First Person: On the run in Italy

Posted on 19th April 2012 in The monuments of world

Editor’s Note: Jon Olsen is a Modesto resident and member of the U.S. World Cup ultramarathon team. Olsen is in Italy this week, where he’ll compete at the IAU 100-Kilometer World Championships on Sunday.


The excitement is building as I wait to meet the team and finally arrive at the hotel we will ultimately be at on race day. Many of the people on the team are ultrarunning legends that I admire, so being on the same team with them is doubly as honoring as being able to race for the United States in a world championship event.

My wife and I have been blessed to be able to travel throughout Italy in the week leading up to the race. We arrived in Rome Saturday, April 14, and saw the sites there over two days. We saw the Coliseum, the Vatican and Sistine Chapel, Trevi Fountain and the Spanish steps and many of the other famous monuments in Rome.

Then we traveled to Florence and Pisa next. We ate with a view of the leaning tower of Pisa and were amazed by the beautiful architecture in Florence.

Then the last two stops were Venice and Milan. The canals of Venice are amazing; imagine taking a water taxi or boat to cross the streets and having no lawns within the city. The entire city is built on wooden piles as a foundation in the water!

We will be staying in a little mountain retreat at the base of the Alps near Tecco approximately 30 kilometers from the race site in Seregno, Italy.

I have been keeping up with my running; 50 miles in four days. Although it’s significantly more difficult to do that in the middle of European cities with cobblestone streets, lots of tourists and drivers with little regard for pedestrians. The first few days in Rome it was easy to make time for running with few folks on the road because I was up before 4 a.m. local time, running the same loop around our hotel and the British and Russian embassies. I was like a hamster on the wheel in his cage, but never felt safer with guards posted outside each embassy looking at me with suspicious eyes after each passing lap.

We were exhausted each of the first few nights at 8 or earlier, so we headed to bed early and the result was early wake up times. After two early morning runs and avoiding traffic I did one afternoon run on the second day in Rome. There is a path down by the Tiber River that I noticed other runners using. It was a rare sight to see anyone running. I had seen only about 10 runners up until that time.

Shortly after arriving in Venice on Tuesday, I went for a nine-mile run weaving like a boxer in and out of pedestrians. Not the ideal place to run to say the least. I woke up the following morning at 5:30 and ran the cobblestone grounds getting lost amongst my thoughts and the maze of streets. Doubts crept into my head. Did I train enough? Did I taper too soon? Should have I run one more long run and tempo run? These are the thoughts that pass through the minds of most runners the week of a race. But these questions aren’t answered until race day.

I am on the train to Milan as I type. That is where I will take the shuttle tomorrow afternoon to meet up with our team at our team hotel. The nerves have not settled in yet. Is it because I am the oldest member of the team and have years of racing experience on big stages? Or is it because I haven’t donned the U.S.A jersey yet?

It’s probably the latter.

Ceremony honors warships named Lexington

Posted on 17th April 2012 in The monuments of world

Maritime bells sounded on the town common yesterday as residents and visitors honored veterans of the five Navy vessels named USS Lexington.

Several speakers made note of the impressive ships and their history, and members of the U.S. Naval Sea Cadet Corps laid wreaths at each of the five monuments. The Lexington Minute Men fired volleys in salute, while the Lexington High School band performed the national anthem and a lone trumpeter played Taps.

Standing beside a row of plaques, Selectman Peter Kelley said Lexington is a name synonymous with freedom and democracy.

“On such a glorious day for America,” he said, “this is a tribute to the name Lexington, which is not just a ship, but a name that means so much more all over the world.”

Ed McGlew, 90, a Navy veteran from Springfield, Vt., thanked the crowd for remembering his comrades.

“CV-2 and CV-16 guys, we’re dwindling,” said McGlew, who was an aerial photographer for the USS Lexington CV-2 (1927-1942) and CV-16 (1943-1962). “We appreciate you coming out very much. It’s a special thing for us.”

He also showed the crowd a diary from his Navy days, noting that the most intense entries — about battles at sea — were stained with seawater. He declined to read the entries, saying that he will read them at the 25th annual event next year.

State Sen. Ken Donnelly, D-Arlington, noted the heroism of the servicemen aboard all the ships named Lexington since the first one launched in 1776.

“Even great ships don’t steer themselves. As recognized by the 13 battle stars … these ships were manned by America’s finest,” Donnelly said. “Today, we acknowledge the many men and women who served on the USS Lexington since our revolution. These five ships have carried not only the names of our great town but the resilience, brilliance and pride of Lexington as well.”

Guest speaker Lt. Albert Sharlow, the operations officer for the USS Constitution, the longest-serving American warship, encouraged the crowd to give back to their country.

“Find a way to serve, no matter how big or small an undertaking,” Sharlow said. “We will seek to make a better tomorrow if we can start today.”

SHIPS TO BEAR THE NAME ‘USS LEXINGTON’

THE FIRST LEXINGTON

Originally the “Wild Duck,” the 16-gun brigantine was purchased by the Continental Congress in March 1776 and renamed in honor of Lexington’s Minutemen. The ship took many British vessels before being captured by the British off the coast of France on Sept. 29, 1777.

