly similar to the Gregorian calendars used today.

The Mayans used a five-place notation system, in which short periods are used as building blocks for longer chunks of time:

What we call a “day” the Mayans referred to as a “k’in.” Twenty k’in made up a “winal”; 18 winals made up a “tun” of 360 days, or just five shorter than our average year; and 20 tuns equaled a “k’atun.” Twenty k’atun amounted to a “b’ak’tun” of 144,000 days, the longest category into which the Mayans grouped time.

The people of this pre-Columbian culture had a myth that established the creation of the world as occurring on Aug. 11, 3114 B.C. Count forward from there by 1,872,000 days, and the 13th b’ak’tun ends on Dec. 21, 2012.

But, Aveni says, just as our own calendar wraps up every year on Dec. 31 only to start a new year on the following day, there is no reason to think the Mayans weren’t expecting the 14th b’ak’tun to begin promptly on Dec. 22.

“This decade has been tumultuous in so many ways, with the Sept. 11 terrorist attacks and the economic collapse,” he says.

“In desperate times, we reach out to the wisdom of the past. The Vietnam War era, another period of great unrest, coincided with a lot of UFO sightings and a belief in pyramid power.”

He’s frustrated that, despite the assurances of scientists, apocalyptic fears show no signs of abating.

“Two-thirds of Americans say they expect something to happen on Dec. 21,” he says. “It’s turned into a money-making opportunity for a lot of people.”

Even the relatively high-minded National Geographic cable television channel is currently running a show called “Doomsday Preppers,” which follows Americans who are building shelters and making other preparations for the end of the world.

And that’s a shame, he says, because the Mayans were astronomers and mathematicians of staggering sophistication. All the furor over the prophecies tends to obscure the culture’s genuine contributions to civilization.

As Aveni puts it:

“We don’t need to erect cardboard ancestors. The Mayans were cool enough on their own.”

mary.mccauley@baltsun.com

If you go

Colgate University Professor Anthony F. Aveni will deliver “Maya Apocalypse Now?” a public lecture on end-of-the-world theories at 3 p.m. Saturday, March 17 at the Walters Art Museum, 600 N. Charles St. Free. call 410-547-9000 or go to walters.org.

Future secure for Belfast listed church – Video

Posted on 9th February 2012 in The monuments of world

Thursday, 09 February 2012

Text Size:  A  A |  POST A COMMENT |  PRINT |  SHARE 

Carlisle_09022012

A disused Belfast church – which features on the same worldwide endangered building list as the Taj Mahal and the Great Wall of China – has received £400k of funding to secure its future.

We’re sorry. This video is unavailable from your location.

The Carlisle Memorial Methodist Church stopped holding services in 1982 as a result of the declining congregation and its location at a major interface area. The iconic building is now in a critical condition having empty since the late ’80s.

In 2010, The World Monuments Fund recognised the church as one of the 100 most endangered historic buildings in the world.

Designed in the Gothic Revival style by noted architect W. H. Lynn and completed in 1875, the church was once home to one of the largest Methodist congregations in Belfast.

On Thursday, Environment Minister Alex Attwood pledged his support to the preserving the important piece of built heritage.

He said: “Carlisle Memorial Methodist Church is one of Belfast’s best known listed buildings and is a hugely important landmark at the entrance to West and North Belfast from the city centre.

Carlisle Memorial is a jewel in our historical crown and after its conservation, it will have a great beneficial impact for the economy, tourism and for health and well being.

Environment Minister Alex Attwood

“This funding will help secure its future and, following its conservation and regeneration, will be a great opportunity to both revitalise and provide a significant economic boost for the area.”

He added that while it was “not economically feasible to save every historic building,” before adding that it is “vital that we do as much as we can to preserve our rich past for future generations.”

“Why shouldn’t the many tourists who visit our shores every year, flock to it as they do to our other historic sites in turn revitalising the area as a gateway to visiting north and west Belfast.”

A spokesman for Belfast Building Preservation Trust described the Department’s support is “critical in stabilising and securing the building and allows us valuable time to work towards finding a vibrant and sustainable regeneration solution.”

Alliance Councillor Sara Duncan has welcomed the announcement saying the extra funding will be “a major boost” to the local area.

“I wholeheartedly welcome this funding. This iconic building is the only church left of three which were originally at Carlisle Circus.

“It is such an iconic building that is known throughout Belfast and beyond. I have great memories of it myself from my childhood when I visited my grandparents who lived close by,” she added.

