Mughal 'paradise' gets tortuous makeover

Posted on 22nd February 2012 in The monuments of world

Mughal ‘paradise’ gets tortuous makeover
By Raja Murthy

Agar Firdaus bar rue Zamin ast, Hamin asto, Hamin asto, Hamin ast!
If there is a paradise on earth, this is it, this is it, this is it!
– 13th century poet Amir Khusrau’s famous couplet describing India, inscribed on the walls of the 17th century Red Fort.

DELHI – The earthly “paradise” that is the Red Fort in Delhi is getting a stuttering makeover even as it continues drawing thousands of visitors as one of Asia’s most popular historical monuments.

The Archaeology Survey of India (ASI) is face-lifting the Red Fort to preserve the site’s tumultuous legacy. The fort not only represents painstaking craftsmanship and creativity, but also a decadent lifestyle that weakened and destroyed one of the most

 

powerful empires in history – the Mughals.

A bit of Mughal-style wealth would come in handy right now, say the restorers. “The Red Fort is far too important a monument to be left neglected,” ASI conservation officer Milind Angaikar told Asia Times Online. “But our biggest challenge is shortage of funds. Being declared a World Heritage monument [in 2007] has not increased the budget.”

No such financial constraints hampered Mughal Emperor Shah Jahan (1592-1666) whose architectural credits include the Taj Majal. He took nearly 10 years to complete building the Red Fort in 1648. There was nothing like it in existence. An English general described it as the greatest palace in the world of that time, if not all time.

Merging Indian, Persian and European art, the fort holds marble and red stone structures of low height set amid wide rectangular lawns, gardens, trees, fountains, music played five times a day, waterways and lights. This palace of palaces was ruled by Mughals, ransacked by Persians and Afghans, colonized by British and retrieved by India.

The largest and most significant of the seven forts or seven old cities of Delhi, the Red Fort, or Lal Qila in Hindi, still carries much significance in modern India. The flag of a free India fluttered here on August 15, 1947. Indian prime ministers have addressed the nation every Independence Day since from the Red Fort ramparts near the Lahore Gate entrance.

The Red Fort gets hours of my time often when I am in Delhi. There is a sense of deja vu, a feeling of wonder at the happiness, sorrows, triumphs, tragedies, intrigues, struggles these skeletons of the past might have seen, the stories the red sandstone walls could tell of the people who lived and died within.

They were a curious breed, those emperors of the Mughal dynasty (1526-1857). The founder, Zahiruddin Muhammad Babar, was descendant of the Mongolian psychopathic mass murderer Ghenghiz Khan from Central Asia. The word “Mughal” comes from “Mongol”.

Shah Jahan, the fifth of the Mughal emperors and builder of the Red Fort, died a prisoner of his son Aurangzeb (1618-1707). Aurangzeb, whose coronation in the Red Fort came after he’d murdered his brothers, became an intolerant extremist, an one-man ancestor of the Taliban who was ignorant to the fact that one respects one’s own religion by respecting others’. His intolerance for non-Muslims destroyed regional alliances his forefathers had built. He was the last of the powerful Mughals who ruled from the Red Fort.

He sowed the seeds for the end of the Mughals, even as the Red Fort was epicenter to one of the largest empires in the world, the second-largest in Asia after the Qing Dynasty domains in China. At its peak, Mughal lands stretched across 4.6 million square kilometers, nearly all of South Asia except for a part of present-day Kerala in south western India.

In the next hundred years, the Red Fort became a temple for the empire’s luxuries and pleasures of the flesh. But attachment to excessive physical comforts can creates mental discomfort, and the following generations of Mughal princes grew up progressively weak and incompetent.

Their final fall came in the Red Fort within 150 years. In 1857, the English colonials captured Bahadur Shah Jafar the second, the 17th and last of Mughals and a figurehead in India’s First War of Independence, which saw him led him out in chains and shipped to exile in Burma (now called Myanmar).

The last known descendant of the Mughals, in the lineage of Babur, Akbar “the Great” and Shah Jahan, was in 2009 discovered living in dire poverty in a Kolkata slum. She was running a small tea stall, and later given a job as a maid servant running errands for the government-owned firm Coal India.

The wealth this maid servant’s Mughal forefathers hoarded in the Red Fort hints at the riches the sub-continent once owned. The loot Persian raider Nadir Shah carried out of Delhi in 1739 needed 1,000 elephants and 800 horses to carry it. His booty included the golden Peacock Throne encrusted with sapphires, emeralds, rubies and the famous Kohinoor diamond now part of the globally stolen property comprising the British queen’s Crown Jewels.

“All this was like a jungle, full of weeds, when I came here,” said gardener Dinanath, watering the lawns in front of the palace where two of the most powerful emperors in the world lived. Dinanath, working here for over 35 years, is part of a team of 105 gardeners trying to recreate a semblance of what was once called Hayat Bakhsh Bagh or “Life-Bestowing Garden”.

The garden had its own “Stream of Paradise” or “Nahri-i – Bisht“, an elaborate waterworks running throughout the royal living quarters. Water lifted from the River Yamuna flowed out of copper and clay pipes in lavishly appointed bathrooms called the “Hamman” to offer a choice of hot, cold and steam baths. In a late February afternoon a few hundred years later, a child delightedly scampered up and down a small wooden board bridging the now bone-dry, dusty “Stream of Paradise”.