THE SECOND LEXINGTON

An 18-gun sloop-of-war commissioned on June 11, 1826. After serving in various capacities, the ship joined Commodore Matthew Perry’s expedition to Japan in 1852. It was decommissioned in 1855.

THE THIRD LEXINGTON

This steamship was purchased in 1861 and converted into a gunboat for the Union army during the Civil War. It was decommissioned in 1865.

THE FOURTH LEXINGTON

This aircraft carrier (CV-2), also known as “Lady Lex,” was the namesake ship of her class. She was built in Quincy and commissioned on Dec. 14, 1927. The 36,000-ton vessel was the first ship to average more than 30 knots on an ocean voyage. Pilots from “Lady Lex” sank the first Japanese carrier of World War II during the Battle of the Coral Sea in May 1942. The carrier was severely crippled by Japanese airstrike in the same battle. A gas explosion later mortally wounded the vessel, which was abandoned and then scuttled by a Navy destroyer to prevent its capture.

THE FIFTH LEXINGTON

This Essex-class aircraft carrier (CV-16), also known as “The Blue Ghost,” was built in Quincy and commissioned on Feb. 17, 1943. The vessel participated in 35 engagements during World War II. When it was decommissioned in 1991, the Lexington was the oldest Navy carrier in service. The ship is now a naval aviation museum in Corpus Christi, Texas.

Exploring Malta by day and by knights

Posted on 16th April 2012 in The monuments of world

With its rich architectural heritage, the sunny and scenic island of Malta is a history buff’s dream

By Tom Lawrence

MALTA, April 16 PA – Sitting on the shaded roof of a rustic farmhouse sipping a delicious array of crisp whites and sumptuous reds, I peered out into the endless sea of sun-kissed grapevines surrounding me.

The picturesque 19-hectare vineyard could easily have been mistaken for one in Tuscany or even on the fertile grounds of Cape Verde.

But in fact I was sampling my mouth-watering flight of fine wines in the middle of a former RAF airfield on the Mediterranean island of Malta.

Like a number of locations and landmarks on the tiny sun-baked archipelago, the Meridiana Wine Estate has close ties to World War Two and Britain’s 150-year colonial occupation.

However, what many people fail to realise is that the scenic island, nestled 100km off the south coast of Sicily, has so much more to offer.

Malta is a vibrant melting pot of history, art and architecture, richly influenced by the many cultures imposed on its rocky shores over the last 7000 years.

I spent a week based in the bustling town of St Julian’s on the eastern coast, a lively hub of hotels, restaurants, bars, shops and casinos.

It stands just 8km away from the capital Valetta, a fortified city built in the mid-16th century by the Knights of St John – arguably the most influential group to have settled on the island.

In 1530, after being chased out of Rhodes by the Ottomans, Charles V of Spain allowed the knights to base themselves in Malta in return for religious devotion and the generous annual rent of just one falcon.

Three decades later, the Roman Catholic Order successfully staved off another attack from the bloodthirsty Turks during the Siege of Malta, prompting Grand Master Jean Parisot de Valette to build the walled citadel of Valetta to protect his people from further invasions. The knights remained in Malta until 1798, leaving their legacy etched onto the landscape forever.

My guide Audrey who, like all the Maltese spoke perfect English, led me into Valetta, which is flanked on three sides by the sparkling sea and, with a population of just over 6000, is Europe’s smallest capital.

The morning sun lit up the ornate facades and enclosed painted balconies of the golden limestone villas which tower over the wide cobbled streets.

And as we snaked our way through the gridded network of roads and open squares, I could immediately see why the tiny country has one of the highest densities of historical sites in the world.

Home to 320 monuments, including grand cathedrals, opulent churches, statues, fountains and palaces, Valetta resembles an open-air museum and is one of nine World Heritage sites to grace Malta.

It also boasts a host of high-end boutiques, alfresco cafes and restaurants, with a peppering of British post boxes, red phone kiosks and even a branch of Marks and Spencer serving as a reminder of the island’s colonial influences.

Our first port of call was St John’s Co-Cathedral, built by the Order as its central church.

After passing through the threshold of its imposing exterior, I encountered the breathtaking spectacle of intricately painted vaulted ceilings, gilded walls and a floor covered by 350 marble tombstones of former knights.

“This is our Baroque gem and the most important church in the whole of Malta,” Audrey said proudly.

The cathedral’s guarded oratory houses two original masterpieces by Caravaggio, with his largest-ever work, the spine-tingling Beheading of John the Baptist, the jewel in the crown.

The Italian artist came to Malta and painted for free in exchange for his induction into the knights’ prestigious Order, which today includes the likes of Sir Cliff Richard.

Our next stop was the Grandmaster’s Palace in George’s Square, the distinguished seat of Malta’s president and parliament which houses a large collection of historical artefacts.

The stately chambers are decorated with beautiful frescoes depicting scenes from the Great Siege, while steel suits of armour used by the knights line the corridors and huge intricately-woven tapestries given to the Order as gifts hang in the tapestry room.

After enjoying a frothing cappuccino and ice cream at Caffe Cordina in the shaded confines of Republic Square, we made our way to Upper Barracca Gardens, the highest point of the city walls.

As fountains trickled in the background, I took in the stunning panoramic views of Malta’s Grand Harbour, the largest natural harbour in the Med, which was a Royal Navy base until 1979 when the nation became a republic.