“I drive past it every week and have observed with sadness its gradual deterioration. It is just one of a number of Victorian era buildings throughout Belfast and I am passionate about preserving and reusing these buildings which give Belfast its distinct character.

“I hope to see further regeneration in the area.”

© UTV News

Funding boost for historic church

Posted on 9th February 2012 in The monuments of world

9 February 2012 Last updated at 07:12 ET

Carlisle Memorial Methodist Church interior

Please turn on JavaScript. Media requires JavaScript to play.

Carlisle Memorial Methodist Church was built in 1875 but has lain derelict for the last 20 years

The future of one of Belfast’s most historic buildings has been secured.

Carlisle Memorial Methodist Church was built in 1875 but has lain derelict for the last 20 years.

The Department of Environment will now provide £400,000 towards the upkeep of the building.

In 2010, the World Monuments Fund recognised it as one of the 100 most endangered historic buildings in the world.

Other buildings on the World Monument Watch List include the Taj Mahal, and the Great Wall of China.

Environment Minister Alex Attwood said it was a “hugely important landmark.”

“This funding will help secure its future and, following its conservation and regeneration, will be a great opportunity to both revitalise and provide a significant economic boost for the area,” he said.

“Carlisle Memorial is a jewel in our historical crown and after its conservation, it will have a great beneficial impact for the economy, tourism and for health and well being.”

Designed in the Gothic Revival style and completed in 1875, the church was home to one of the largest Methodist congregations in Belfast.

The sandstone and limestone exterior of the building was renovated in 1966, but the church ceased to be used as a place of worship by 1982, a result of the declining congregation and its location at a major interface between Catholic and Protestant populations.

Previous plans to convert the church to public housing did not come to fruition and there has been extensive physical degradation to the building.

A spokesman for Belfast Building Preservation Trust said it was delighted to receive support from the Department of the Environment.

“The department’s support is critical in stabilising and securing the building and allows us valuable time to work towards finding a vibrant and sustainable regeneration solution,” said a spokesman.

The Fifth Down: Everything Indy: The Invasion of the Roman Numerals

Posted on 30th January 2012 in The monuments of world

Throughout the week, Mike Tanier will be out and about and filing dispatches from the Super Bowl city.

INDIANAPOLIS– Like a despotic ancient empire, the N.F.L. carves its oppressive iconography into the very face of the cities it conquers.

Here at the site of Super Bowl XLVI, there are banners and monuments, streets renamed and avenues re-purposed. A 20-story high image of the Lombardi Trophy looms over the city from the face of the J.W. Marriott hotel like an obelisk. Indianapolis has not just been invaded, but annexed.

In Monument Circle, the center of downtown, 20-foot-high Roman numerals on a 7-foot riser dwarf the passing cars and obscure the Indiana Soldiers’ and Sailors’ Monument from street view. The N.F.L.’s fascination with Roman numerals is one of the league’s most bombastic traits, but the commitment to classical pretense pays off when the league builds on an epic scale. Park a giant “46” in the middle of a city, and passers-by scratch their heads. Erect a hulking “XLVI” into town central, and watch everyone stop to take pictures in front of it.

The huge numerals drew an escalating commotion on Monday morning. Before 9 a.m., a sparse trickle of tourists and locals stopped for photographs, including two local E.M.T.’s. “Hurry up before they tow our ambulance,” one said, as his partner fiddled with his camera. “They can’t do that, can they?” the other asked. High school students conducted person-on-the-street interviews for video projects. Photographers hustled into the middle of Meridian Street, snapped pictures, then rushed back before traffic rounded the circle.

As morning passed, crowds picked up. The staff of Exact Target, an e-mail services company headquartered just off Monument Circle, organized a company photograph in front of the numerals. With dozens of workers dodging traffic to get to the attraction and a photographer high on a ladder in the middle of the street, the E.M.T.’s would have been wise to stick around.

Luckily, no one was hurt. Employees approached the circle by the dozens, the crowd in front of the numerals swelling into the hundreds; Exact Target must be the largest e-mail services provider in the world, or else it delivers all of its e-mails by hand. When the employees finally cheered for their group photograph, the whoop was audible from two blocks away, if not from space.