“In about two or three months, there will an improved sound and light show with computerized laser beams and projections,” said Pradeep Kumar, manager of the nightly Sound and Light show manager since the mid-1980s. The Red Fort itself was built for light effects. The important edifices, including court halls and the emperor’s living quarters, are laid out to face the setting and rising sun in an east-west line.

The Rang Mahal or “Palace of colors”, for instance, must have been a spectacular sight as the sun rays reflected off small mirrors embedded on ceiling and walls. The late winter sun at about 5.30 pm glowed exactly on the marble pedestal in the Diwan-i-Khaas where the bejeweled golden Peacock Throne once stood, probably turning it into a shimmering glow of rainbow colors.

Even the waterways contributed to the light effects. The water ran through garden tanks with niches for candles or oil lamps – so the flickering light plays on the water and turns it into rippling gold at night.

Yet all the sensory delights of this “paradise” proved a gilded trap that across centuries choked the life out of the Mughals. One of the major reasons the tide turned against them was people revolting against excessive taxation imposed to pay for Mughal luxuries, compared to which European kings of the era could be said to have been living in budget accommodation.

A now poverty-stricken Red Fort depends on revenue from visiting tourists, but at the same time these visitors threaten its existence. “Increasing footfall on the marble floors creates reverberations that are damaging the structures,” says conservation official Angaikar. “Some of the sections that are closed may never be opened again.”

(Copyright 2012 Asia Times Online (Holdings) Ltd. All rights reserved. Please contact us about sales, syndication and republishing.)

Rotary Clubs Light Up the World to Eradicate Polio (PHOTOS)

Posted on 20th February 2012 in The monuments of world

By Swaty Sharma | Feb 20, 2012 05:43 AM EDT

Rotary clubs will once again illuminate landmarks and iconic structures around the world in view of the group’s pledge to the ‘End Polio Now’ campaign.

Worldwide, fewer than 650 polio cases have been confirmed in 2011, less than half the 1,352 infections reported in 2010. 

Rotary is a global humanitarian organization with more than 1.2 million members in their 34,000 Rotary clubs spread over 200 countries.

Rotary members are men and women who belong to the business, professional and community leaders with a shared commitment to make the world a better place and one of their top priorities is the global eradication of polio.

This year’s round of light displays takes on added significance due to the success Rotary and its partners in the Global Polio Eradication Initiative have made in India, the Club said in a press release.

India, the epicenter of the crippling childhood disease, reached a historic milestone by marking a full year without recording a single new case. 

The other spearheading partners in the Global Polio Eradication Initiative are the World Health Organization, UNICEF, and the U.S. Centers for Disease Control and Prevention.

Let’s take a look at some illuminated monuments around the world here.

Hydrabad, India-Rotary Clubs Light up the World to End Polio

Source: synapticdigital

The Senate in The Hague – Rotary Clubs Light up the World to End Polio

Source: synapticdigital

Table Mountain: End Polio Now

Source: synapticdigital

Sydney Opera House: End Polio Now

Source: synapticdigital

2009 End Polio Now Projection – British Parliament

Source: synapticdigital

2009 End Polio Now Projection – Scotland

Source: synapticdigital

This article is copyrighted by International Business Times, the business news leader

Brussels is slowly beeting the life out of our sugar industry

Posted on 20th February 2012 in The monuments of world

Now this superb business faces a threat from Brussels, and the imposition of an unnecessary and badly thought-out regulation. For 134 years, the company has sourced its sugar cane from around the world — not unnaturally, since the crop doesn’t grow in the UK. Week in, week out, huge boatloads of brown crystals come up the Thames to be treated. The plant has the capacity to produce 1.1 million tonnes of refined sugar a year; and yet the company is prevented, by the EU commission, from importing the raw materials in the quantities it needs. Their current output is now down to 60 per cent of capacity — and the result is that jobs are being lost in a part of London that already faces the highest levels of unemployment in the city and indeed in the whole of the country.

And while a great London business is unable to fulfil its potential, the price of sugar is pushed up — by the EU — far higher than necessary, and that price hike is felt by every hard-pressed consumer who eats anything in which sugar is an ingredient. That is a long list of foods, in tough times, whose prices are being pushed up by the Common Agricultural Policy. It is utter madness, and it derives from the ruthless determination of the Commission to protect the sugar beet producers of continental Europe.

For decades they have been artificially shielded, by high tariff walls around the EU, which mean that sugar prices in Europe are more than double the world market price. And those sugar beet producers have been given huge sums of taxpayers’ money, in export refunds, to dump their produce overseas. In 2006 the Commission reluctantly bowed to outrage from Oxfam and others, and agreed to a programme of “reform”. Of the total EU sugar market of about 17 million tonnes, 13.5 million would be reserved for the European sugar beet barons. The other 3.5 million tonnes could be supplied by sugar cane producers around the world.

The trouble is that these countries — in Africa, the Caribbean or Pacific regions — have not been able to fill the gap. To find enough cane sugar, Tate & Lyle need to be able to bring in boatfuls from places like Brazil or Central America: and that Brussels forbids. They face swingeing tariffs to bring more in — while the sugar beet producers are given a licence to produce more. At every turn the British refinery finds the system skewed in favour of the beet producers, mainly in France and Germany. But they can’t use beet in the London plants; and you can’t use beet to make golden syrup.