Audrey suggested we took a tour in a disa – similar to a gondola – for a closer look at the towering coralline walls of Fort St Angelo and the three cities of Vittoriosa, Cospicua and Senglea, which straddle the harbour.

As we took to the blue waters, she reeled off a list of Hollywood blockbusters including Gladiator, Troy and The Count Of Monte Cristo, which have made use of the harbour’s epic beauty.

A-listers with homes on the island include David Beckham, while billionaire oligarch Roman Abramovich apparently has one of his yachts moored in the adjoining Marsamxett harbour.

We arrived in Vittoriosa, the knights’ original capital, stopping for a lunch of mussels and fresh lampuka – a sweet-tasting local fish – at the idyllic waterfront restaurant Riviera della Marina, before touring the quiet town.

Navigating the narrow, undulating streets, I was treated to an authentic slice of traditional Maltese life, with the doors of the locals’ homes left wide open while young children played on the cobbles.

The rest of my trip was spent exploring the plethora of other historical gems that Malta’s 310.80 square kilometres have to offer.

Touring the medieval walled citadel of Mdina, home to the National Museum of Natural History, palaces of past Grand Masters and the Bishop’s Cathedral, I could see why it is nicknamed “The Silent City”.

With a population of just 200, only the cars of the residents are allowed within its confines, making the streets of the island’s original capital peacefully serene during the day.

I also trod the grand marble staircases and walled gardens of the Palazzo Parisio – described by many as a miniature Versailles – a stately home in the ancient village of Naxxar built in the 1800s.

The most exhilarating part of my trip came as I whizzed along the cliff tops of Dingli on a Segway – one of the best ways to see the island’s countryside.

Hurtling along, I was treated to glorious views of the west coast and the tiny uninhabited island of Filfla, used for target practice by the RAF bombers.

The mostly rocky island also has a handful of idyllic beaches to the north, with Golden Bay and Gnejna the best on offer.

A greater variety is found on Gozo, Malta’s sister island, only a 20-minute ferry ride away and blessed with stunning natural wonders including Calypso’s Cave which overlooks the red sands of Ramla Bay and the Azure Window, a giant doorway of rock surrounded by deep blue sea.

The rustic Hotel Ta’ Cenc on Gozo is a popular retreat for celebrities including Sir Sean Connery and Sir Alex Ferguson.

After experiencing Malta’s rich and varied history, it can truly be said that it’s so much more than just a small Mediterranean island.

IF YOU GO: MALTA

- BEST FOR: Fascinating history.

- TIME TO GO: September/October – the searing mid-summer heat has cooled to a more bearable mid-20s.

- DON’T MISS: St John’s Co-Cathedral.

- NEED TO KNOW: Malta is the fifth most densely populated place in the world, so avoid roads in rush hour.

- DON’T FORGET: With 97 per cent of the coastline rocky, don’t expect a beach holiday.

Belfast opens new home for its legendary export: HMS Titanic

Posted on 15th April 2012 in The monuments of world

BELFAST, Northern Ireland – I knew before I left for Belfast that the world is divided into those who don’t care, and those who can’t seem to get enough of the doomed ocean liner Titanic, which sank on its maiden Atlantic crossing a century ago today off the coast of Newfoundland.

The Belfast Titanic Society says there are more than 100 museums and monuments associated with the ship worldwide, and Belfast added to the list March 31 by opening a $150 million building on the slipway where the Titanic was built from 1909 to 1911. Tim Husbands, president of the foundation that runs Titanic Belfast, said the city “has, at last, a focal point for its Titanic and maritime heritage.”

For my wife and me, the nautical stuff was secondary. We thought maybe the new Titanic Belfast space had room for us to make like Leonardo DiCaprio and Kate Winslet in 1997′s Titanic. We wanted to do the “flying sequence” in the film, where Leo and Kate stand, hopelessly in love, with arms trustingly outstretched at the bow of the liner.

We’re suckers for that, and I don’t think we’re alone.

But, Belfast is the perfect place to understand the Titanic not just as a romantic or fictive ideal, but as something anchored in economics, social history, technology, and innovation. That took us first to the Ulster Folk and Transport Museum, the ungainly name for a sprawling collection of exhibits in a wooded preserve about seven miles east of central Belfast.

There’s a Titanic exhibit in domed buildings reminiscent of Quonset huts, with a snack bar, bookstore, seating for resting weary feet, and a welcoming pace that allows for slow absorption of the complex story behind the ship and its demise. Huge blowups of historic photos are hung on the curved walls and ceiling, and visitors walk over gantries and trusses as if they were at the 200-acre Harland & Wolff shipyard where the Titanic was built.

To get a sense of the size of the ship, the Titanic was 42 percent larger than any ocean liner in the world in 1912. The ship was a bit narrower than the Eagles’ football field is wide, and at 882 feet, nearly three times the length of the Lincoln Financial Field gridiron.

By contrast, the Costa Condoria that struck a reef Jan. 13 off the coast of Italy is 952 feet, proof that while they can make ships bigger today, they can still wreck them, too.

It wasn’t just size that set the Titanic apart, we learned. Belfast was a provincial powerhouse of invention, and the ship was, for example, the first ocean liner with onboard refrigeration. First-class passengers enjoyed fresh fruit and vegetables, cheeses and savories, chilled strawberries and champagne.