If the Super Bowl Village, located two blocks from Monument Circle, is the Epicenter of Awesome (as the promotional copy claims it is), then the giant numerals are the Nexus of Transcendence, or something. Still, the N.F.L. may reach the point of diminishing returns on its Roman numeral fetish in a few decades. We are just 42 years from Super Bowl LXXXVIII, at which time the league will be forced to choose between smaller fonts and larger cities.

The Village itself, a four-block, closed-off expanse of Georgia Street, was quiet on Monday morning: ice sculptures, zip line rides and makeshift midstreet lounges await throngs that will arrive by evening and increase throughout the week. Football heraldry and iconography is predictably denser along the disorienting stretch of downtown, but at least the “Super Bowl Village” name and signage remain constant along the entire pedestrian thoroughfare.

The names of all of the other streets in downtown Indianapolis have been temporarily changed to represent the 32 N.F.L. teams, and the names change every few blocks. Meridian Street is Bears Boulevard near the giant “XLVI” but Bengals Boulevard as you approach Georgia Street. The whimsical new signs hang at roughly the same height as regular street signs, and with their bold colors they are often more prominent: perfect for the out-of-towner whose G.P.S. is unaware that his hotel now lies near the corner of Seahawks Street and Texans Terrace.

The rear of St. John the Evangelist Catholic Church juts incongruously into the western edge of the Super Bowl village. The church’s back courtyard, usually an alcove of calm, has been invaded along its fence line by power cables, pylons and pallets. Its parking lot is temporary home to satellite vans and noisy power generating trailers. Still, the church gamely goes about its business, with banners of its own to announce mass times and welcome fans. “If you thought the zip line was a thrill … come in and spend some time with Jesus!!!” a sign outside the church reads.

While monolithic and omnipresent, the N.F.L.’s makeover is obviously temporary upon close inspection. The enormous numerals are made of fabric fastened over mesh, the sunburst pattern on the sides of the numerals resembling plywood when viewed from a distance.

The orange barricades that secure the Super Bowl Village will be marshaled in the service of other civic events in a few weeks. Ice sculptures melt. Even the greatest empires of antiquity learned that conquest was temporary, and for all its might, the N.F.L. knows how to stake a claim and move on. Those Roman numerals invite mortals to look upon the league’s works and despair. In just over a week, nothing but good old Indianapolis will remain.

Mike Tanier writes about the N.F.L. for The Times, Football Outsiders and NBC Sports. If you are in Indianapolis, look for him out and about: he will be the one complaining about the lack of authentic cheese steaks.

The Fifth Down: Everything Indy: The Invastion of the Roman Numerals

Posted on 30th January 2012 in The monuments of world

Throughout the week, Mike Tanier will be out and about and filing dispatches from the Super Bowl city.

INDIANAPOLIS– Like a despotic ancient empire, the N.F.L. carves its oppressive iconography into the very face of the cities it conquers.

Here at the site of Super Bowl XLVI, there are banners and monuments, streets renamed and avenues re-purposed. A 20-story high image of the Lombardi Trophy looms over the city from the face of the J.W. Marriott hotel like an obelisk. Indianapolis has not just been invaded, but annexed.

In Monument Circle, the very center of downtown, 20 foot high Roman numerals on a 7-foot riser dwarf the passing cars and obscure the Indiana Veterans Memorial from street view. The N.F.L.’s fascination with Roman numerals is one of the league’s most bombastic traits, but the commitment to classical pretense pays off when the league builds on an epic scale. Park a giant “46” in the middle of a city, and passersby scratch their heads. Erect a hulking “XLVI” into town central, and watch everyone stop to take pictures in front of it.

The huge numerals drew an escalating commotion on Monday morning. Before 9 a.m., a sparse trickle of tourists and locals stopped for photographs, including two local E.M.T.’s. “Hurry up before they tow our ambulance,” one said, as his partner fiddled with his camera. “They can’t do that, can they?” the other asked. High school students conducted person-on-the-street interviews for video projects. Photographers hustled into the middle of Meridian Street, snapped pictures, then rushed back before traffic rounded the circle.

As morning passed, crowds picked up. The staff of Exact Target, an e-mail services company headquartered just off Monument Square, organized a company photograph in front of the numerals. With dozens of workers dodging traffic to get to the attraction and a photographer high on a ladder in the middle of the street, the E.M.T.’s would have been wise to stick around.

Luckily, no one was hurt. Employees approached the circle by the dozens, the crowd in front of the numerals swelling into the hundreds; Exact Target must be the largest email services provider in the world, or else they deliver all of their emails by hand. When they finally cheered for their group photograph, the whoop was audible from two blocks away, if not from space.