Already 30 jobs are going — high-skilled jobs held by long-serving staff; and it is surely a disgrace that a natural source of employment is being choked at a critical time for the economy. London firms need to be given every incentive and confidence to hire more staff and expand, from tax breaks to the apprenticeship schemes we have been helping to lead from City Hall. And we are lobbying Brussels to drop its crazy prohibition, and allow Tate and Lyle to get cane sugar from wherever in the world it can find the stuff. It is time for common sense on the sugar regime — in the name of jobs for London and cheaper food all round.

Springtime in the Gulf

Posted on 20th February 2012 in The monuments of world

(MENAFN – Arab News) This is springtime in the Middle East once again. And I haven’t seen such glorious, reinvigorating weather during my nearly decade of living in the region. This year appears to be really special. Temperatures have dropped to single digits in many parts of the UAE – it even snowed for a bit in the picturesque mountains of Ras Al Khaimah – and the Gulf. With a pleasant, cold snap in the air – it was minus something in Kuwait this month – everyone seems to have brought out their woolens and leathers that are rarely found of any use in our part of the world.

This is perhaps the best time to be in the Gulf right now. And coming from a warm region, the colder it is the better for me. I just can’t have enough of this magical, absolutely rejuvenating weather, forever talking about it with anyone who cares to listen. The air is incredibly sweet and pure. And to live it and breathe in it all seems like the greatest blessing nature could offer one. I am not very religious but right now I feel like bowing my head in total submission and thank Him for all His bounty.

But not everyone appears to enjoy the nature in its full glory and breathtaking splendor. Some can still manage to come up with enough excuses to endlessly grumble and whine about the ways of the world in general and the weather in particular. They huff and puff and sniffle as they complain of cold weather conditions, fog and even the divine breeze flowing from up north and across the Gulf. They almost long for the humid and oppressive weather conditions of an Arabian summer as they go on and on about their wretched flu and all sorts of allergies and diseases that the Arab spring conspires to bring them every year.

And I feel nothing but pity for them. Do they realize what they are missing? Okay, it is a bit chilly perhaps for the thin-skinned and overly sensitive. But it’s not cold-cold as in a depressing English or European winter with overcast, gloomy skies. These low temperatures in the Middle East go with a warm and bright sunlight. This morning when I went down to pick up my phone, forgotten as usual in my car, the burst of sunshine outside took my breath away. It was another clear and bright day with a light breeze caressing those fortunate enough to be up and about, instead of being chained to their desks.

The Khalid Lagoon had turned almost white amid a feeding frenzy of thousands of seagulls and other migratory birds that traverse the distance of thousands of miles to be here this time of the year. I desperately wished I had my camera with me although I have tried to capture this incredible scene before in my own clumsy ways. I watch it all the time from the window of my 9th floor office in Sharjah’s Buheirah Corniche, mesmerized by its awe-inspiring beauty. Maybe this is what Keats had in mind when he wrote: A thing of beauty is a joy forever.

Every time I need a break or simply get bored, I stand near the window and try to drink in the breathtaking beauty of Khalid Lagoon and the whole of Buheirah Corniche. The pearl-shaped lake that joins the Sharjah Creek and further ahead the warm waters of the Gulf is encircled and embraced on all sides by the emerald green landscape and by the tall trees that seem to defy the high-rises all around.

Birds are everywhere, from the ubiquitous seagulls to kingfishers to crows even, perpetually playing, chirping, twittering and feeding. Even the pigeons and doves are there, side by side, happily chipping away at grains or whatever they could spot. There’s something about the winged creatures, especially pigeons with all their noise and fun and games that could bring even the sleepiest and most deserted of places alive. This is my favorite spot in the whole of UAE.

Who would have ever thought you could create such a miracle in the heart of the desert? But then Sharjah and Dubai, and to a great extent, the UAE defy all received notions about the Gulf. While green landscaping, done at a formidable cost, is a common feature and encouraged all across the emirates, Sharjah stands out for its endless greenery and great public parks, not to mention the open grand vistas and magnificent mosques and monuments.

The emirate is not just home to more than 600 mosques; it is also known for its art galleries, museums, world-class universities, libraries and cultural events held throughout the year. No wonder the UNESCO named Sharjah the Cultural Capital of the Arab and Islamic world in 1996.

Interestingly, this preoccupation with the art, culture, knowledge and good things of life goes with a quest for material progress. More than half of the UAE’s thriving manufacturing sector and industries are based in Sharjah.

More important, Sharjah has resisted the reckless, blind development and growth that came with the dawn of the oil era in most Gulf countries.

In its quest for a balanced growth, it has remained faithful to its Islamic identity and Arab traditions even as it has actively encouraged the pursuit of knowledge and arts and culture.

Perhaps, it is because Sharjah’s ruler is himself an accomplished poet, historian and holder of a PhD from a distinguished British university. Perhaps it’s a stretch but I find in the contemporary Sharjah – and the UAE to some extent – the echoes of the 8th century Baghdad under the legendary Abbasid Caliph Harun Al-Rashid, the land of the thousand and one tales and the land of Scheherazade.

Those were the times when the Muslim civilization was at its peak and Baghdad had been the greatest city on earth, not just the capital of the most powerful and richest empire of the time but also a great center of scientific learning and knowledge, home to Dar Al Hikmah, the House of Wisdom founded by Harun Al-Rashid that functioned as a research center and library, in addition to translating the best and brightest minds from around the world, including from ancient Greece and India, into Arabic.