Of course, class and wealth mattered then as they do today. The first- and second-class passengers on the voyage – about 600 of the 2,200 people on board – had the best chow, private baths, and hot and cold water in their rooms. They could walk the decks any time they wanted, while the more than 700 third-class passengers were confined below decks, with only an hour on deck permitted daily – locked gates and armed guards enforced the rules. All of the third-class passengers shared only two bathrooms, one each for men and women.

Titanic sank three hours after hitting an iceberg. More than 1,500 men, women, and children died because there weren’t enough lifeboats on the ship. There was room on Titanic for enough lifeboats to save 4,000 people, but the company cut corners on safety. Only about 700 passengers survived, yet there were almost 500 empty seats on the 20 lifeboats that were launched. Most of those who died were third-class passengers and crew.

One of the crew lost was assistant ship’s physician John Edward Simpson. We met his great-nephew John Martin and great-niece Kate Dornan at the Belfast Titanic Society monthly meeting in March. Martin, a retired physician, spoke about his great-uncle and shared photos and eyewitness accounts of Simpson’s last minutes on the Titanic.

“There were three survivors who spoke about Simpson,” Martin told the jammed auditorium. One of his nurses was so upset as the ship began to fall apart, he poured her a whiskey and water to calm her. “?’Let’s drink to the mighty Titanic,’ she said he joked with her.”

“He went on deck to help load the lifeboats,” Martin continued. After securing the last boat, he gave his flashlight, a valuable and rare appliance for the day, to the engineer pushing off, saying he would no longer need it.

“Goodbye, old man,” were his last words, according to witnesses, Martin said.

Asked if his great-uncle was a hero, Martin paused a moment and offered, “If he was a hero, there were 1,500 other heroes that night taken by the Atlantic.”

The next day, we met Susie Millar, a retired BBC broadcaster whose great-grandfather was an engineer on the Titanic. Her grandfather was 5 years old when the liner sailed down the Lagan River with his father, Thomas Millar, on board. Before he left, Millar gave the boy two pennies dated 1912 and told him not to spend them until he returned.

“Of course, he never returned,” said Susie Millar, who drove us to the family cottage a few miles downriver, the site where her grandfather saw the ship and his father leave Belfast forever. “And my grandfather never spent the pennies. They’re on loan to the Titanic Museum in Pigeon Forge, Tenn.”

Billy Scott, a native of Belfast and former British soldier, took us to see the great dry dock where the Titanic got its three propellers, rudder, and paint job. The plan is to permanently seal the dock so that visitors can descend into the immense cavity where once the Titanic lay.

“They’ll be showing the old movies down there for the tourists soon,” said Scott, whose great-granduncles worked on the Titanic. “Should scare the pants off you.”

And then it was time to walk through Titanic Belfast, which calls itself not a museum but a “sensory experience” about a “global brand.” The structure up close looks like a series of huge ships pulled close to the docks, their prows arching skyward.

Inside, everything is digital and photographic presentation, with a few Disney touches – a mockup of the rudder, “molten” steel being poured for the hull, a huge gantry carrying workers to the top of the ship, and lots of archival film, including interactive media. The best part, the most arresting moment in our four days of trying to discover the Titanic in Belfast, came atop the building.

From there, one looks out at the Titanic slipway, with the ship’s form outlined in lights. Then the unsettling truth becomes clear that where we were standing by a glass wall overlooking the docks below would be where Leo and Kate where doing the “flying” scene.

Looking down made us almost ill, so terrifying was the height. Pause a moment, and you realize that that was just the bow of Titanic. The rest of the immense ship continued skyward.

Leaving the building brought fresh challenges. After the first-floor cafe and bistro, the private elevator rises to the top-floor banquet area – where we got dizzy, and which is otherwise closed to tourists – and there’s a souvenir shop where Titanic books from scientific to social history to kids’ treatments filled shelves, along with T-shirts, refrigerator magnets, pencils, notebooks, calendars, wall hangings, and the like. (In the city, you can buy Titanic whiskey, Titanic potato chips, candies, and other oddities.)

A rubber duck, though, brought me to sober reflection.

Dressed like a ship’s officer on the Titanic, the toy reminded me that while the duck still floats, the Titanic and all those innocent souls are at the bottom of the sea.

To comment, e-mail TravelTalk@phillynews.com.

At the London Book Fair, China's money outweighs freedom | Bei Ling

Posted on 23rd March 2012 in The monuments of world
  • Bei Ling

  • Chinese dissident Liu Xiaobo
    Chinese dissident Liu Xiabo is among writers whose books have been banned. Photograph: EPA

    Next month, a number of Chinese publishing houses will visit the annual London Book Fair, trying to drum up interest for their latest publications and most exciting writers. A number of books will never make it across to London, however. They include Soul Mountain and One Man’s Bible by the 2000 Nobel literature prize winner Gao Xingjian, who now lives in Paris; Testimonials by exiled Liao Yiwu, a memoir charting his experience in jail after the 4 June 1989 Beijing massacre; Beijing Coma by Ma Jian, a long novel set against the backdrop of the 1989 massacre; Mémoire interdite and Shājié (Forbidden Memory: Tibet During the Cultural Revolution) by Tsering Woeser, a Beijing-based Tibetan, whose books provide unprecedented analysis of the Tibetan situation over the last 40 years; and Selected Poems by China’s most acclaimed literary critic Liu Xiaobo and his wife Liu Xia. The 2010 Nobel winner has nine more years of prison to serve and his wife is under house arrest.