If the Super Bowl Village, located two blocks from Monument Square, is the Epicenter of Awesome (as the promotional copy claims it is), then the giant numerals are the Nexus of Transcendence, or something. Still, the N.F.L. may reach the point of diminishing returns on its Roman numeral fetish in a few decades. We are just 42 years from Super Bowl LXXXVIII, at which time the league will be forced to choose between smaller fonts and larger cities.

The Village itself, a four-block, closed-off expanse of Georgia Street, was quiet on Monday morning: ice sculptures, zip line rides and makeshift mid-street lounges await throngs that will arrive by evening and increase throughout the week. Football heraldry and iconography is predictably denser along the disorienting stretch of downtown, but at least the “Super Bowl Village” name and signage remain constant along the entire pedestrian thoroughfare.

The names of all of the other streets in downtown Indianapolis have been temporarily changed to represent the 32 N.F.L. teams, and the names change every few blocks. Meridian Street is Bears Boulevard near the giant “XLVI” but Bengals Boulevard as you approach Georgia Street. The whimsical new signs hang at roughly the same height as regular street signs, and with their bold colors they are often more prominent: perfect for the out-of-towner whose G.P.S. is unaware that his hotel now lies near the corner of Seahawks Street and Texans Terrace.

The rear of St. John the Evangelist Catholic Church juts incongruously into the western edge of the Super Bowl village. The church’s back courtyard, usually an alcove of calm, has been invaded along its fence line by power cables, pylons, and palettes. Its parking lot is temporary home to satellite vans and noisy power generating trailers. Still, the church gamely goes about its business, with banners of its own to announce mass times and welcome fans. “If you thought the zip line was a thrill … come in and spend some time with Jesus!!!” a sign outside the church reads.

While monolithic and omnipresent, the N.F.L.’s makeover is obviously temporary upon close inspection. The enormous numerals are made of fabric fastened over mesh, the sunburst pattern on the sides of the numerals resembling plywood when viewed from a distance.

The orange barricades that secure the Super Bowl Village will be marshaled in the service of other civic events in a few weeks. Ice sculptures melt. Even the greatest empires of antiquity learned that conquest was temporary, and for all its might, the N.F.L. knows how to stake a claim and move on. Those Roman numerals invite mortals to look upon the league’s works and despair. In just over a week, nothing but good old Indianapolis will remain.

Mike Tanier writes about the N.F.L. for The Times, Football Outsiders and NBC Sports. If you are in Indianapolis, look for him out and about: he will be the one complaining about the lack of authentic cheese steaks.

K. Serbs victims of geopolitical game – Russian patriarch

Posted on 29th January 2012 in The monuments of world

Source: Večernje novosti

MOSCOW — Russian Orthodox Church Patriarch Kirill has stated that Kosovo Serbs are hostages of a great geopolitical game.

“With an indifferent attitude of many states they are forced to live in closed enclaves, feeling the everyday concern due to hostile environment. Our brothers in religion have a great courage and they are not leaving their suffering country and holy places, they live just like in concentration camps. They are not even given a basic right to life,” Kirill stressed.

“Here we see the unacceptable injustice, double standards and lies of the policy that declares commitment to ideals of humanism, protection of human rights and turns a blind eye before the hell that the extremists have created with help from their sponsors from abroad,” he explained.

The Russian patriarch has assessed that “the western world in the time of the NATO intervention against Yugoslavia (in 1999) was exposed to an intensive media campaign and was significantly deceived”.

He added that the “western media had been publishing intentionally twisted information about the Milošević regime’s atrocities against Kosovo Albanians by exaggerating the number of victims of ethnic cleansing carried out by the Serbian police in the province“.

“The priceless monuments that the Serbian people have build in Kosovo and Metohija will stay alive as long as prayers are heard in the temples,” he said, repeating that Russia was helping to restore and protect the Serbian Orthodox monuments through UNESCO and that it had been sending humanitarian aid to the Kosovo Serbs.

“I have been to Kosovo and Metohija many times and met with the local population and I witnessed the difficult conditions they live in. The things I have seen have strongly affected me. The Russian Orthodox Church showed and will show solidarity with the Kosovo Serbs,” the Russian patriarch concluded.