That treasure trove of learning played a critical role in both the Islamic Golden Age and the European Renaissance. Whatever happened to that craving for knowledge that drove the Arabs to far corners of the world? There are lessons to be drawn from Baghdad’s past and Sharjah’s present.

- Aijaz Zaka Syed is a Gulf-based writer. Write him at aijaz.syed@hotmail.com

Scientists revive sacred sounds

Posted on 17th February 2012 in The monuments of world

Stanford University

A researcher sounds a note on a conch-shell trumpet as part of an experiment to re-create the ceremonial calls heard by ancient Andeans in the Chavin de Huantar ceremonial center in Peru.

By Alan Boyle

Ancient peoples around the world seem to have designed their sacred spaces not only for ceremonial sights, but for ceremonial sounds as well, archaeologists say.

In Peru, for example, a 3,000-year-old Andean ceremonial center’s design was optimized for the blare of a priest’s conch-shell trumpet. In Mexico, the Chichen Itza temple site features a staircase that can make hand claps sound like the chirp of a quetzal bird. And one of the best-known ancient monuments of all, England’s Stonehenge, has a layout that’s acoustically pleasing as well as astronomically significant.

The big question is, did ancient societies really have acoustics in mind when they built their monuments?


“That is a challenge,” said David Lubman, a California-based acoustical scientist and consultant. Much of the evidence is circumstantial, or based on interpretations of ancient myths. But when the acoustical resonances fit so well with the purpose of a ceremonial space, it’s hard to resist making a connection.

“Whether or not you have historical evidence, you have another form of evidence,” said Miriam Kolar, a researcher at Stanford University’s Center for Computer Research in Music and Acoustics.

Theater for the ears
Researchers discussed their efforts to unravel the mysteries of ancient acoustics today at the annual meeting of the American Association for the Advancement of Science, held in Vancouver, British Columbia.

For the past few years, Kolar and her colleagues have been focusing on Chavin de Huantar, a pre-Inca site in Peru that served as a regional religious center. People apparently came to a circular plaza to worship, and to hear an oracle’s pronouncements issuing from a stone gallery.

The acoustic musicians of the Center for Computer Research in Music and Acoustics help archaeologists unravel the mysteries of the pre-Inca Chavin temple complex – and the ritual role given to the conch.

The Stanford team conducted a detailed acoustical study of the gallery’s cross-shaped passageways. They found that the central duct between the gallery and the plaza would serve as an acoustic filter system, accentuating the tones produced by the priests’ ceremonial conch trumpets, known as “pututus.”

“There was theater going on,” Kolar said. The thrilling effect of the trumpet calls and the oracle’s words may well have been heightened by the psychoactive effects of the San Pedro cactus that the Chavin people consumed during their rituals.

The chirping staircase
There are theatrical touches as well at Chichen Itza, a Maya temple complex going back more than 1,000 years, Lubman said. One of the most prominent monuments is the Temple of Kukulkan, also known as El Castillo: Some researchers have argued that the temple’s staircase was constructed so as to create a “feathered serpent” shadow during the spring and autumn equinoxes. Lubman says the staircase can produce an aural as well as a visual effect: When you clap your hands at just the right spot, the echo comes back sounding much like the chirp of the quetzal bird, which was sacred to the Maya.

The acoustician played an audio clip demonstrating that the bird’s chirp and the clap’s echo sounded remarkably similar. He speculated that a priest might have clapped his hands loudly to seek counsel from a quetzal. Worshipers would have been impressed to hear the chirp of a spectral bird, apparently coming from inside the temple. “Only priests were trained to interpret what the quetzal said,” Lubman said, half-jokingly.

Lubman has been studying Chichen Itza’s acoustics for more than a decade. That’s such a long time that the quetzal research “should be old news,” he said. “But the darn bird keeps chirping.” He noted that Chichen Itza has another interesting acoustic feature: Its ball court is designed like a “whispering gallery,” so that a low utterance in one corner of the court could be heard clearly in another corner.

The bottom line? Maybe the ancient Maya were more in tune with sacred sounds than we are today. “Now, many things go through our eyes before they get to our minds, but that wasn’t true in the ancient world,” he said.

The Stone Age and Stonehenge
Steven Waller, a researcher at California-based Rock Art Acoustics, theorized that acoustics may even have had something to do with the placement of the stones at Stonehenge, a monument that’s at least 5,000 years old. “What struck me was that the layout of Stonehenge reminded me of an interference pattern,” he told his AAAS audience.

Waller said he was even more intrigued when he considered the legends of ancient Britain. One legend suggests that Stonehenge was created when two pipers lured maidens into a circle with their magic tunes, and then turned them into standing stones. He noted that some of Stonehenge’s monoliths are sometimes called “piper stones.”

Steven Waller walks around two English flutes (recorders) to illustrate how the sound changes due to wave interference. He suggests that a similar effect might have guided the placement of stones at Stonehenge.

Could ancient acoustics have been behind some of these legends? To find out, Waller conducted an experiment in which he put blindfolds on experimental subjects and had them walk around an open field in a circle while two flutes played an identical tone (1100 Hz, or C-sharp). The sound waves from the two flutes interfered with each other in such a way that the sound alternated between loud and soft in different locations. When the walkers were asked to map out the area, they came up with a pattern of obstacles and archways much like an ancient stone circle.

“It’s as if there was something blocking the sound … a ring of invisible objects, massive objects, blocking the sound,” he said.