    None of these books will appear at the 2012 LBF. They are only a selection: over the last three decades, at least 100 books have been banned by the Chinese government. They are books that never see the light of day; books that alter lives of writers and publishing houses; books that were published and then retracted and destroyed. It all happens under the authority of the General Administration of Press and Publication (Gapp). In the last two decades, Gapp has established press and publication bureaux across all provinces and special administrative regions, compiling a blacklist of writers forbidden to publish. The number of names on the list, like the country’s economic growth, increases every year.

    The criteria required to end up on the blacklist are: 1) whether the writer is a political dissident, openly criticising the Chinese government and political system; 2) whether the writer’s work focuses on topics prohibited by the Communist party, such as the student movement of 1989 followed by the 4 June army crackdown and massacre, as well as the destruction of Tibetan monuments and eradication of Tibetan culture after the Dalai Lama’s escape in 1959.

    The Communist party committee or party branch holds the decision-making power. They ensure that the text is free of “political errors” as well as profane content. If the book under review violates any of those criteria, it will not be granted publication. Books that have already been published are continuously subjected to examination by the publication bureau. This painstaking preview and review process views literature as an agent that disrupts the artificial utopia the government has tried to concoct at the expense of human freedoms and free will. The participants of the 2012 LBF will see this “utopia” but miss out on the relics of destroyed cultures and people.

    Because banned books cannot be published in China, they have gone unseen by millions of Chinese readers for almost 20 years. After another 20 years, the names of these authors as well as their books will be completely forgotten – if their existence was ever acknowledged at all. Fortunately, these banned books (in simplified Chinese) need not be deserted as blacklisted writers enjoy the freedom of the press in Taiwan and Hong Kong, where books are published in traditional Chinese.

    After I made a public complaint about the selection of writers at the festival, I received a response from the director of the LBF and the director of literature of the British Council. They informed me that the book fair’s co-operation with China’s Gapp will bring huge business opportunity for both countries. I understand the importance of money, but should there not be more to the world of books than business?

    This is British capitalism at its finest. When it comes to business, freedom of expression has to move aside. Set against the power of money, literature and freedom are nothing but ornaments. But writers are different. They each have a soul, rather than cash. They have to speak frankly. They cannot, and should not, trade what they have for any business opportunities.

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    75,000 'heritage crimes' committed in a year

    Posted on 19th March 2012 in The monuments of world

    It added that the “most precious buildings were worst affected”, with nearly a quarter of Grade I and II* listed structures subject to some type of criminal damage.

    Uncovering a “worrying” rate of damage, the report also concluded that nearly one in five listed buildings were “physically harmed by crime” with more than a third of churches or religious buildings damaged.

    But researchers, who uncovered an “unprecedented volume of information”, believe the figure could be much higher as one in three heritage-related crimes go unreported.

    Today’s report surveyed the country’s listed buildings of all grades, unlisted structures in conservation areas, scheduled monuments such as burial mounds and ruins and historic parks and gardens.

    It stated: “There is a growing body of evidence that the risk of crime and anti-social behaviour facing designated heritage assets has grown considerably in recent years.”

    It concluded that metal theft was the “biggest single threat” to the country’s landmarks, as gangs only saw “the metal and not the heritage”. Official figures have shown more than 1,000 metal theft offences are occurring every week in Britain.

    In recent months high-profile targets of criminals have included York Minster and the Bishop’s Palace in Lincoln while the problem of metal theft was highlighted by the theft of a £500,000 Dame Barbara Hepworth bronze sculpture from Dulwich Park. Ancient covered walkways in Chester, known as the Rows, are being ruined by late-night revellers urinating on the 700 year-old woodwork,

    The study found nearly a fifth of the country’s 31,000 Grade I or II* buildings were subject to criminal acts while more than 63,000 Grade II buildings were targeted.

    The report, compiled by the Council for British Archaeology and Newcastle and Loughborough universities, found that crimes such as metal theft was more likely to occur in the North while at least 750 sites were hit by “devastating” arson attacks.

    It suggested that registered parks and gardens could be suffering the most amount of damage, although there were no “robust” figures to support it.

    It also found more than 15 per cent of scheduled monuments – defined as unoccupied “nationally important historic structure significant for its archaeological value” – were damaged by unlicensed metal detecting and illegal vehicle access.

    It also concluded that areas with fewer historic buildings and sites experienced “considerably more” instances of heritage crime.

    Dr Simon Thurley, the chief executive of English Heritage, described the report’s findings as “alarming”, adding that historic sites were “suffering a substantial rate of attrition from crime”.

    “They are susceptible to irreversible harm,” he said.

    “Damage done to a listed building or an archaeological site can often not be put right and centuries of history will be lost forever. These places have an obviously high value to society.

    “Their particular vulnerability warrants every effort to ensure they are still around for future generations to enjoy just as much as we enjoy them now.”