Ricochet: Politics and the perseverance of faith

Posted on 27th January 2012 in The monuments of world

The verbal tussle that erupts seasonally between government people and Church leaders is  a minuscule example of the conflict that has sometimes characterized the relationship between civilian and clerical leadership over the ages.

An example was the bitter exchange between Archbishop Fernando Capalla and former Mayor Rodrigo Duterte over the mandated prayer or “oratio imperata.”

In world history, the conflict between English King Henry VIII and Pope Leo X over the king’s divorce with Queen Catherine of Aragon (which the Pope refused to grant) and Henry VIII’s marriage to Anne Boleyn (which Leo X refused to tolerate) resulted in the schism that gave birth to the Church of England.

Henry VIII simply appropriated all the properties – churches, land and all – of the Roman Catholic Church in England and declared himself the head of the new and ‘reformed’ Anglican Church.

Of course, there was, too, the revolt of Augustinian monk Martin Luther supported by the German nobles against the ‘power and efficacy of indulgencies’ declared by the same Pope Leo X. The pope granted indulgencies which allegedly shortened one’s stay in purgatory in exchange for money paid. Well, reminiscent of the impositions of faith that priests force upon the faithful nowadays.

But this conflict sometimes results in beautiful monuments for posterity. One such example is a conflict that occurred 750 years ago, but this one resulted in the construction of one of the most beautiful and elegant churches in the United Kingdom.

Old Sarum was one of the earliest settlements in England, with evidence of human habitation as early as 3000 years before Christ, at about the same time that the stone circles known as Stonehenge was built and used by the early inhabitants.

Old Sarum was among the oldest seats of military and political power. It was an important station of the Roman Empire which occupied Britain between AD 43 to AD 410.

When the Romans left, the Anglo Saxons took over, and the place became one of the most important towns in the Western Kingdom under Cynric, King of Wessex.

The French King William of Normandy , also known as William the Conqueror, drove away the Anglo Saxons, brought in Christianity, built his castle and church, and called the place Sarisburia, from which the name Sarum and Salisbury are derived.

To Sarisburia, William gathered the nobles, knights, and prelates to pay homage to him.

Sarisbury was an important seat of military and ecclesiastical power under the Norman rule; a cathedral and bishop’s palace were built in the site under the prelature of Bishop Osmond.

But the contrast and conflict between military and ecclesiastical power in Old Sarum was stark. Writer Peter of Blois in 1200 described Old Sarum as “barren, dry, and solitary, exposed to the rage of the wind; and the church stands as a captive on the hill where it was built, like the ark of God shut up in the profane house of Baal.”

By 1219, the contrast became open conflict. The place proved too small to hold both cathedral and castle. The King’s men held captive the churchmen of Bishop Richard Poore, and the bishop begged the king to have the cathedral relocated to another site two and a half miles away, where it stands to this day in the township of Salisbury .

The Salisbury Cathedral, built in 1220 and completed in 1258, is one of the most imposing churches in the world. It was constructed with a single, consistent architectural style, Early English Gothic. Originally known as St. Mary’s Church under the Catholics and before the Protestant Reformation, the statue of the Virgin Mary and Child sits above the massive church door.

I was in Salisbury Cathedral at about this time three years ago.

Walking inside the church is like walking through the corridor of dark-lit, incense-filled centuries. All around one sees medieval frieze, chapters of an enduring faith captured in stained glass.

All around are scenes from the books of Genesis and Exodus; captured in colored glass are portraits of Adam and Eve, Noah, the Tower of Babel , Abraham, Isaac, Jacob, and Jesus with the Apostles.

Displaced behind protective glass inside the cathedral is one of the best preserved copies of the Magna Carta, the charter of liberty and rights granted and signed by King John in Runneymede in June 1215. (Another copy is at the Holy Trinity Church in Stratford upon Avon where William Shakespeare is buried.)

One item of great curiosity is the cathedral clock. It is the oldest working clock in the world, dating back to medieval times, circa 1386. It stands in a corner of the church nave, ticking the hour as it has done for over 600 years. The clock has no face, only its exposed mechanism, and it gives the hour by tolling the church bell.

In the heart of Salisbury Cathedral is a huge marble holy water font with water ever-flowing down the four spouts at its sides. The water is as clear and placid as glass and the font is always full.

A middle-aged British woman dips her fingers in the water and makes the sign of the cross. I follow her gesture of faith.

The sign of the cross is a gesture that ties the two of us – Catholic and Anglican – in a common bond.

And the holy water flows serenely down, constant as faith.