Waller also analyzed the placements of stones at Stonehenge and other neolithic stone circles, and found the acoustic parallel he was looking for. “The pillars actually cast acoustic patterns that mirror an interference pattern,” he said.

The leading hypothesis about Stonehenge is that it served as a religious center that was laid out to mark the astronomical alignments for Earth’s seasons, and Waller doesn’t take issue with that. “My theory doesn’t necessarily conflict with the solar alignment theory,” he said. But is there any evidence to show that Stonehenge’s designers really did have acoustics in mind? Waller can only point to the circumstantial connections — for example, the fact that cave paintings were often put in the locations that had the best acoustics for ceremonies, or the fact that some ancient peoples thought echoes emanated from spirits inside stones.

“They didn’t know about sound waves reflecting,” he said.

Waller said the important thing is to be mindful of the contributions that acoustics can make to the study of sacred spaces. Some of those spaces are already in danger of disappearing. For example, Waller worried that some of the modern-day renovations aimed at making cave paintings in France more accessible to tourists may actually destroy the acoustic qualities that led the painters to those spots in the first place.

“Nobody has been paying attention to the sounds,” he said. “We’ve been destroying the sounds.”

More about the sounds of science:


Alan Boyle is msnbc.com’s science editor. Connect with the Cosmic Log community by “liking” the log’s Facebook page, following @b0yle on Twitter or adding Cosmic Log’s Google+ page to your circle. You can also check out “The Case for Pluto,” my book about the controversial dwarf planet and the search for other worlds.

Flying inside London's Shard, the EU's tallest tower

Posted on 16th February 2012 in The monuments of world

Gazing over London from the top of the Shard, the European Union‘s tallest building, “will feel like flying”, world-renowned architect Renzo Piano told AFP on a tour of the near-completed skyscraper.

“It’s always a surprise when you come on site,” the Italian shouted over a cacophony of hammering on one of the middle floors of the tower, which will eventually loom 310 metres (1,017 feet) over southeast London.

“You spend years drawing and making models, making mock-ups, and then this,” he said, as his eyes took in the unplastered walls and the wires dangling from the ceiling, 12 years after he first started sketching the Shard’s jagged tips.

The enormous glass-clad structure, which will comprise a total of 95 floors, is already winning critical acclaim for 74-year-old Piano.

But the Shard’s futuristic silhouette has angered traditionalists who say it will ruin London’s skyline when the external structure is finished in May, dwarfing landmarks such as St Paul’s Cathedral and the Houses of Parliament.

English Heritage, the national body responsible for protecting historic sites, says the skyscraper has tainted a view of St Paul’s, one of Britain‘s best-loved monuments.

But Piano, renowned for his work on the distinctive Centre Pompidou arts centre in Paris with its mesh of colourful external pipes, dismissed the criticism with an elegant wave of the hand.

“St Paul’s is the icon of London and will remain the icon of London,” he said, even though the Shard’s website describes it as “an icon for London”.

“This building is not arrogant,” he insisted. The skyscraper will be “like a spire”, its glinting walls reflecting its neighbours and the capricious London skies.

“It’s always a bit difficult to accept new buildings,” he added. “But St Paul’s was modern at the time.”

In any case, he pointed out, though the Shard has shot upwards at a speed that has startled Londoners, construction only started after a lengthy public inquiry by Britain‘s then Labour government.

“When you’re making a building like this, that’s so important for the city, you have to be absolutely sure that it’s the right thing to do,” said Piano.

He added wryly: “As an architect, if you make a mistake it stays there for a long time.”

The unfinished Shard is already the European Union’s tallest building, having overtaken Frankfurt’s 300-metre Commerzbank Tower in December as it edges up, but it is still some way behind the world’s tallest tower — the 828-metre Burj Khalifa in Dubai.

But as construction began on the Shard in 2009, just across the River Thames a crisis was gripping one of the world’s top financial hubs.

The architect conceded that seeing through the £450 million ($706 million, 536 million euro) project amid the economic slump “was not easy”.

And as Britain teeters again on the brink of recession, many wonder whether the Shard will stand over a city in long-term decline. Piano, however, hopes the skyscraper will provide a much-needed lift to London’s economy.

“Sometimes buildings have been built in a recession and become a symbol of energy,” he says. “I think this will happen like that.”

The Shard will house Britain’s first Shangri-La hotel as well as luxury flats, restaurants, office space and a viewing observatory on floors 68 to 72 that will give 360-degree panoramas of the British capital.

The idea, said Piano, is to build a “vertical city” within a city, operating “24 hours a day — offices, a hotel, public spaces like restaurants.

“And you’ll have the viewing gallery up there, which will receive one million visitors a year.”

The Shard’s wealthy inhabitants, he admits, will need a strong head for heights. But Piano says those who move in to floors 53 to 65 — Britain’s highest residential properties — will enjoy unparalleled views of the city.

“It will feel like flying. It’s a constant aspiration, the idea of taking off, of breathing fresh air,” he beamed. “I think that will be lovely.”