    The body has launched a new Heritage Crime Initiative with police and the Crown Prosecution Service after a sharp rise in crimes such as metal thefts.

    More than 100 organisations have also signed up to a voluntary national body called the Alliance to Reduce Crime against Heritage, which aims to “galvanise” local support.

    Richard Crompton, the chief constable of Lincolnshire Police and the ACPO national lead for heritage crimes, said virtually every force in the country was now running operations to target metal theft.

    “There is a growing recognition across the police service of the impact of heritage-related crime,” he added.

    “While the theft of metal remains a significant challenge, these operations have resulted in many arrests and prosecutions across the country.”

    Janet Gough, the Church of England’s director of cathedrals and church buildings division, said the report showed the “great burden from crime that is falling on places of worship” with many churches suffering from several times.

    “This crime is hurting communities around the country as buildings central to the community and holding many generations of memory are desecrated.

    “Churches are fighting back against crime with increased security measures and vigilance but are not able to bear the threat and cost of crime indefinitely”.

    John Penrose, the Heritage Minister, admitted the report was “depressing reading”.

    He added: “When historic buildings and sites fall victim to vandalism, damage and theft, it’s not just the owner who suffers.

    “Very often the thing that’s been stolen or damaged is literally irreplaceable, and the whole community is the loser.”

    The report said it did not address the “most fundamental question” of whether or not heritage crimes should be specifically recognised in law, while it could not say what drove such crimes.

    Ministers have announced measures including banning cash transactions and introducing unlimited fines for people caught trading stolen scrap metal.

    Joan Miró at the Yorkshire Sculpture Park – review

    Posted on 17th March 2012 in The monuments of world
  • Jonathan Jones

  • Joan Miró at Yorkshire Sculpture Park
    Joan Miró’s Gothic Personage, Bird-Flash at the Yorkshire Sculpture Park. Photograph: Nigel Roddis/Reuters

    Horned beasts haunt the curvaceous landscape of Yorkshire Sculpture Park. Protruding eyes gaze out on trimmed hedges. This elegant and civilised art preserve has a wicked old visitor.

    Joan Miró was in his 70s and 80s when he made most of the works in the first large-scale exhibition of this Catalan surrealist’s sculptures to be held in Britain. That may not sound like a recommendation. There is a form of senescence peculiar to modern artists that turns their minds to bronze. Late in their careers, even the most subversive punk troublemakers seem to want to preserve their images for ever in cast metal. The great Max Ernst, for example, made some utterly tedious bronzes in his last years.

    Miró, like Ernst, was a member of the surrealist movement in Paris before the second world war. The surrealists believed that “beauty will be convulsive, or it will not exist”. One way to create convulsive, that is irrational, beauty was to make strange, inexplicable objects from stuff found in flea markets – the artist did not choose the ingredients; they chose the artist. Miró made some of the most entrancing of all such surrealist objects. In 1936, he stuck together a stuffed green parrot, a doll’s shoe, a hat and a map to evoke some elusive dream. His three-dimensional dream art is just as vivid and rollicking as his paintings, with their biomorphic deep-sea visions.

    Works that are made essentially of 1930s bric-a-brac are too fragile to go on loan (to see his dead parrot, visit the Museum of Modern Art in New York), but in later life, at his studio in Mallorca, Miró translated the rough and ready bricolage of the surrealist object into permanent bronze, often on a monumental scale.

    That’s just right for Yorkshire Sculpture Park, where orotund figures by Henry Moore recline on soft, green hillsides descending to a reflecting lake. This is a very lovely part of the British countryside and, with its dignified country park atmosphere and a programme in which Martin Creed and Barbara Hepworth are equally at home, is becoming known as the best open-air art gallery we have.

    Miró can only add to that reputation. This was an artist who never went off the boil. His bronzes are just as bizarre and hard to pin down as his earlier works. There is still, in the old man, a surrealist devil stoking the fires. His metal sculptures are cast from the same kinds of assemblages of ordinary things that he made in the 30s: chairs and stools, tree trunks and, in one case, something that looks very like a turd, have been cast in bronze in compositions that imitate faces, bodies and animals with raw, grotesque abandon. A cockerel has five bony tail feathers like a skeleton’s fingers. In another work, the legs of a shop mannequin in high heels, made into metal and painted red, support a cartoonish body with a hydrant tap for a head.

    These might be the daydreams of a peasant farmer drunk in the barn. Rustic implements, cow horns and moon shapes evoke the countryside of Mallorca where he made these monuments to the unruliness of dreams. Just like his early painting The Farm (1921-22), his last bronzes are carnivals of nature bulging with phallic protrusions, pierced by unlikely orifices. They menace the serenity of the English landscape of Yorkshire Sculpture Park, with a dry, surrealist cackle.

    Could sun-soaked Libya become tourism hot spot?

    Posted on 14th March 2012 in The monuments of world

    Alexandre Meneghini / AP, file

    One of the (mostly empty) beaches in Tripoli is seen in this file photo.

    By Alastair Jamieson, msnbc.com

    Libya has all it takes to become a vacation paradise: 1,300 miles of palm-fringed coastline, five world-class cultural heritage sites and an attractive historic quarter in Tripoli featuring fine colonial buildings.

    What is doesn’t have, though, is tourists.

    But following the overthrow of dictator Moammar Gadhafi, there are plenty of reasons for hotels and tour operators to be optimistic.


    Soaked in sun, the country’s position at the meeting point of the desert landscape of the Sahara makes it ideal for trekking and windsurfing.

    Libya’s extraordinary history and ancient archaeological riches — it boasts five United Nations world cultural heritage sites, including the remains of the Roman Empire outpost Leptis Magna and the Greek Hellenic city of Cyrene — are its primary attractions.

    It was off-limits for decades as a pariah state thanks to Gadhafi’s involvement in global terrorism, but a thaw in relations with Western countries saw a 14 per cent rise in visitor numbers between 2006 and 2010 and a 30 per cent jump in hotel revenue over the same period from $49 million to $65 million, according to analysts Euromonitor.

    ‘Big expectations’
    That tourism renaissance was all but destroyed by the Arab Spring uprising and subsequent civil war, but there are hopes it could resume and emulate the success of other recovering war zones: the New York Times three years ago named Beirut as its number one global destination.

    In Tripoli, the Rixos Al Nasr hotel — where journalists were trapped during last August’s fierce fighting –- is open and full of guests, and its owners say they have “big expectations” in the coming months.

    One small group is this week exploring the country on a trip organized by Political Tours, a specialist firm run by former New York Times Balkans correspondent Nicholas Wood, while managers at Simoon Travel, a British operator that organizes tours of the Middle East and North Africa, are visiting later this month with a view to restarting its Libya itineraries.

    “We are optimistic because reports suggest most of the monuments and ancient sites have been left undamaged by the NATO bombing,” Simoon’s managing director Amelia Stewart told msnbc.com. “It is such a fascinating and diverse country and we would like to offer trips once it is safe enough to do so.”

    Youssef Boudlal / Reuters, file

    A view of Leptis Magna, a UNESCO World Heritage site on the Mediterranean coast, some 75 miles east of Tripoli.

    Access to the country is slowly improving following the end of NATO airstrikes that drove out Gadhafi’s regime: United Airlines partner British Midland International resumes direct flights to Tripoli from London Heathrow later this month, while British Airways will return to the city from May 1.

    Libya begins battle to seize $20 billion in Gadhafi assets

    Business travelers still account for the majority of visitors as the oil industry returns, but huge problems remain. The ruling National Transitional Council (NTC) is struggling to impose its authority on a country awash with weapons and militias have stepped into the vacuum, carving the country into local fiefdoms.

    “Each area has its own guys who consider themselves in charge, which creates a huge security problem,” Wood said. “That lack of co-ordination, added to bureaucracy, makes Libya a very difficult place to visit for the time being.”

    Many Western hotel chains that opened in anticipation of a tourism boom remain closed for the time being. The Marriott in Tripoli is not accepting reservations, while a spokeswoman for New York-based Starwood Hotels said it did not yet have a reopening date for its Four Points by Sheraton in the city.

    Goran Tomasevic / REUTERS

    An uprising in Libya ousts dictator Moammar Gadhafi.

    Mustafa Özbinici, spokesman for the Turkish owners of the Rixos Al Nasr, said: “Libya is a intact country tourism-wise, with 2,200 kilometers [1,367 miles] of sea shore, so we believe that it will be a good development in long term. We have big expectations with Libya.

    A year on, Libyans enjoy freedoms but anxieties abound

    “However, there are some difficulties still remaining, especially the process of reorganization. As a company, we are trying to support people of Libya during this hard time including the injured people and their families.”

    The threat of sporadic violence has also pushed up the cost of travel insurance, putting tours firmly into the “niche” market: Simoon’s cheapest package starts at about $2,000. “We will have security staff with us,”Wood added.

    Tourism ministers from across the Middle East will meet on April 30 for a special summit between the Arabian Travel Market and the World Tourism Organization to drive forward tourism in the wake of the Arab Spring.

    “Prior to the onset of violence, the government had finally developed a Tourism Master Plan for 2009-2013, with some vision expressed about the much longer-term, through to 2025,” Nadejda Popova, tourism analyst with Euromonitor, told msnbc.com.

    Christian war graves desecrated in Libya

    “Investment started pouring into the country’s travel and tourism industry, with more than six 5-star hotels planned in Tripoli as well as ambitious development plans for airports, ports, roads and rail projects linking Libya to its neighbors. However, the future is now uncertain and Libya’s travel and tourism industry is expected to suffer losses for at least another two years. There is a great deal of reconstruction needed, and efforts will be geared towards getting the country back on its feet before engaging in more tourism developments.”

    Without a government strategy for the industry, growth is likely to be slow. Tourism and leisure has never accounted for than one per cent of consumer spending in Libya, compared to the global average of 16 per cent, according to Popova.

    But one thing seems certain: Libya is unlikely to follow north African neighbors such as Egypt, Tunisia and Morocco into mass tourism. “I doubt it will ever have resorts like Sharm el-Sheikh,” said Stewart. “Libya has always been careful to ensure it doesn’t end up with an industry catering for those wanting sun and cheap booze.”

    ‘There will be no alcohol’
    Her view was echoed by the Giuma Bukleb, media attaché to the Libyan Embassy in London. He told msnbc.com: “We will never be like other countries with lots of big resort hotels, and there will be no alcohol. We want to encourage people to see our heritage sites.”