Travel Picks: Top 10 places to propose marriage

Posted on 10th February 2012 in The monuments of world

NEW YORK (Reuters) – Valentine’s Day is just around the corner and if you are thinking about popping the question, online travel advisor Cheapflights (www.cheapflights.com) has come up with a list of the top 10 places to propose that may help you to get the romance and the “Wow!” factor right on the day. Reuters has not endorsed this list: 1. Whitsundays, Australia

Heart Reef is a naturally formed heart shape in the Whitsundays and it’s reassuringly inaccessible. The way to see it is to take a helicopter or seaplane journey and propose mid-air. We prefer Lindeman Island, most of which is national park. Ignore the Club Med resort if you like and head to the summit of Mount Oldfield, just 212 meters above sea level, from where you can spy Hamilton, Whitsunday and Haslewood islands and perhaps see whales and dolphins in the crystalline waters. 2. London, United Kingdom

A private capsule on the London Eye with truffles and champagne is one way to do it, but our suggestion is the 17th-century Monument that stands in the heart of the City of London. Climb the 311 stone steps to the top – as generations of others have before you – and see the city laid out in all its ancient-meets-cutting edge glory. The candle with its fiery orb was built to mark the Great Fire of London. There’s nowhere better to suggest love’s eternal flame or a brand new start. 3. Paris, France

No, not the Eiffel Tower or Arc de Triomphe, glorious as they are. The Jardin du Luxembourg (Luxembourg Gardens) were much loved by writers such as Baudelaire, Balzac, Hemingway and Sartre and our favorite spot for a proposal is a shady one by the Medici Fountain. Commissioned by a king’s widow in the 17th century, the focal point is the statue of Acis and Galatea, the young lovers watched over by the powerful Polyphemus. 4. Verona, Italy

“In fair Verona, where we lay our scene.” Shakespeare lovers will know that Romeo and Juliet is set in the Italian city and there’s a balcony at Juliet’s House (off the Piazza delle Erbe) that is said to date from those times – but don’t be fooled. It was added in 1936. Forget about the Casa di Giulietta and take a stroll through the Giardino Giusti instead. From the lofty tower of the Renaissance garden are gorgeous, tower-dotted and timeless views of Verona. 5. Vienna, Austria

The Schonbrunn Palace, summer home of the Habsburgs, has a happy pedigree. It was where Empress Maria Theresa once lived in wedded bliss with her husband and 16 children. It’s a noted proposing spot in the Imperial City, but another way to propose – bit more Jane Austen perhaps – is during a ball. This time of year is Ball Season in Vienna and there are more than 450 dances where you can play dress up and waltz like the Viennese of old. 6. New Orleans, Louisiana, United States

It’s easy to fall in love with the Big Easy, famed city of music, cuisine and a Phoenix-like character. Bourbon Street will call you with its siren song of bars and booze but proposing here might not be the height of romance. Pop the question on the romantic old mahogany-lined Street Car instead or in the shade of the moss-clothed oak trees of Audobon Park. 7. Agra, India

There are few more enduring testaments to true love than the Taj Mahal. Built by the Emperor Shah Jahan in memory of his wife it’s one of the world’s iconic monuments. Ram Bagh, the oldest Mughal garden, is 3 miles from the Taj Mahal. The Persian garden, laid out in a way that suggests paradise, is a less cliched location. The pathways, waterways and cascades are fed by the Yamuna River while the shady pavilions offer an unparalleled setting for that very important question. 8. Granada, Spain

The Alhambra, the ancient palace-citadel that sits high on a hill overlooking Granada, is one of the most romantic places in Spain. Its intricate design and beautiful gardens with tinkling fountains are paradise for lovers. It’s a major tourist magnet so to mix up your Granada getaway, climb up to the Albaicin. The Arab quarter, that has heart-stopping views of the Alhambra, is a maze of cobblestone streets and small squares, balconies tumbling with bright geraniums and a magical air. 9. San Francisco, California, United States

Sure there’s the Golden Gate Bridge, the top of the Coit Tower at sunset or Harry Denton’s Starlight Room, but the Palace of the Legion of Honor, the fine arts museum, offers a little piece of Paris-inspired architecture and gorgeous views of the Bridge and the Bay. It’s a noted spot for weddings too, should you wish to make a return visit. 10. Vancouver, British Columbia, Canada

The City of Glass, as Douglas Coupland has it, is a tantalizing mix of mountains, big skies and sea. There’s only one place to propose (weather permitting) and that’s outside. Queen Elizabeth Park is 130 acres of lush greenness but draws 6 million visitors each year. Lighthouse Park in West Vancouver is a more rugged affair. Its rainforest gives way to the sparkling waters of the Burrard Inlet. It’s an edge-of-the-world type spot, a feeling magnified by the 1914 lighthouse. Search and compare cheap flights to Vancouver.

(Editing by Paul Casciato)

Top 10 places to propose

Posted on 7th February 2012 in The monuments of world

Agra, India: “There are few more enduring testaments to true love than the Taj Mahal,” say the editors of Cheapflights.ca. “Built by the Emperor Shah Jahan in memory of his wife it’s one of the world’s iconic monuments. Ram Bagh, the oldest Mughal garden, is 5 km from the Taj Mahal. The Persian garden, laid out in a way that suggests paradise, is a less clichéd location.” (Shutterstock)

Whitsundays, Australia: “Heart Reef is a naturally formed heart shape in the Whitsundays and it’s reassuringly inaccessible. The way to see it is to take a helicopter or seaplane journey and propose mid-air. We prefer Lindeman Island, most of which is national park.” (Shutterstock)

Vienna, Austria: “The Schonbrunn Palace, summer home of the Habsburgs, has a happy pedigree,” say the editors of Cheapflights.ca. “It was where Empress Maria Theresa once lived in wedded bliss with her husband and 16 children. It’s a noted proposing spot in the Imperial City, but another way to propose – bit more Jane Austen perhaps – is during a ball.” (Shutterstock)

Verona, Italy: “‘In fair Verona, where we lay our scene.’ Shakespeare lovers will know that Romeo and Juliet is set in the Italian city and there’s a balcony at Juliet’s House (off the Piazza delle Erbe) that is said to date from those times – but don’t be fooled,” say the editors of Cheapflights.ca. “It was added in 1936. Forget about the Casa di Giulietta and take a stroll through the Giardino Giusti instead. From the lofty tower of the Renaissance garden are gorgeous, tower-dotted and timeless views of Verona.” (Shutterstock)

Vancouver, British Columbia: “The City of Glass, as Douglas Coupland has it, is a tantalizing mix of mountains, big skies and sea. There’s only one place to propose (weather permitting) and that’s outside,” says Cheapflights.ca. “Queen Elizabeth Park is 130 acres of lush greenness but draws 6 million visitors each year. Lighthouse Park in West Vancouver is a more rugged affair. Its rainforest gives way to the sparkling waters of the Burrard Inlet.” (Shutterstock)

San Francisco, California: “Sure there’s the Golden Gate Bridge, the top of the Coit Tower at sunset or Harry Denton’s Starlight Room, but the Palace of the Legion of Honor, the fine arts museum, offers a little piece of Paris-inspired architecture and gorgeous views of the Bridge and the Bay,” say the editors of Cheapflights.ca. “It’s a noted spot for weddings too, should you wish to make a return visit.” (Shutterstock)

Paris, France: “The Jardin du Luxembourg was much loved by writers such as Baudelaire, Balzac, Hemingway and Sartre and our favourite spot for a proposal is a shady one by the Medici Fountain,” says Cheapflights.ca. “Commissioned by a king’s widow in the 17th century, the focal point is the statue of Acis and Galatea, the young lovers watched over by the powerful Polyphemus.” (Shutterstock)

New Orleans, Louisiana: “It’s easy to fall in love with the Big Easy, famed city of music, cuisine and a Phoenix-like character,” says Cheapflights.ca. “Bourbon Street will call you with its siren song of bars and booze but proposing here might not be the height of romance. Pop the question on the romantic old mahogany-lined Street Car instead or in the shade of the moss-clothed oak trees of Audobon Park.” (Shutterstock)

London, England: “A private capsule on the London Eye with truffles and champagne is one way to do it, but our suggestion is the 17th-century Monument that stands in the heart of the City of London,” says Cheapflights.ca. “Climb the 311 stone steps to the top – as generations of others have before you – and see the city laid out in all its ancient-meets-cutting edge glory.” (Shutterstock)

Granada, Spain: “The Alhambra, the ancient palace-citadel that sits high on a hill overlooking Granada, is one of the most romantic places in Spain,” say the editors of Cheapflights.ca. “Its intricate design and beautiful gardens with tinkling fountains are paradise for lovers. It’s a major tourist magnet so to mix up your Granada getaway, climb up to the Albaicin. The Arab quarter, that has heart-stopping views of the Alhambra, is a maze of cobblestone streets and small squares, balconies tumbling with bright geraniums and a magical air.” (Shutterstock)

Line between television, online programs blurs

Posted on 30th January 2012 in The monuments of world

NEW YORK — After years of experimenting, the top video destinations on the Web are suddenly flush with original programming: documentaries, reality shows and scripted series.

Over the next few months, YouTube, Netflix and Hulu will roll out their most ambitious original programming yet — a digital push into a traditional television business that has money, a bevy of stars and a bold attitude of reinvention.

The long-predicted collision between Internet video and broadcast television is finally under way.

No one is suggesting that the quality on the Internet is close to that of broadcast TV, but it’s becoming easy to imagine a day when it will be.

And even though critics question whether new media can rival a business that’s been around for about 70 years, the video sites have sought partnerships with seasoned professionals. And they benefit from the different economics of global Web-based entertainment.

Either way, what’s happening now is just the first wave.

“This convergence is now,” said documentary filmmaker Morgan Spurlock, who created “The Failure Club,” a series about people trying to do the things they’ve always feared, for Yahoo, and “A Day in the Life,” a series documenting 24 hours of someone’s life, for Hulu.

He says the quality still varies, but viewers will soon see talent and production values begin to change.

On Feb. 6, Netflix will premiere its first scripted show, “Lilyhammer,” in which Steve Van Zandt (“The Sopranos”) plays a New York mobster in witness protection in Norway. Later this year, it will release “House of Cards,” a highly anticipated adaptation of the British miniseries produced by David Fincher and starring Kevin Spacey. Next year, it will debut new episodes of the cultish comedy “Arrested Development,” which originally aired on Fox.

Hulu plans a Feb. 14 premiere for “Battleground,” a mock political documentary. The site will later release “Up to Speed,” a six-part documentary by Richard Linklater about “monumentally ignored monuments of American cities.”

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Hulu, which has some 30 million monthly users and 1.5 million for its monthly subscription service Hulu Plus, is co-owned by the parent companies of NBC, Fox and ABC.

Yahoo has sought to capitalize on its enormous search audience of nearly 180 million unique monthly visitors by drawing viewers to its original programming, including a slate of female-focused shows launched last fall and comedy programming planned for February. Its first scripted entry will be “Electric City,” a futuristic animated series produced by Tom Hanks, who will also voice a character.