    The commander of Libya’s rebel force says Libyan leader Moammar Gadhafi is sheltering weapons at Leptis Magna, a major Roman-era ruins on the civil war-ravaged nation. NBC’s Stephanie Gosk reports.

    He added: “We are very keen to welcome tourists but maybe the time is not right just now. We have to get the country back on its feet first.”

    Sarkozy denies Gadhafi gave his campaign $65 million

    There are other practical hurdles: visitors must still apply in advance for a visa, rather than making arrangements on arrival as is the case in Egypt. And most countries, including the United States, require travelers to inform their local embassy in Libya about their trip.

    “Libya has such incredible potential but there is a long way to go,” Wood said.

    More from msnbc.com and NBC News:

    Follow us on Twitter: @msnbc_world

    Deep Sea Treasure Hunting Becoming Big Business

    Posted on 13th March 2012 in The monuments of world

    CNN Wire Staff

    Deep sea treasure hunters may evoke storybook images of swashbuckling buccaneers on daring ocean adventures.

    For those in the rapidly expanding sector of marine archeology however, scouring the depths of the sea for sunken riches is business — big business.

    “There are multi-hundreds of billions of dollars of potential in this industry,” says Sean Tucker, founder and managing member of Galleon Ventures, a U.S. based historical shipwreck and salvage exploration company.

    “Treasure bearing ships that have historical artifacts, coins, emeralds dating back hundreds of years are lying at the bottom of the sea just waiting to be brought to the surface,” he adds.

    UNESCO estimates there to be as many as three million shipwrecks scattered across the bottom of the world’s oceans.

    Although Tucker points out that only 30,000 of these are likely to bear treasure of any value, discoveries such as the $3 billion of platinum located on a World War II merchant vessel by American salvage company, Sub Sea Research, last month confirm the industry’s potential.

    The possibility to reap such bountiful rewards has inevitably led to increased industry investment in recent years, says Tucker.

    Hedge funds, private equity firms as well as cash rich individual investors have all been eager to provide the capital to back increasingly specialized treasure ventures.

    As a result, the biggest salvage companies are now able to utilize the same advanced tools used by big oil firms to locate deep sea drilling opportunities, explains Tucker.

    The most expensive exploration projects, which are almost always in a deep sea environment, can cost in the region of $30 million dollars to undertake, he adds.

    High tech developments are a logical progression for a sector where the rewards for success are so high. But Tucker also points out that the potential to make vast profits has led some companies to explore wrecks that modern day governments still claim ownership over without permission.

    While most salvage companies seek the cooperation of the relevant authorities before commencing their operations, Tucker says there are a significant number of “amateurs doing it under the radar getting what they can get.”

    Concerns about the methods of some of those operating in the marine archeology industry are also noted by Lucy Blue from the Centre of Maritime Archaeology at the UK’s University of Southampton.

    She says that some projects plunder sunken wrecks with little concern for their archaeological composition and academic value, leading to the desecration of important underwater sites.

    “When you dig a hole in the ocean you are effectively destroying the archaeological evidence. If you don’t do that in a systematic way you are destroying important knowledge of past maritime activities,” says Blue.

    Not only is this frustrating from an academic perspective, she adds, but it also ensures that important monuments to maritime history are kept locked away in the hands of private collectors.

    “You have to question ultimately what is happening with what is found. Are the artifacts held in a collection that people can benefit and learn from or are they being distributed and sold for the profit of a few,” says Blue.

    But while she is quick to acknowledge that not all salvage operations are inconsiderate to archaeological posterity, Blue also states that it is important for governments to sign up to the UNESCO Underwater Cultural Heritage Convention to guarantee high standards for all underwater treasure operations.

    Tucker also agrees and believes it will be of more value to salvage companies in the long term to cooperate with international bodies and to work to the highest ethical and archaeological standards.

    Given the considerations of shareholders and private investors, he says, “there’s nothing worse than taking your investors money and then having a government tell you can’t keep the treasure you’ve found,” he says.

    Tucker highlights an agreement between Florida based shipwreck exploration company, Odyssey Marine, and the British government to locate the wreck of 17th century ship the HMS Sussex as an example of how private businesses and sovereign countries can cooperate to their own mutual benefit.

    He also cites his own company’s work with the government of Colombia — where along with partner company Seaquest International,Galleon are negotiating a “host country contract” to explore various underwater wrecks, divide the profits of any treasure recovered as well as providing items of significant historical importance to national museums and galleries — as a responsible and productive way to conduct the business of marine archeology.

    If governments, academics and private businesses can work together in a similar way, he adds, then the potential of this billion dollar industry can be shared by all.

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    Why scouring sea for sunken treasures is big business

    Posted on 13th March 2012 in The monuments of world
    <br/>Today’s treasure hunters operate in a billion dollar industry using the latest hi-tech tools, says Sean Tucker of U.S. based historical shipwreck company, Galleon Ventures ” border=”0″ height=”360″ id=”articleGalleryPhoto001″ class=”c6″ width=”640″ /><cite><br/><br />
Today’s treasure hunters operate in a billion dollar industry using the latest hi-tech tools, says Sean Tucker of U.S. based historical shipwreck company, Galleon Ventures</cite> </div>
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