YouTube recently launched an entire catalog of original programming, spending $100 million on the gradual rollout of more than 100 niche-oriented channels.

The channels don’t have the pressures of a 24-hour schedule and instead focus on short-form, on-demand programming. Partners vary from the Wall Street Journal to World Wrestling Entertainment to Madonna.

At the recent consumer electronics trade show CES, YouTube’s global head of content predicted that by 2020 about 75 percent of channels will be transmitted by the Internet. And video will soon be 90 percent of all traffic.

“Over time, you will see more and more television properties, television channels distributed over the Internet,” Robert Kyncl said.

“Everything in its due time.”

Internet delivery allows programming that is “much harder to fulfill through traditional distribution means…because we have a global scale,” Kyncl added.

And online systems can serve niche audiences that would be difficult to sustain any other way, and do so at lower cost.

Ricochet: Politics and the perseverance of faith

Posted on 27th January 2012 in The monuments of world

The verbal tussle that erupts seasonally between government people and Church leaders is  a minuscule example of the conflict that has sometimes characterized the relationship between civilian and clerical leadership over the ages.

An example was the bitter exchange between Archbishop Fernando Capalla and former Mayor Rodrigo Duterte over the mandated prayer or “oratio imperata.”

In world history, the conflict between English King Henry VIII and Pope Leo X over the king’s divorce with Queen Catherine of Aragon (which the Pope refused to grant) and Henry VIII’s marriage to Anne Boleyn (which Leo X refused to tolerate) resulted in the schism that gave birth to the Church of England.

Henry VIII simply appropriated all the properties – churches, land and all – of the Roman Catholic Church in England and declared himself the head of the new and ‘reformed’ Anglican Church.

Of course, there was, too, the revolt of Augustinian monk Martin Luther supported by the German nobles against the ‘power and efficacy of indulgencies’ declared by the same Pope Leo X. The pope granted indulgencies which allegedly shortened one’s stay in purgatory in exchange for money paid. Well, reminiscent of the impositions of faith that priests force upon the faithful nowadays.

But this conflict sometimes results in beautiful monuments for posterity. One such example is a conflict that occurred 750 years ago, but this one resulted in the construction of one of the most beautiful and elegant churches in the United Kingdom.

Old Sarum was one of the earliest settlements in England, with evidence of human habitation as early as 3000 years before Christ, at about the same time that the stone circles known as Stonehenge was built and used by the early inhabitants.

Old Sarum was among the oldest seats of military and political power. It was an important station of the Roman Empire which occupied Britain between AD 43 to AD 410.

When the Romans left, the Anglo Saxons took over, and the place became one of the most important towns in the Western Kingdom under Cynric, King of Wessex.

The French King William of Normandy , also known as William the Conqueror, drove away the Anglo Saxons, brought in Christianity, built his castle and church, and called the place Sarisburia, from which the name Sarum and Salisbury are derived.

To Sarisburia, William gathered the nobles, knights, and prelates to pay homage to him.

Sarisbury was an important seat of military and ecclesiastical power under the Norman rule; a cathedral and bishop’s palace were built in the site under the prelature of Bishop Osmond.

But the contrast and conflict between military and ecclesiastical power in Old Sarum was stark. Writer Peter of Blois in 1200 described Old Sarum as “barren, dry, and solitary, exposed to the rage of the wind; and the church stands as a captive on the hill where it was built, like the ark of God shut up in the profane house of Baal.”

By 1219, the contrast became open conflict. The place proved too small to hold both cathedral and castle. The King’s men held captive the churchmen of Bishop Richard Poore, and the bishop begged the king to have the cathedral relocated to another site two and a half miles away, where it stands to this day in the township of Salisbury .

The Salisbury Cathedral, built in 1220 and completed in 1258, is one of the most imposing churches in the world. It was constructed with a single, consistent architectural style, Early English Gothic. Originally known as St. Mary’s Church under the Catholics and before the Protestant Reformation, the statue of the Virgin Mary and Child sits above the massive church door.

I was in Salisbury Cathedral at about this time three years ago.

Walking inside the church is like walking through the corridor of dark-lit, incense-filled centuries. All around one sees medieval frieze, chapters of an enduring faith captured in stained glass.

All around are scenes from the books of Genesis and Exodus; captured in colored glass are portraits of Adam and Eve, Noah, the Tower of Babel , Abraham, Isaac, Jacob, and Jesus with the Apostles.

Displaced behind protective glass inside the cathedral is one of the best preserved copies of the Magna Carta, the charter of liberty and rights granted and signed by King John in Runneymede in June 1215. (Another copy is at the Holy Trinity Church in Stratford upon Avon where William Shakespeare is buried.)

One item of great curiosity is the cathedral clock. It is the oldest working clock in the world, dating back to medieval times, circa 1386. It stands in a corner of the church nave, ticking the hour as it has done for over 600 years. The clock has no face, only its exposed mechanism, and it gives the hour by tolling the church bell.

In the heart of Salisbury Cathedral is a huge marble holy water font with water ever-flowing down the four spouts at its sides. The water is as clear and placid as glass and the font is always full.

A middle-aged British woman dips her fingers in the water and makes the sign of the cross. I follow her gesture of faith.

The sign of the cross is a gesture that ties the two of us – Catholic and Anglican – in a common bond.

And the holy water flows serenely down, constant as faith.